BOOK NEWS: Post-1960 poetry speaks directly to eroding notions of public life

Poetry in General: How a Literary Form Became Public

By Keegan Cook Finberg

Columbia UP, 2025

ISBN: 9780231219228

https://cup.columbia.edu/book/poetry-in-general/9780231219228/

In the second half of the twentieth century, poetry leapt out of books and became an interdisciplinary public form. Poetry entered bureaucratic systems of organization like index card catalogues; it pushed the boundaries of privately owned public parks. Keegan Cook Finberg argues that poetry became an increasingly capacious force during this period because it could speak directly to the degradation of the social-democratic notion of the public.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Poetry in General explores how poets expanded their practice into the realms of politics, work, and everyday life from 1960 to the present, from the apex of the welfare state to an era of privatization and austerity. It considers a compelling array of figures—including Yoko Ono, George Brecht, Frank O’Hara, Amiri Baraka, Bernadette Mayer, Eleanor Antin, Adrian Piper, and NourbeSe Philip—whose works draw on conceptual techniques to transform official documents and spaces. Finberg shows how these public texts expose the mechanisms of the neoliberal consensus about work and leisure, the state’s facilitation of capitalism, and enduring racial and gender inequities. She also provides politically charged ways to interpret and critique racial capitalism, antiabortion legislation, and mass debt. A new literary and institutional history of postwar poetics, this book shows how poetic experiments address the privatization of collective life and rethink the category of the public.

"Poetry rarely gets to be general, but Keegan Cook Finberg blasts past misconceptions of marginality, framing it as a vibrant, interdisciplinary, public practice. What a relief to see this truth so clearly stated: poetry—when at its weirdest!—is uniquely positioned to contest the state's facilitation of capital." —Sarah Dowling, author of Here Is a Figure: Grounding Literary Form

"Keegan Cook Finberg takes poems seriously enough to see their claims on expanding the genre of poetry itself. Recognizing ambitions beyond individual expression, Poetry in General reads poems not as private refuges from social politics but as urgent interlocutors in a world of increasing privatization and politically managed bodies." —Craig Dworkin, author of Dictionary Poetics: Toward a Radical Lexicography

Keegan Cook Finberg is an assistant professor of English and affiliated faculty in the Departments of Gender, Women’s, and Sexuality Studies and Language, Literacy, and Culture at University of Maryland, Baltimore County.

BOOK NEWS: Examining anachronism in contemporary comics

The New Old Style: Anachronism in Contemporary Comics

By Matthew Levay

U of Nebraska P, 2026

ISBN: 9781496237620

https://www.nebraskapress.unl.edu/nebraska/9781496237620/the-new-old-style/

The New Old Style explores how the deliberate use of cartooning styles that mimic those of the early twentieth century has paradoxically become one of the most significant vehicles for formal experimentation in contemporary comics. Dubbing this phenomenon “the anachronistic aesthetic,” Matthew Levay argues that what can initially appear to be a nostalgic affinity for outmoded drawing styles is in fact a complex and holistic movement in contemporary comics with profound consequences for how artists and audiences might understand the critical possibilities and historical legacies of the medium itself.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The phenomenon of anachronism as an aesthetic mode is visible in North American comics as early as the 1970s, but it rose to prominence in the 1990s. Since then, multiple artists have drawn in ways that reference cartooning styles of the distant past—those of early twentieth-century newspaper comics, early American animation, and midcentury comic books for young children, to name a few. The New Old Style characterizes these cartoonists’ use of anachronism as a mode of critical engagement that reveals how comics, as a medium, can simultaneously interrogate its history—and the violence, misogyny, and racial stereotypes that pervade it—while opening up new ways of addressing its aesthetic conditions. A work of comics history as well as theory, The New Old Style traces the uses of anachronism in comics published from the 1970s to the present and, via a focused set of case studies, argues that those uses represent a wide-ranging critique of the politics of the past, the material culture of the present, and the aesthetic possibilities of the future.

“In isolating the anachronistic aesthetic, The New Old Style makes an important contribution to the field of comics studies, providing a critical term for a distinctive style or even a kind of genre, and offering a vocabulary and a set of parameters for other scholars to think about similar works. The distinctions being made between the anachronistic aesthetic, retro style, and nostalgia more broadly provide useful contextualization.”—Barbara Postema, author of Narrative Structure in Comics: Making Sense of Fragments

“Through the notion of the ‘anachronistic aesthetic,’ The New Old Style helps contextualize an important strand of comics and cartooning that is increasingly prevalent in both independent comics and those owned by major media corporations. By introducing this term, The New Old Style situates itself at the forefront of a conversation that is only beginning to emerge, and I suspect that the introduction, in particular, will be frequently cited by scholars working on independent and alternative comics, especially those interested in the cartoonists represented in this volume.”—Zack Kruse, author of Mysterious Travelers: Steve Ditko and the Search for a New Liberal Identity

Matthew Levay is a professor of English at Idaho State University. He is the author of Violent Minds: Modernism and the Criminal.

BOOK NEWS: An expansive and multifaceted account of the Bloomsbury Group

A History of the Bloomsbury Group 

Edited by Derek Ryan

Cambridge UP, 2025

ISBN: 9781009423663

https://www.cambridge.org/us/universitypress/subjects/literature/english-literature-1900-1945/history-bloomsbury-group

A History of the Bloomsbury Group ranges more widely across the Bloomsbury group's interdisciplinary activities and international networks than any previous volume. From innovations in the literary and visual arts to interventions in politics and economic policy, core members including Virginia Woolf, Leonard Woolf, E. M. Forster, Lytton Strachey, Vanessa Bell, Clive Bell, Duncan Grant, Roger Fry, and John Maynard Keynes are explored in relation to a diverse cast of lesser-studied figures to offer an expansive and multifaceted account of the group's achievements and influence. Leading international scholars provide authoritative and accessible commentaries on a variety of topics under the broad headings of 'Aesthetic Bloomsbury,' 'Global Bloomsbury,' 'Intimate Bloomsbury,' and 'Public Bloomsbury.' Whether addressing established narratives or pushing into new critical terrain, the book demonstrates that, more than a century on from its formation, the Bloomsbury group remains an active and dynamic force in the key critical debates of today.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

