BOOK NEWS: Woolf's first fully realized literary experiment

The Life of Violet: Three Early Stories, by Virginia Woolf

Edited by Urmila Seshagiri

Princeton UP, 2025

ISBN: 9780691263137

https://press.princeton.edu/books/hardcover/9780691263137/the-life-of-violet

In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf’s friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, The Life of Violet blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

In these irresistible and riotously plotted stories, Violet, who has powers “as marvelous as her height,” gleefully flouts aristocratic proprieties, finds joy in building “a cottage of one’s own,” and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, The Life of Violet upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women’s friendships and laughter.

A major literary discovery that heralds Woolf’s ambitions to revolutionize fiction and sheds new light on her great themes, The Life of Violet is first and foremost a delight to read.

This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context.

“A fresh perspective on Woolf’s early ‘literary experiments’ . . . . Suffused with delicate magic and penetrating wit, the stories in The Life of Violet foreground a radical world structured by laughter, magic, women’s friendships, and egalitarian social relations.” —Foreword Reviews

“Fascinating and indispensable.” —Terry Potter, The Letterpress Project 

“What an extraordinary volume! Here we meet newly discovered, revised versions of Virginia Woolf’s early stories based on the life of Violet Dickinson. These tales are laugh-out-loud funny. They are also profound early experiments in the fiction/biography blend that later gave rise to Orlando and the feminist musing about women’s education, marriage, and literary history that infuse A Room of One’s Own. An illuminating preface and afterword by Urmila Seshagiri bring Dickinson’s biography and intellectual contributions into view and deftly analyze the stories and their place within Woolf’s oeuvre. Must reading for lovers of Woolf’s fiction.”—Jessica Berman, editor of A Companion to Virginia Woolf

Urmila Seshagiri is distinguished professor of humanities and professor of English at the University of Tennessee, Knoxville. She is the author of Race and the Modernist Imagination, the editor of the Oxford World’s Classics edition of Virginia Woolf’s Jacob’s Room, and a contributor to the Los Angeles Review of Books.

BOOK NEWS: Reconsidering short works by the mother of the horror genre, Shirley Jackson

Shirley Jackson’s Dark Tales: Reconsidering the Short Fiction

Edited by Joan Passey and Robert Lloyd

Bloomsbury, 2025

ISBN: 9781350361157

https://www.bloomsbury.com/us/shirley-jacksons-dark-tales-9781350361157/

The first dedicated exploration of the short fiction of Shirley Jackson for three decades, this volume takes an in-depth look at the themes and legacies of the 200-plus short stories by the mother of contemporary horror. Scholars from across the globe, and from a range of different disciplinary backgrounds, dig into the lasting impact of her work in light of its increasing relevance to contemporary critical preoccupations and the re-release of Jackson's work in 2016. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Offering new methodologies to study her work, this volume calls upon ideas of intertextuality, ecocriticism and psychoanalysis to examine a broad range of themes from national identity, race, gender and class to domesticity, the occult, selfhood and mental illness. With consideration of her blockbuster works alongside later works that received much less critical attention, Shirley Jackson's Dark Tales promises a rich and dynamic expansion on previous scholarship of Jackson's oeuvre, both bringing her writing into the contemporary conversation, and ensuring her place in the canon of horror fiction.

"Shirley Jackson's Dark Tales is a much-needed expansion of Jackson studies. These essays apply diverse critical approaches to a wide array of previously understudied stories, exploring topics such as influence, identity, space, and genre. They offer compelling new perspectives on Jackson's work, yet remain vitally aware of her position in the cultural landscape of mid-century America." --Melanie D. Anderson, Delta State University

Joan Passey is a lecturer at the University of Bristol, UK, where she has taught since 2016. She has published on Shirley Jackson in Women’s Studies, introduced the biopic Shirley for 70+ Curzon cinemas nationwide, and participated in a Q&A to promote Shirley with Birds Eye View.

Robert Lloyd is a teacher and researcher at Cardiff University, UK, and specializes in women’s literature, the supernatural, and critical theory. He completed his thesis on Shirley Jackson and hauntology in 2021, is in the process of preparing his monograph, and has published on Jackson in Women’s Studies.

Book News: Critical takes on and creative homages to Mansfield's short fiction

 Katherine Mansfield and The Garden Party and Other Stories

EDITED BY GERRI KIMBER AND TODD MARTIN

Edinburgh UP, 2022

ISBN: 9781399509947

https://edinburghuniversitypress.com/book-katherine-mansfield-and-the-garden-party-and-other-stories.html

The last collection of short stories published in her lifetime, The Garden Party and Other Stories would solidify Katherine Mansfield’s place as the most prominent modernist short story writer of her generation. Early reviewers of the collection commented on the similarities it shared with her previous collection, Bliss and Other Stories; however, while contemporary reviews were mixed, many emphasized the psychological power of her stories, praising how she was able to bring her characters to life in a way simple action could not. While it contains some of Mansfield’s most sophisticated and well-loved stories, several of the stories in The Garden Party initially appeared in the Sphere, and thus were often dismissed as inferior. Mansfield herself felt some of these stories fell short of her desired effect, though recent scholarship has revealed their greater complexity. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The essays in this volume, by both seasoned and newer Mansfield scholars, work to continue this conversation. The collection also includes Mansfield-inspired short fiction, two translations of memorial poems dedicated to Mansfield by Chinese and French contemporaries with accompanying notes, and a recently re-discovered book review by Mansfield. In addition, Sydney Janet Kaplan provides a reflection on her personal meeting with Christopher Isherwood, a writer heavily influenced by the life and work of Mansfield.

