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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label identity. Show all posts
Showing posts with label identity. Show all posts

Monday, May 13, 2024

BOOK NEWS: 21st century American authors grapple with the construct of whiteness

Ugly White People: Writing Whiteness in Contemporary America

BY STEPHANIE LI



University of Minnesota Press, 2023

ISBN 978-1-5179-1574-2

https://www.upress.umn.edu/book-division/books/ugly-white-people


Ugly White People explores representations of whiteness from twenty-first-century white American authors (Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others) as they grapple with whiteness as its own construct rather than a wrongly assumed norm. Revealing white recognition of the ugly forms whiteness can take, Stephanie Li examines the tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others.

"Ugly White People is not about the 'racists' but about the way whiteness shapes the subjectivity of all white people. Relying on an elegant and parsimonious textual analysis of the work of contemporary authors, Stephanie Li shows how whites manage to evade while they acknowledge their whiteness, how they consume people of color through racist love, and how they accept whiteness in a way that neglects addressing racism. I highly recommend this book to readers interested in understanding contemporary whiteness." — Eduardo Bonilla-Silva, Duke University

"The best writing critically studying whiteness today intensely engages imbrications of race with other identities, especially class, gender, nationality, and disability. No one does all of that better than Stephanie Li. Addressing literary moments with a sure grasp of history and an adventuresome readings of texts, Ugly White People speaks compellingly to the persisting strength of Trump and white nationalism and to the desire for social media celebrity as something authors both explore and share." — David Roediger, author of The Sinking Middle Class: A Political History of Debt, Misery, and the Drift to the Right


Stephanie Li is Lynne Cooper Harvey Distinguished Professor of English at Washington University in St. Louis. She is author of Pan-African American Literature, Playing in the White, and Signifying without Specifying.

Monday, April 15, 2024

A Closer Look at JML 47.2: Michel Houellebecq, a Theorist of Fluid Identity?



Take a closer look at JML 47.2. JML author Klem James discusses Michel Houellebecq's views of "fluid identity" as stemming from an eroded self under neoliberalism, writing

Michel Houellebecq, arguably France’s best-known and most widely translated living author is perhaps an unlikely figure to be associated with contemporary debates about identity. Houellebecq is conservative, abused as being so, and sometimes wrongly considered to be reactionary. In his novel Submission (Soumission), he depicts France’s fate in the absence of a robust identity: having lost its moorings and sunk into a cultural and religious void, the country embraces Islam to fill the vacuum. By way of resistance, members of the French identitarian movement are depicted as the last gasp of a nation that is clambering for fixed, monocultural reference points. 

Read more HERE 


His JML 47.2 essay, Particules Flottantes: Mutable Identity and Postmodern ‘Schizophrenia’ in the Works of Michel Houellebecq” is available for FREE, linked in the post.