• Shows how relevant the Bloomsbury group remains for the study of modernism and contemporary culture
• Demonstrates how serious engagement with the Bloomsbury group involves analysis of literature, the visual arts, economics, global politics, gender and queer studies, and more
• Offers a range of historically contextualized readings by experts in the field

Contents

1. The Bloomsbury friction by Derek Ryan

Part I. Aesthetic Bloomsbury:

2. The Bloomsbury novel by Jesse Matz

3. Bloomsbury's shorter fiction by Bryony Randall

4. Bloomsbury and the new biography by Todd Avery

5. Post-impressionism and the Bloomsbury brand by Wendy Hitchmough

6. Bloomsbury and music by Tsung-Han Tsai

7. Poetry in, or around, Bloomsbury by Sara Sullam

Part II. Global Bloomsbury:

8. Bloomsbury, South Asia, and empire by Susheila Nasta and Florian Stadtler

9. Bloomsbury and China by Patricia Laurence

10. Bloomsbury and the USA by Mark Hussey

11. Bloomsbury and Russomania by Rebecca Beasley

12. Cross-channel diplomacy and postwar Bloomsbury by Claire Davison

13. Late Bloomsbury's dialectic of enlightenment by Christine Froula

Part III. Intimate Bloomsbury:

14. Bloomsbury, friendship, and love by Jesse Wolfe

15. Bloomsbury's gender politics by Pamela Caughie

16. Bloomsbury, nudity, and race by Jane Garrity

17. Bloomsbury and psychoanalysis by Gabrielle McIntyre

18. Bloomsbury life writing by Drew Patrick Shannon

Part IV. Public Bloomsbury:

19. Bloomsbury and economics by Paul Crosthwaite

20. Bloomsbury and the meanings of labor by Morag Shiach

21. The Bloomsbury bookshop by Derek Ryan

22. Bloomsbury, education, and meritocracy by Natasha Periyan

23. Bloomsbury and science by Michael H. Whitworth

24. Bloomsbury afterlives by Monica Latham

Derek Ryan is a senior lecturer in modern literature at the University of Kent. His previous books include Bloomsbury, Beasts and British Modernist Literature (2022), and the co-edited volumes Cross-Channel Modernisms (2020) and The Handbook to the Bloomsbury Group (2018). He is editor of Edinburgh University Press's book series Virginia Woolf – Variations.

BOOK NEWS: Examining transhistorial re-imaginings of the early American past in literary and creative media

Early America and the Modern Imagination: Rewriting the Past in the Present 

Edited by Patrick M. Erben and Rebecca L. Harrison

Edinburgh UP, 2025

ISBN: 9781399536172

https://edinburghuniversitypress.com/book-early-america-and-the-modern-imagination.html

Recurring culture war controversies in the US—ranging from reproductive freedom and gender identity to racial inequality and immigration—often turn public attention to early American precedents. At the same time, early American figures and tropes enjoy a stunning cachet in popular culture. Early America and the Modern Imagination squarely interprets the significance and cultural uses of these transhistorical re-imaginings of the early American past. While drawing productively on public memory scholarship, this volume augments its neglect of early American studies. The collection’s critical and pedagogical essays investigate how a variety of modalities—including literature, film, television, theatre, video games and graphic novels—rescript early America as a usable past for contemporary audiences. Early America and the Modern Imagination, therefore, interprets early American themes and their present-day echoes to grapple with the evolving and highly contested import of the American nation’s past in the present cultural moment.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

• Analyses the pervasive use of early American themes in contemporary culture, including literature, television series, film, theatre, graphic novels and video games
• Combines expertise in early American research methods with the study of new modalities (such as video games and graphic novels) and cultural paradigms (such as restorative approaches to Native American history and sovereignty)
• Interfaces with the burgeoning field of memory studies/public memory, especially its examination of cultural artifacts as mediators of a shared past
• Models innovative methodological approaches for navigating transhistorical topics and textualities that so far lack robust scholarly treatment
• Foregrounds particular strengths in Native American and Indigenous studies, African American studies, Gender and Sexuality studies, and Film studies

"This book is both brilliant and necessary. Each chapter links a deep knowledge of the past to its modern redeployments in contemporary media. In doing so, the book makes a powerful case for the humanities, explaining public memory and showing how important it is for literary scholars to study it. A vital project, and a terrific book." – Abram Van Engen, Washington University in St. Louis

Patrick M. Erben is professor of English at the University of West Georgia. He is the author of A Harmony of the Spirits: Translation and the Language of Community in Early Pennsylvania (2013) and co-edited The Francis Daniel Pastorius Reader (2019). Erben is a past president of the Society of Early Americanists and currently serves on the editorial board for Early American Literature.

Rebecca L. Harrison is professor of English at the University of West Georgia. She is the co-editor of the Eudora Welty Review and President of the Eudora Welty Society. Her books include Inhabiting La Patria: Identity, Agency, and Antojo in the Work of Julia Alvarez (2013), Teaching, Pedagogy, and Learning: Fertile Ground for Campus and Community Innovations (2017) and Revitalizing Classrooms: Innovations and Inquiry Pedagogies in Practice (2017).