Content includes:

CRITICISM

Redefining ‘Photographic Realism’ in the Short Fiction of Katherine Mansfield

Daisy Birch

Knowing What We Feel about Katherine Mansfield: Sentimentality and Expression in ‘The Garden Party’

Jay Dickson

Dickens, Death and Mary Ann: Katherine Mansfield’s ‘Life of Ma Parker’

Martin Griffiths

‘Passion in Movement’: Katherine Mansfield – Gesture, Motion, and Dance

Richard Cappuccio

Katherine Mansfield’s ‘Marriage à la Mode’: ‘far too facile’?

Anna Kwiatkowska

The Quest for Autonomy Amid Shifting Gender Expectations and Relationships in Katherine Mansfield’s Short Stories

Calvin Goh

‘Forgive my Hat’: Clothing as a Condition of Narratability in The Garden Party and Other Stories

Samantha Dewally

Katherine Mansfield’s Desperate Housewives and Metonymic Desire

Sovay Hansen

‘If only one had time to look at these flowers long enough, time to get over the sense of novelty and strangeness’: The Political Language of Flowers in Katherine Mansfield’s The Garden Party and Other Stories

Sharon Gordon

CREATIVE WRITING

‘How Loud the Birds’

Ailsa Cox

‘The Marquee’

Paula McGrath

‘Endless Sea’

Bronwyn Calder

Twenty Immortal Minutes: A Poem by Xu Zhimo

Stuart Lyons

A Poem by Philippe Chabaneix

Gerri Kimber

CRITICAL MISCELLANY

Returning to ‘Kathy’: Christopher Isherwood’s Katherine Mansfield Fascination

Sydney Janet Kaplan

Katherine Mansfield’s Daily Herald Review of Joseph Conrad’s The Rescue

John G. Peters

REVIEW ESSAY

Redrawing Katherine Mansfield’s Critical Horizons

Elyse Blankley

Gerri Kimber is a visiting professor in the Department of English at the University of Northampton and is co-editor of the annual yearbook Katherine Mansfield Studies. She is the deviser and series editor of the four-volume Edinburgh Edition of the Collected Works of Katherine Mansfield (2016) and the author of Katherine Mansfield: The View from France and A Literary Modernist: Katherine Mansfield and the Art of the Short Story.

A professor of English at Huntington University, Todd Martin’s primary areas of interest are twentieth century British and American literature. He has published articles on such varied authors as John Barth, E. E. Cummings, Clyde Edgerton, Julia Alvarez, Edwidge Danticat, Sherwood Anderson and Katherine Mansfield. He is the editor of the forthcoming Katherine Mansfield and the Bloomsbury Group.

Book News: Southern women writers' short story collections and their framing strategies

Arranging Stories: Framing Social Commentary in Short Story Collections by Southern Women Writers

BY HEATHER A. FOX

UP of Mississippi, 2022

ISBN: 9781496840516 hardcover, 9781496840509 paperback

https://www.upress.state.ms.us/Books/A/Arranging-Stories

A riveting history of how southern women writers negotiated authorial control in the late nineteenth- through early twentieth-century periodical market

Between the 1880s and the 1940s, opportunities for southern white women writers increased dramatically, bolstered by readers’ demands for southern stories in northern periodicals. Confined by magazine requirements and social expectations, writers often relied on regional settings and tropes to attract publishers and readers before publishing work in a collection. Selecting and ordering magazine stories for these collections was not arbitrary or dictated by editors, despite a male-dominated publishing industry. Instead, it allowed writers to privilege stories, or to contextualize a story by its proximity to other tales, as a form of social commentary. For Kate Chopin, Ellen Glasgow, Marjorie Kinnan Rawlings, and Katherine Anne Porter—the authors featured in this book—publishing a volume of stories enabled them to construct a narrative framework of their own.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Arranging Stories: Framing Social Commentary in Short Story Collections by Southern Women Writers is as much about how stories are constructed as how they are told. The book examines correspondence, manuscripts, periodicals, and first editions of collections. Each collection’s textual history serves as a case study for changes in the periodical marketplace and demonstrates how writers negotiated this marketplace to publish stories and garner readership. The book also includes four tables, featuring collected stories’ arrangements and publication histories, and twenty-five illustrations, featuring periodical publications, unpublished letters, and manuscript fragments obtained from nine on-site and digital archives. Short story collections guide readers through a spatial experience, in which both individual stories and the ordering of those stories become a framework for interpreting meaning. Arranging Stories invites readings that complicate how we engage collected works.

"Drawing heavily on archival materials, including reproductions of many photographs, letters, manuscript pages, and other materials, Arranging Stories is a treasure trove of previously unreleased materials that sheds important light on these authors and their works. It draws attention to the amount of agency that these authors wielded over their work, in ways that we haven't previously considered."  - Monica Carol Miller, author of Being Ugly: Southern Women Writers and Social Rebellion

"With impeccable research, Arranging Stories reveals the struggles of early women writers working for acceptance and agency within a patriarchal publishing world dominated by White men."  - Donna Meredith, Southern Literary Review

Heather A. Fox is assistant professor of English at Eastern Kentucky University in Richmond. Her work in southern studies has appeared in south, Southern Studies, Janus Head, The Explicator, and the Faulkner Journal.