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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label Afro-futurism. Show all posts
Showing posts with label Afro-futurism. Show all posts

Tuesday, February 24, 2026

BOOK NEWS: The evolution of Black speculative fiction and philosophy

Afrofuturism and World Order 

By Reynaldo Anderson 



Ohio State UP, 2025

ISBN: 978-0-8142-5955-9

https://ohiostatepress.org/books/titles/9780814215944.html


In Afrofuturism and World Order, Reynaldo Anderson delves into the evolution of Black speculative thought and Afrofuturism from the early twentieth century to the present day. By locating Afrofuturism within an African geography of reason, he situates the past, present, and future of people of African descent at the intersection of speculative philosophy, science fiction, futurology, artificial intelligence, climate change, and geopolitics. Historically, Afrofuturism theorized futures for Black Americans through merging their lived experiences with science fiction, technology, music, and art. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Drawing from adaptations in Black culture and speculative thought during the Cold War, Anderson addresses the shifting focus of the genre from American to transnational, as well as the implications of modern existential threats such as the COVID-19 pandemic. By tracing the Black speculative tradition from its overlaps with Africana esotericism and certain African diaspora regions, to its intersections with astroculture and modernism, to the works of Malcolm X, Amiri Baraka, W. E. B. Du Bois, and Octavia Butler, to the aesthetic politics of the Black Speculative Arts movement, and beyond, Anderson illuminates how Afrofuturism participates in an increasingly multipolar world.

“Anderson situates Afrofuturism within the long history of African philosophy, going beyond traditional literary studies to offer new ways to consider questions of justice, equality, and liberation. A must-read for anyone interested in understanding the intellectual power and political depth of the Black speculative imagination.” —Alex Zamalin, author of Black Utopia: The History of an Idea from Black Nationalism to Afrofuturism

“Anderson locates the limitations of modernism as a European ideology and then uses established principles of Africology to propose new approaches to both critical and creative analysis. Afrofuturism and World Order is essential reading for Black and African studies scholars and will become a bedrock text for graduate instruction.” —Walter D. Greason, Dewitt Wallace Professor of History, Macalester College


Reynaldo Anderson is associate professor of Africology and African American Studies at Temple University and coeditor of, among others, Afrofuturism 2.0: The Rise of Astro-Blackness, The Black Speculative Arts Movement: Black Futurity, Art + Design, and Cosmic Underground: A Grimoire of Black Speculative Discontent. He is also the editor of The Shape of Things to Come: Africology and the Rise of Afrofuturist Studies.

Friday, February 9, 2024

BOOK NEWS: Afro-diasporic fiction confronts the resurgence of biological racism

Alchemies of Blood and Afro-Diasporic Fiction: Race, Kinship, and the Passion for Ontology

BY NICOLE SIMEK



Bloomsbury Academic, 2023

ISBN: 9781501377655

https://www.bloomsbury.com/us/alchemies-of-blood-and-afrodiasporic-fiction-9781501377655/


Alchemies of Blood and Afro-Diasporic Fiction focuses on the resurgence of biological racism in 21st-century public discourse, the ontological and material turns in the academy that have occurred over the same time period, and how Afro-diasporic fiction has responded to both with alternative visions of bloodlines, kinship, and community.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

In thinking through conceptions of race, ethnicity, and materiality at work within both humanities research and popular culture, Nicole Simek asks how the figure of alchemy – that semi-scientific, semi-mystical search for gold and the elixir of long life – can help scholars address the epistemological and affective investments in blood, bloodlines, and genetics marking both academic and mainstream discourses. To answer this question, Simek examines neo-plantation and Afrofuturist narratives, Afropessimist interventions, museums and public memory projects, and direct-to-consumer genetic testing services in the French Caribbean and the United States. This comparative approach to cultural production helps pinpoint and better understand the intersections and divergences between scholarship trends and troubling features of a broader Zeitgeist.