BOOK NEWS: Examining department stores in French and Egyptian literature

Emporialism: Department Store Fictions and the Politics of the Mediterranean

By Amr Kamal

SUNY Press, 2025

ISBN: 9781438499468

https://sunypress.edu/Books/E/Emporialism

A comparative study of iconographic and fictional representations of department stores in France and Egypt, as sites of imperial and Mediterranean cultural memory, from 1869 to the present.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

This book examines what Amr Kamal calls the phenomenon of emporialism, or the convergence between the spaces and imaginaries of empires and emporia in the context of a modern Mediterranean divided among the British, French, and Ottoman empires. By "emporia," Kamal refers to the commercial network of nineteenth-century department stores, which gained prominence after the Suez Canal project. Taking as a focal point French and Egyptian department stores, the author examines emporialism as a set of phenomenological experiences, discursive and social praxes, and mechanisms of control and resistance, born from the intersection of modernity, colonialism, and mass consumption. Drawing on archival evidence, Kamal reads iconographic and literary representations of emporia in English, French, Arabic, and Hebrew, from the nineteenth century to the present, addressing works by Émile Zola, Huda Shaarawi, Jacqueline Kahanoff, and others. Emporialism, Kamal argues, served to rewrite the history of the Mediterranean, to reinvent national belonging, and to interrogate issues of modernity and social justice.

"A major critical study of the phenomenon of the department store in modern consumer culture, Emporialism offers a stimulating intervention in the fields of Egyptian literature, French literature, cultural studies, and postcolonial studies. Blending historical, literary, and visual analysis, Kamal rigorously draws out and cross-examines the interplay of imperialism, Orientalism, and commerce in transnational contexts, while the illustrations help highlight the rich iconography of the emporium." — H. Hazel Hahn, editor of Cross-Cultural Exchange and the Colonial Imaginary: Global Encounters via Southeast Asia

"The word 'Emporium' today carries with it a quaint and nostalgic reference to a luxurious and remote past. But if the great nineteenth-century 'department stores' have been eclipsed today by the Amazons of the Internet, Amr Kamal's genealogical, multinational study invests them with an 'aura'—in the sense given the word by Walter Benjamin. In its disappearance, Emporialism casts an illuminating light upon contemporary consumer culture." — Samuel Weber, author of Preexisting Conditions: Recounting the Plague and Singularity: Politics and Poetics

Amr Kamal is associate professor of French, Arabic, and comparative literature at the City College of New York and the CUNY Graduate Center.

NEW ISSUE: JML 49.3 (Spring 2026) "Long Modernisms" is now LIVE

Journal of Modern Literature 49.3 (Spring 2026), on the theme "Long Modernisms," edited by Jean-Michel Rabaté, is now LIVE on ProjectMuse at https://muse.jhu.edu/issue/57113.

Content includes:

Jean-Michel Rabaté

Long Modernisms: Editor’s Introduction

Jonathan Foster

Woolf’s Westminster: Decentering the State in Mrs. Dalloway

Carolina Iribarren

Strange Communications: Conversation Breakdowns, Monadic Hang-Ups, and Telepathic Approximations in Virginia Woolf’s Novels

Yuli Pan

Anticipating the Postdramatic: Greek Ritual, Modernist Rupture, and Theatrical Innovation in Woolf’s Theater-Fiction Between the Acts

Florian Gargallio

Histories of Violence: William Carlos Williams and Daniel Boone

Nathan Wallace

Dante and Moses in “The Parable of the Plums”

Joseph LaBine

“Gabriel the chauffeur”: James Joyce and D.H. Lawrence as Modernist Precursors to W.G. Sebald’s “Ambros Adelwarth” 

Andrew Koenig

The Refusal to “Write Back” in Elizabeth Costello

Thomas Gould

The Everyday Conversation and the Construction of Whiteness in Claudia Rankine and Rachel Cusk

Carra Glatt

Trompe-l'œil: Neo-Victorian Plotting in Donna Tartt’s The Goldfinch

Phillip Masterman Broadbent

Against the Oriental Gaze: Race and Belonging in Yoko Tawada’s The Naked Eye

Reviews

Ira Nadel

Reading Ellmann Reading Joyce

Arka Chattopadhyay

Reading The Nabokov Effect: The Letter between Literature and Cinema

 

Matthew Holman

Glittering Like Cut Glass 

BOOK NEWS: Centennial edition of Robinson Jeffers poems in wide format

Roan Stallion, Tamar and Other Poems, Centennial Edition

By Robinson Jeffers
Foreword by Elliot Ruchowitz-Roberts, Afterword by Tim Hunt 

Tor House Press, 2025

https://www.torhouse.org/tor-house-press/p/the-echo-vase-7drbh

Robinson Jeffers (1887-1962), a contemporary of Pound and Eliot, was in the 1920s and 1930s viewed as one of the most significant American poets. His explorations of narrative poetry and his long verse line contributed to several of the major New Critics dismissing his work when the classroom canon was initially formulated in the 1940s and 1950s, but his rejection of Imperialism, critique of modern mass society, and advocacy for environmental matters are leading to renewed interest in his work. A new edition of Roan Stallion, Tamar and Other Poems (1925), the collection that initially made his reputation, attempts to re-present his work in a manner that invites additional reappraisal of his craft and artistry.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The pages of this centennial edition of Roan Stallion are landscape rather than portrait so that none of the long verse lines are doubled back because of the right margin. Also, the edition uses the corrected punctuation from The Collected Poetry of Robinson Jeffers (Stanford UP) and thus removes the additional layer of punctuation the typesetters added when the book was first published. These adjustments provide a clearer record of the momentum, modulations, and inflections of the poetry. 

“The publication of the Roan Stallion/Tamar volume a century ago was a major event in American letters. It not only announced the arrival of a major poet, and a poet from the west far from, the eastern establishment; it also proclaimed and enacted a poetics antithetical to the modernist poetics of Pound and Williams. A different sense of poetic form, but also, more essentially, a different sense of the sources and ends of poetry. The wide format of William Everson’s hand press volume of Granite and Cypress some years ago was a revelation because it released Jeffers’s free verse line to run with full sweep and force without line-breaks. This centennial edition of Jeffers’s breakthrough volume gives us the poems at last in their full form.” —Albert Gelpi

“One can't fully understand the force and originality of Robinson Jeffers’s poetry until one sees his lines laid out exactly as they were written without the line breaks made necessary by commercial formats. I remember the startling clarity I experienced when I saw William Everson's Granite and Cypress. The new Tor House Press edition of Roan Stallion, Tamar & Other Poems makes it possible to see (as well as hear) the strange, tragic music that made Jeffers famous. I can't think of a better way to celebrate the centennial of Roan Stallion than to allow us to see the texts, clear and unbent, for the first time.” —Dana Gioia 

“After The Waste Land and the early Cantos of Pound, or perhaps Marianne Moore’s Poems, Roan Stallion, Tamar and Other Poems was the second or third shock of modernist aesthetics to transform American poetry. This edition is the perfect way to recover that shock and its energy for a new generation of readers.” —Robert Hass

 

As a resource for instructors, Jeffers's first four trade collections are now available as PDFs from the Robinson Jeffers Association at https://robinsonjeffersassociation.org/his-writing/poetry/ 

BOOK NEWS: Contemporary Mexican literature's representations of sapphic desire

Lenchitudes: Sapphic Representation in Contemporary Mexican Narrative

By Alejandra Márquez

SUNY Press, 2026

ISBN: 9798855805154

https://sunypress.edu/Books/L/Lenchitudes2

Shows how representations of sapphic desire can subvert or sustain prevailing norms of gender, sexuality, and power in Mexican texts from the 1980s to the 2010s.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Drawing inspiration from the 2020 Marcha Lencha—"Lesbian March"—in Mexico City, Alejandra Márquez expands the concept of lenchitudes into a critical framework for thinking about gender and sexuality more expansively and inclusively, beyond essentialist identity categories. Assembling a lesbian archive that stretches from the publication of Rosamaría Roffiel's cult classic Amora in 1989 to the 2010s, Lenchitudes argues that sapphic representation in contemporary Mexican narrative subverts but also reinforces patriarchal norms. Sapphic narratives, Márquez argues, are not inherently queer but rather can uphold binary gender roles, heteronormativity, and monogamy. Bridging literature and activism, and putting theorists such as Judith Butler, Jack Halberstam, and José Esteban Muñoz into conversation with Latin American scholarship, Lenchitudes boldly joins ongoing debates about the place of queerness, or lo cuir, in Latin America.

"Sure to become a reference point for research and teaching in LGBTQ+ studies in and about Latin America, Lenchitudes challenges the dominant focus on gay male representation in cuir studies without simply adding lesbian culture to the existing scholarship. In dialogue with both the epistemologies of Mexican social movements and Latin American lesbian, marica, and travesti thinkers, Márquez moves beyond an identity-based approach to gender and sexuality, exploring the entanglement of multiple sapphic representations, desires, and experiences." — Patricio Simonetto, author of A Body of One’s Own: A Trans History of Argentina

"A very important contribution to the study of Spanish-language LGBTQ+ literature and culture from Mexico. Márquez incorporates a deep knowledge of queer/cuir approaches, skillfully connecting concepts from Anglo-American theory to related, though distinct, Mexican cultural schemes to produce readings that transcend the identity politics of Mexican lesbian-feminist circles. Lenchitudes is poised to help visibilize Mexican sapphic cultures in the English-speaking world." — Brandon Bisbey, author of Between Camp and Cursi: Humor and Homosexuality in Contemporary Mexican Narrative

Alejandra Márquez is an assistant professor of Spanish at Michigan State University.

BOOK NEWS: Reading Irish women's writing through a queer, postcolonial lens

Queering Twentieth-Century Irish Women’s Writing: Uneasy Moderns

By Naoise Murphy

Edinburgh UP, 2025

ISBN: 9781399547468

https://edinburghuniversitypress.com/book-queering-twentieth-century-irish-women-s-writing.html

A queer, postcolonial reading of twentieth-century Irish women’s writing

• Advances queer studies debates about resistance, progress and ‘bad feelings’ from a peripheral, postcolonial location
• Provides a new reading of canonical Irish women writers that challenges reductive celebratory narratives
• Intervenes in Irish public culture and feminist/LGBT+ history, advocating queer modes of thought as a response to the difficulties of a traumatic past

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Bringing together a group of untimely, queerly-oriented writers – Dorothy Macardle, Kate O’Brien, Elizabeth Bowen and Molly Keane – this book unsettles the conventional narratives of modern Irish culture. Despite attempts to impose a linear narrative of progress, feel-good accounts are clearly inadequate to the realities of contemporary Ireland. Guided by a queer refusal to move on from bad feelings, Naoise Murphy disrupts common-sense narratives of modernisation, gender, sexuality and race in the postcolonial state. Lingering with unease and discomfort in the work of mid-twentieth-century women writers and the spaces they occupied, this book pays close attention to inadmissible feelings of loss, anxiety, hauntedness and melancholia. By embracing discomfort, it moves towards a less idealising form of queer studies that is more responsive to the complexity of queer history, and offers a new story of Irish culture in the twentieth century.

"Naoise Murphy considers the fate of several ‘uneasy moderns’ – women whose recalcitrance and knotty attachments to the past rendered them out-of-step with their historical moment. This brilliant analysis of haunted texts and spaces speaks back to the narrative of Ireland’s progressive and secular modernity, pointing instead to the ongoing legacies of colonialism, sectarian violence and patriarchal authority." – Heather Love, University of Pennsylvania

Naoise Murphy is a researcher specialising in twentieth-century literature and queer studies and has taught at the University of Cambridge, Maynooth University and the University of Oxford.

BOOK NEWS: Rediscovering misplaced queer history in Irish literature and film

Queer Possessions: Creative Criticism and Modern Irish Literature

By Patrick R. Mullen

Syracuse UP, 2026.