"This is a refreshing and original reflection on racial theory and contemporary cultural production that speaks aptly to the tensions and anxieties of our times while demonstrating how literature and film can offer salutatory alternatives to ongoing racial injustice." --Jane Hiddleston, professor of literatures in French, Oxford University

"Nicole Simek's Alchemies of Blood and Afro-Diasporic Fiction offers a trenchant critique of cultural and political bloodlines in contemporary Black thought, In a bold series of case studies, from genealogical analysis to a wonderful juxtaposition of work by Whitehead and Condé, Simek provides fresh thinking on a passion for the real in Black writing. An impressive contribution." --Peter Hitchcock, professor of English, Baruch College and the Graduate Center, CUNY

 

Nicole Simek is Cushing Eells Professor of Philosophy and Literature at Whitman College, USA. Her latest books include Hunger and Irony in the French Caribbean: Literature, Theory, and Public Life (2016) and Eating Well, Reading Well: Maryse Condé and the Ethics of Interpretation (2008). She is also co-editor of Francophone Literature as World Literature (Bloomsbury, 2020) and translator of Maryse Condé's The Belle Créole (2020).

Friday, March 24, 2023

Book News: Interviews with award-winning Afrofuturist Nalo Hopkinson

Conversations with Nalo Hopkinson

EDITED BY ISIAH LAVENDER III



UP of Mississippi, 2022

ISBN: 9781496843678

https://www.upress.state.ms.us/Books/C/Conversations-with-Nalo-Hopkinson


A key figure in contemporary speculative fiction, Jamaican-born Canadian Nalo Hopkinson (b. 1960) is the first Black queer woman as well as the youngest person to be named a Grand Master by the Science Fiction and Fantasy Writers of America. Her Caribbean-inspired narratives—Brown Girl in the Ring, Midnight Robber, The Salt Roads, The New Moon’s Arms, The Chaos, and Sister Mine—project complex futures and complex identities for people of color in terms of race, sex, and gender. Hopkinson has always had a vested interest in expanding racial and ethnic diversity in all facets of speculative fiction from its writers to its readers, and this desire is reflected in her award-winning anthologies. Her work best represents the current and ongoing colored wave of science fiction in the twenty-first century.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

In twenty-one interviews ranging from 1999 until 2021, Conversations with Nalo Hopkinson reveals a writer of fierce intelligence and humor in love with ideas and concerned with issues of identity. She provides powerful insights on code-switching, race, Afrofuturism, queer identities, sexuality, Caribbean folklore, and postcolonial science fictions, among other things. As a result, the conversations presented here very much demonstrate the uniqueness of her mind and her influence as a writer.


Isiah Lavender III is Sterling-Goodman Professor of English at the University of Georgia, where he researches and teaches courses in African American literature and science fiction. He is author of Afrofuturism Rising: The Literary Prehistory of a Movement; editor of Black and Brown Planets: The Politics of Race in Science Fiction and Dis-Orienting Planets: Racial Representations of Asia in Science Fiction, both published by University Press of Mississippi; and coeditor of Literary Afrofuturism in the Twenty-First Century.

Tuesday, March 29, 2022

Book News: Afro-futurist Women

The Postapocalyptic Black Female Imagination

BY MAXINE LAVON MONTGOMERY



Bloomsbury Academic, 2021

ISBN: 9781350124509

https://www.bloomsbury.com/us/postapocalyptic-black-female-imagination-9781350124509/


Exploring postapocalypticism in the Black literary and cultural tradition, this book extends the scholarly conversation on Afro-futurist canon formation through an examination of futuristic imaginaries in representative twentieth and twenty-first century works of literature and expressive culture by Black women in an African diasporic setting.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The author demonstrates the implications of Afro-futurist literary criticism for Black Atlantic literary and critical theory, investigating issues of hybridity, transcending boundaries, temporality, and historical recuperation.

Covering writers including Octavia Butler, Edwidge Danticat, Nalo Hopkinson, Toni Morrison, Jesmyn Ward, and Beyoncé, this book examines the ways Black women artists attempt to recover a raced and gendered heritage, and how they explore an evolving social order that is both connected to and distinct from the past.

Maxine Lavon Montgomery is professor of English at Florida State University. Her recent publications include The Fictions of Gloria Naylor (2011) and, as editor, Conversations with Edwidge Danticat (2017).