ISBN: 9780815612131

https://press.syr.edu/supressbooks/9432/queer-possessions/

Too often, fleeting moments rooted in queer experience have appeared in popular fiction, only to be little remarked upon, often noted only as a sign of continuing neoliberal social advances. In Queer Possessions: Creative Criticism and Modern Irish Literature, Patrick Mullen makes the case for a more personal analysis of these moments, finding ways for readers to create new meaning and explore closer readings of key texts.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Queer Possessions is divided between close readings of modern Irish novels and films and creative readings of the same texts, to give readers the tools to engage more deeply with the process of analysis and criticism. In the first mode, Mullen examines how modern Irish literature has frequently featured comedy to represent queer sexuality and economic crisis in the twenty-first century. This analysis allows for the second mode, in which the text helps readers to assume a critical role, encouraging their own creative readings of texts and imagining more of the works.

Equal parts critical and playful, Queer Possessions works to rediscover misplaced queer history, encourage new forms of experiencing text, and empower readers to create new interpretations and works.

"What sets this book apart is its innovative approach to critical and creative reading. It doesn’t just offer theoretical insight, but delivers practical strategies for engaging with texts in imaginative, politically attuned, and meaningful ways, which is now more crucial than ever in the classroom. Queer Possessions is invaluable resource for scholars, educators, and students seeking new ways to approach and interpret literature."—Páraic Kerrigan, author of Reeling in the Queers: Tales of Ireland’s LGBTQ Past

Patrick R. Mullen is an associate professor of English at Northeastern University. He is the author of The Poor Bugger’s Tool: Irish Modernism, Queer Labor, and Postcolonial History.

BOOK NEWS: Examining ecological care in postcolonial poetry from the 1970s to present

Postcolonial Poetry and the Environment: Place, Precarity and Justice

By Pramod K. Nayar

Bloomsbury, 2025

ISBN: 9781350499089

https://www.bloomsbury.com/us/postcolonial-poetry-and-the-environment-9781350499089/

Examining a wide variety of poets from the last three decades of the 20th century to the present, from Asian, African, South American and settler colonies such as Canada and Australia, Pramod K. Nayar maps a poetry of ecological care, vulnerability and resilience.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

While environmental fiction has been widely studied, environmental poetry has not received the same level of attention. In Postcolonial Poetry and the Environment, Nayar studies the work of over 50 poets from the Global South and the formerly colonized, including John Kinsella, Tanure Ojaide, Linda Hogan, Kofi Awonoor, Okot p'Bitek, Ben Okri, and Sherwin Bitsui. He traces an ecological consciousness that cuts across human and nonhuman, living and non-living domains. This book is interested in the making, unmaking and remaking of worlds and meanings in the age of cataclysmic climate shifts, while aware of the histories that fashioned the planet in unjust and unequal ways, and to which the poets bear witness, as well as proposing alternative ways of seeing and meaning-making.

Pramod K. Nayar teaches at the Department of English, University of Hyderabad, India, and is also Distinguished Professor, School of Liberal Arts, Indian Institute of Technology, Hyderabad. His most recent books include Vulnerable Earth (2024), Nuclear Cultures (2023) Alzheimer’s Disease Memoirs (2021), The Human Rights Graphic Novel (2021), Ecoprecarity (2019), Bhopal’s Ecological Gothic (2017), and others. His essays have appeared in Modern Fiction Studies, South Asian Review, South Asia, Narrative, Celebrity Studies, Asiatic, Prose Studies, a/b:Auto/Biography Studies, Biography, among others. Nayar also holds the UNESCO Chair in Vulnerability Studies at the University of Hyderabad.

BOOK NEWS: Tracing the figure of the Asian girl in midcentury and postwar American fiction

Asian Girlhood in the Shadows of US Empire

By Sharon N. Tran

University of Minnesota Press, 2026

ISBN 978-1-5179-1986-3 

https://www.upress.umn.edu/9781517919863/asian-girlhood-in-the-shadows-of-us-empire/

Representations of the “Asian girl” as lucky objects of humanitarian rescue and rehabilitation have been used to advance America’s imperial ambitions from World War II to the wars in Korea and Viet Nam. In this compelling work, Sharon N. Tran traces the production and instrumentalization of this figure through an examination of state documents, military newspapers, documentary photographs, and other archival materials. Theorizing “Asian girlhood” as a technology of imperial power, Tran exposes how the Asian girl is invoked as a shield that protects the innocence of US empire while she is excluded from innocence herself—relegated instead to a precarious position between child and adult, human and nonhuman, plaything and laborer.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Offering fresh insight into how imperial power operates, Tran analyzes figures such as the Japanese American school-girl in the context of World War II incarceration, the elusive “camptown girl,” and the objectified image of the “Napalm Girl.” Her innovative feminist approach interrogates the tendency to reclaim innocence for the Asian girl or to reframe her as an empowered woman. She engages the work of writers and artists such as Kiku Hughes, Nora Okja Keller, Aimee Phan, and lê thi diem thúy to demonstrate how Asian American literature offers rich theoretical interventions for critiquing the child–adult dichotomy that underpins key structures of imperial domination, illuminating more capacious conceptions of girlhood.

Restoring the dignity and agency of a figure too often denied both, Asian Girlhood in the Shadows of US Empire is a groundbreaking intersectional contribution to studies of gender, race, childhood, and state power.

"Ambitious, thoroughly researched, and illuminating, Sharon N. Tran’s brilliant intervention adopts a novel feminist approach to the problematics of race and empire that lie at the heart of Asian American studies. Asian Girlhood in the Shadows of US Empire sits in the discomfiting location of the subject who’s silenced, tapping both its potential for critique as well as its capacity for imagining Asian Americanness otherwise."—Daniel Y. Kim, author of The Intimacies of Conflict: Cultural Memory and the Korean War

"In Asian Girlhood in the Shadows of US Empire, Sharon N. Tran perceptively demonstrates the significant appearance of the Asian girl throughout the archives of US military and imperial enterprise. By examining this figure in twentieth-century and contemporary Asian American literature and culture, Tran offers a persuasive and moving response to this history, theorizing how Asian girlhood obliges us to reckon with the past anew."—Crystal Parikh, author of Writing Human Rights: The Political Imaginaries of Writers of Color

Sharon N. Tran is assistant professor of English at the University of Maryland, Baltimore County.

BOOK NEWS: Examining modern Catholic authors' approach to suicide

Suicide in Modern Catholic Literature

By Martin Lockerd

Cascade Books, 2025

ISBN: 9781666786019

https://wipfandstock.com/9781666786019/suicide-in-modern-catholic-literature/

Suicide plays a major role in modern literature and the philosophy that informs it. For Catholic authors, who have always understood the act within the framework of sin and redemption, it carries a special significance. In the last century, Catholic literary figures as diverse as J.R.R. Tolkien and Walker Percy, Robert Hugh Benson and Muriel Spark, J.K. Huysmans and Graham Greene, wrestled with the problem of suicide in their work and produced art that confronts the despair so common in modern existence. As suicide rates continue to increase across the developed world and entire nations embrace and expand legalized assisted suicide, this book draws readers back to Catholic literature as a resource for understanding and perhaps even resisting this trend.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

“Martin Lockerd’s book enters with profound compassion into the contemporary problem of suicide and the causes for it, which lie far deeper than a secular therapeutic culture can address. Starting with Michel Houellebecq’s diagnosis of a world suffering hopelessly from the death of God, Lockerd goes on to explore the wisdom of Catholic writers from Greene to Percy who suffer the desolation of the postmodern world and yet find a way to belief and hope.” —Glenn C. Arbery, professor of humanities, Wyoming Catholic College

“Suicide is too serious to be left to the psychologists. ‘Chemical imbalance’ cannot do justice to the deeper meanings of melancholy. Steeped in philosophical foundations and theological revelations that stave off sentimental, presumptive mercies, Martin Lockerd looks to literature lit with a Catholic vision to interrogate, with sustained sympathy, what attracts us to the abyss of self-immolation. Considering a richly eccentric range of authors—from Tolkien to Houellebecq—he weighs what is found wanting in modernity to diagnose a range of causes that tempt too many to jump to their deaths. Even as he grants the gains of good psychology, Lockerd avoids reducing literature to another therapeutic tool. Rather, drawing from literature’s capacity to form our feelings and grant them catharsis, he manifests the distinctive potencies of great and good books to help heal the sickness unto death.” —Joshua Hren, author of the novels Infinite Regress and Blue Walls Falling Down

Martin Lockerd is an associate professor and division dean at the University of St. Thomas, Houston. He joined UST in 2022 to help guide a renewed core curriculum in the Catholic liberal arts tradition. Dr. Lockerd received his BA from the Thomas More College of Liberal Arts and his PhD in English from the University of Texas at Austin. His scholarship has appeared in the Journal of Modern Literature, Modern Fiction Studies, the Yeats/Eliot Review, Mythlore, and Logos. His first monograph, Decadent Catholicism and the Making of Modernism, was published in 2020.

BOOK NEWS: Contemporary ecopoetry connecting nature's creation processes and composition

Experimental American Poetry and the New Organic Form

By João Paulo Guimaraes

Bloomsbury Academic, 2025

ISBN: 9781350414891

https://www.bloomsbury.com/in/experimental-american-poetry-and-the-new-organic-form-9781350414891/

Arguing that the nineteenth century concept of “living form” (the idea that, like an organism, a poem develops itself from within, according to an internal logic) is not, as some critics have argued, anathema to avant-garde writing, this book contends that the concept survived and flourished in the work of a number of contemporary experimental poets.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Indebted to nineteenth century science, the notion of a “living form” endured throughout the twentieth century and the poetic vanguard's word games and collages mirrored the disjunctive frameworks that redefined how scientists made sense of life in the age of networks and non-linear systems.

Featuring readings of texts from poets including Ed Dorn, A.M.J. Crawford, P. Inman, Chris Vitiello, and Christian Bök, this book shows how a number of vanguardist poets explores the commonalities they detected between nature's processes of creation and their own methods of composition. In doing so, it highlights devices like punning, paragrammatic play, metamorphic figuration and memetic repetition, mechanisms these poets find at work in the cybernetic, genetic and digital systems they investigate in their poems.

"An excellent contribution to scholarship on poetry and the natural sciences, persuasively linking recent innovative poetics to changing ideas of living systems. Splendid readings of the poetry of Vitiello, Inman, Crawford, and Dorn, as well as an overview of new direction in biopoetry and a glance backward at Moore as a modernist precursor reshaping models of life via language. I highly recommend this book for anyone interested in nonhuman poetry, ecopoetry, or Romanticism's evolving legacy" --Susan Venerborg, University of South Carolina

João Paulo Guimarães is an FCT full-time researcher at the Comparative Literature Institute of the University of Porto.

A Closer Look at JML 49.2: What Happens When Regionalism Takes Animals Seriously?

 

In a post for the Indiana University Press blog, author Nir Evron discusses how Mary E. Wilkins Freeman, like other regionalist writers, depicts animals as individualized beings with distinctive experiences and inner lives that demand recognition and interpretation. Read it HERE.

His JML 49.2 essay, "Intimate Strangers: Regionalism and the Construction of Nonhuman Subjectivities in Mary E. Wilkins Freeman’s Animal Fiction," is available to read FREE for a limited time.

NEW ISSUE: JML 49.2, “Bodies, Subjectivities, and States of Queer Abundance”

JML 49.2 (Winter 2026), edited by Ramón E. Soto-Crespo, on the theme “Bodies, Subjectivities, and States of Queer Abundance” is now live on Project MUSE at https://muse.jhu.edu/issue/56630.

Content includes:

Nir Evron

Intimate Strangers: Regionalism and the Construction of Nonhuman Subjectivities in Mary E. Wilkins Freeman’s Animal Fiction

FREE

Claire Marie Class

X-Rays, Probes, Fingers, and Noses: Empiricism in Rudolph Fisher’s Detective Fiction 

Ian Tan

Narrative Equilibrium and Biopolitical Aesthetic Image in Philip Roth’s Nemesis: Health as Hermeneutical Exchange 

Meindert Peters

No Creature of Habit? Gregor’s Dancing Dis/Abilities in Arthur Pita’s Adaptation of Franz Kafka’s The Metamorphosis 

Megan Girdwood

“As if some lovely rose had blossomed for her eyes only”: Virginia Woolf, the Ballets Russes, and Le Spectre de la Rose (1911) 

Jena DiMaggio

Abortion Epistemology: Ambivalence in the Abortion Plot in Modern Literature 

Julyan Oldham

“Preserved Through Childbirth”: Reading Deep in Mrs. Dalloway’s Virginity 

Chris Coffman

H.D.’s Nonbinary Poetics

Daniel Swain

Frank O'Hara Has Collapsed! 

Julia C. Obert

Queering Irish Joy: Seán Hewitt’s Rapture’s Road 

Reviews 

Grant Matthew Jenkins

“This Is Your Brain on Poetry” 

Aaron Stone

How to Do the History of Queer American Literature

BOOK NEWS: Examining maternal love and power in American fiction

Mothers, Mobility, Narrative: Maternality in US Literature

By Mary Jo Bona

SUNY Press, 2025

ISBN: 9798855801996

https://sunypress.edu/Books/M/Mothers-Mobility-Narrative

Shows how US literary representations of mothering across racial, ethnic, and LGBTQ communities challenge ideological prescriptions about motherhood and maternal love.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Mothers, Mobility, Narrative pairs women-identified writers whose work illuminates a range of maternal practices in the face of egregious structural inequalities and obstacles. By using the critical lens of maternal feminism, alongside recent theories of time, space, and memory, Mary Jo Bona reengages the field of motherhood studies to explore linkages between motherhood and movement. Across genres, Harriet Jacobs, Willa Cather, Toni Morrison, Audre Lorde, Kym Ragusa, Carole Maso, Cristina García, and Rebecca Makkai develop maternal figures who, in battling against institutional oppressions in eras of slavocracy, colonialism, dictatorship, and pandemic, expose the fundamentally intersectional nature of social categorization and disrupt traditional discourses of the maternal. Mothers, Mobility, Narrative rethinks maternality across a century and a half of literary expression in the United States, compelling readers to embrace more capacious understandings of maternal subjectivity, care, and kinship.

"By placing literary texts by women from multiple ethnic cultures in conversation, Mary Jo Bona makes a much-needed intervention into motherhood studies. In Bona's reading, these texts demonstrate how women singularly construct practices of motherhood that resist social scripts. Among other things, the book offers a fresh, timely look at the AIDS health crisis and its impact on the LGBTQ community over decades and across genders, drawing on the work of Audre Lorde to explore literary representations of queer maternality among caretakers." — A Yęmisi Jimoh, coeditor of These Truly Are the Brave: An Anthology of African American Writings on War and Citizenship

Mary Jo Bona is distinguished SUNY professor in the Department of Women's, Gender & Sexuality Studies at Stony Brook University. Among her many books, she is the author of By the Breath of Their Mouths: Narratives of Resistance in Italian America and coeditor, with Irma Maini, of Multiethnic Literature and Canon Debates, also by SUNY Press.

BOOK NEWS: Expanding the metamodernist lens via feminist narrative theories

Contemporary Feminist Fiction and a Case for Expanding Rhetorical Narratology 

By Katherine J. Weese

Ohio State UP, 2025

ISBN: 978-0-8142-1599-9

https://ohiostatepress.org/books/titles/9780814215999.html

In Contemporary Feminist Fiction and a Case for Expanding Rhetorical Narratology, Katherine J. Weese explores intersections among rhetorical, unnatural, and feminist narrative theories and post-postmodern theory to argue that an expanded rhetorical poetics offers the most comprehensive model for illuminating recent works that employ unnatural devices for feminist purposes. This pluralist narratological framework is a vital counterpoint to theorists’ tendency to read twentieth- and twenty-first-century novels through a post-postmodernist or metamodernist lens that overlooks unnatural, feminist, and rhetorical narrative theories.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Examining Ali Smith’s The Accidental and Hotel World, Barbara Kingsolver’s The Poisonwood Bible, Toni Morrison’s Beloved, Kate Atkinson’s A God in Ruins and Life after Life, and Ruth Ozeki’s A Tale for the Time Being, Weese demonstrates how various narratological theories inform rather than compete with one another. Through an expanded rhetorical poetics, including a refined version of James Phelan’s MTS (mimetic, thematic, synthetic) model, she reframes post-postmodern theorists’ concerns with communicative function through a narratological lens to make the case that exploring the rhetorical function of unnatural devices challenges and extends the claims of narrow metamodern readings.

“With enormous skill, Weese shows how an antimimetic narrative can address issues of power and injustice in the real world. She succeeds at a bold and original integration of feminist, rhetorical, and unnatural theories, mapping how they—explicitly or implicitly—interrelate.” —Ellen Peel, author of Politics, Persuasion, and Pragmatism: A Rhetoric of Feminist Utopian Fiction

“Weese provides a salutary intervention into current debates over the nature and history of ‘post-postmodern’ fiction and a timely contribution to narrative theory as she synthesizes several key strands of rhetorical, unnatural, and feminist approaches. An essential book for students and scholars of narrative.” —Brian Richardson, author of A Poetics of Plot for the Twenty-First Century

Katherine J. Weese is venable professor of English at Hampden-Sydney College. Her research has appeared in Storyworlds, Journal of Narrative Theory, Modern Fiction Studies, Narrative, and Journal of the Fantastic in the Arts.

BOOK NEWS: Vital collection of newly discovered Woolf correspondence

 The Uncollected Letters of Virginia Woolf

Edited by Stephen Barkway and Stuart N. Clarke

Edinburgh UP, 2025

ISBN: 9781399507325

https://edinburghuniversitypress.com/book-the-uncollected-letters-of-virginia-woolf.html

Many previously undiscovered letters from Virginia Woolf have come to light since the original six-volume Collected Letters was published between 1975 and 1980. Over 1,400 are included in this vital new book, illuminating facets of Woolf’s life that have previously been hidden or only glimpsed. Important letters to contemporary writers, such as Stella Benson, Rebecca West, Lyn Lloyd Irvine and Berta Ruck, have been unearthed from archives, as well as fifty letters to T. S. Eliot. This book also features substantial collections of letters to Lady Colefax, Winifred Holtby, Mary Hutchinson, Christabel McLaren (Lady Aberconway) and Raymond Mortimer, as well as previously unrecorded correspondents. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Through these letters we see Woolf encouraging would-be authors and negotiating with editors, literary agents and foreign translators in her role as a professional writer. The Uncollected Letters of Virginia Woolf provides extraordinary insight into the variety of acquaintance of one of the most fascinating literary figures of the twentieth century.

"This beautifully designed, sturdy volume... is a colossal work of breathtaking dedication and remarkable scholarship. [...] In this meticulously curated volume, the letters, and our delight in them, will—with their laughter, intrigues and crackling fires—run on and on." – Matthew Macer-Wright, Virginia Woolf Bulletin

"...this late in the game – when [Woolf's] essays and letters have been collected, diaries published (then republished in spiffy new editions) and fiction prefaced, annotated and afterworded ad nauseam – it is rare to get a scholarship-altering book. Stephen Barkway and the late Stuart N Clarke have produced just such a volume. [...] This meticulously edited book, full of Woolf’s writing at its glistening best, will surely help critics in their attempts to grasp the author." – Zoe Guttenplan, Literary Review

"The Uncollected Letters of Virginia Woolf is the most significant contribution to Woolf Studies and the Humanities for decades. This is an immaculate critical work, which is also a major social history, edited by two pre-eminent, expert scholars. The Uncollected Letters sets a gold standard for all such editions in the future." – Maggie Humm, vice-chair of the Virginia Woolf Society of Great Britain and author of The Bloomsbury Photographs

 

Stephen Barkway is a co-founder of the Virginia Woolf Society of Great Britain and was its Chair from 1998 to 2018. He co-edits, and regularly contributes to, the Virginia Woolf Bulletin and in 2018 he gave the Annual Virginia Woolf Birthday Lecture "'This Sheet is a Glass': Virginia Woolf, Woman of Letters."

Stuart N. Clarke is a co-founder of the Virginia Woolf Society of Great Britain and was editor of the Virginia Woolf Bulletin from 1999 to 2022. As well as contributing almost 300 items to the Bulletin, he edited volumes 5 and 6 of The Essays of Virginia Woolf (2009 and 2011) and transcribed Orlando: The Original Holograph Draft (1993).

BOOK NEWS: How Adrienne Rich's political interests affect her later poetry

Adrienne Rich’s Later Poetry: Raya Dunayevskaya and Marxist-Humanism

By Alec Marsh

Bloomsbury, 2025

ISBN: 9781350466975

https://www.bloomsbury.com/us/adrienne-richs-later-poetry-9781350466975/

Reorienting understandings of Adrienne Rich's later work through her interest in Marx and Marxist politics, this book engages with this overlooked part of her oeuvre through considerations of issues such as race, nationhood, and gender.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

From 1983 onward, after she visited revolutionary Nicaragua until the end of her life, Rich's political vision can best be described as Marxist-Humanist. Until recently, very little attention has been paid to Rich's “interest” in Marx; there is no in-depth treatment of the effect of Marx's humanistic philosophy on Rich's later work, or even on her unwavering, but altered dedication to Women's Liberation. This book fills this gap, showing how Rich's discovery of Marx's humanism affected her poetry. In doing so, it makes a significant intervention into debates about the direction of American poetics and argues powerfully for a greater consciousness of political engagement through poetry.

Contents:

Chapter 1: 'I Long Ago Moved On': Adrienne Rich, Raya Dunayevskaya and Marxist-Humanism

Chapter 2: Marxist Humanism, Freedom and Raya Dunayevskaya

Chapter 3: Adrienne Rich “Feeling Contradictions” Nicaragua, and Your Native Land, Your Life.

Chapter 4: In Quest of America: The Dialectical Dimensions of “An Atlas of the Difficult World”

Chapter 5: Chapter Five: Suffering in the Heart of Capital: Dark Fields of the Republic

Chapter 6: American Innocence, the German 'Guilt Question” and the Oslo Peace Process.

Chapter 7: The End of History and the Forgotten Future: Rich vs. Neoliberalism

Chapter 8: Fox: “Terza Rima” and the End of History

Chapter 9: Salvaging Midnight Salvage

Chapter 10: Telephone Ringing in the Labyrinth: “Draft #2006” An American Jeremiad

Chapter 11: 9/11 and The School Among the Ruins: “Tendril”

Chapter 12: Rich in the Borderlands: Late Style and Her World of Pain

"Written in an open and eloquent style, this book makes a significant intervention into debates about the direction of American poetics, and argues powerfully for a greater consciousness of political engagement through the genre." —Steven Matthews, University of Reading

Alec Marsh is professor of English at Muhlenberg College. He is the author of Ezra Pound's Washington Cantos and the Struggle for Light (2021), William Carlos Williams and the Prose of Pure Experience (2016), John Kasper and Ezra Pound: Saving the Republic (2015), Ezra Pound (2011), and others.