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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label periodical studies. Show all posts
Showing posts with label periodical studies. Show all posts

Friday, March 3, 2023

Book News: Southern women writers' short story collections and their framing strategies

Arranging Stories: Framing Social Commentary in Short Story Collections by Southern Women Writers

BY HEATHER A. FOX



UP of Mississippi, 2022

ISBN: 9781496840516 hardcover, 9781496840509 paperback

https://www.upress.state.ms.us/Books/A/Arranging-Stories


A riveting history of how southern women writers negotiated authorial control in the late nineteenth- through early twentieth-century periodical market

Between the 1880s and the 1940s, opportunities for southern white women writers increased dramatically, bolstered by readers’ demands for southern stories in northern periodicals. Confined by magazine requirements and social expectations, writers often relied on regional settings and tropes to attract publishers and readers before publishing work in a collection. Selecting and ordering magazine stories for these collections was not arbitrary or dictated by editors, despite a male-dominated publishing industry. Instead, it allowed writers to privilege stories, or to contextualize a story by its proximity to other tales, as a form of social commentary. For Kate Chopin, Ellen Glasgow, Marjorie Kinnan Rawlings, and Katherine Anne Porter—the authors featured in this book—publishing a volume of stories enabled them to construct a narrative framework of their own.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Arranging Stories: Framing Social Commentary in Short Story Collections by Southern Women Writers is as much about how stories are constructed as how they are told. The book examines correspondence, manuscripts, periodicals, and first editions of collections. Each collection’s textual history serves as a case study for changes in the periodical marketplace and demonstrates how writers negotiated this marketplace to publish stories and garner readership. The book also includes four tables, featuring collected stories’ arrangements and publication histories, and twenty-five illustrations, featuring periodical publications, unpublished letters, and manuscript fragments obtained from nine on-site and digital archives. Short story collections guide readers through a spatial experience, in which both individual stories and the ordering of those stories become a framework for interpreting meaning. Arranging Stories invites readings that complicate how we engage collected works.


"Drawing heavily on archival materials, including reproductions of many photographs, letters, manuscript pages, and other materials, Arranging Stories is a treasure trove of previously unreleased materials that sheds important light on these authors and their works. It draws attention to the amount of agency that these authors wielded over their work, in ways that we haven't previously considered."  - Monica Carol Miller, author of Being Ugly: Southern Women Writers and Social Rebellion

"With impeccable research, Arranging Stories reveals the struggles of early women writers working for acceptance and agency within a patriarchal publishing world dominated by White men."  - Donna Meredith, Southern Literary Review


Heather A. Fox is assistant professor of English at Eastern Kentucky University in Richmond. Her work in southern studies has appeared in south, Southern Studies, Janus Head, The Explicator, and the Faulkner Journal.

Wednesday, February 8, 2023

Book News: Networks of Black periodicals during Jim Crow

Jim Crow Networks: African American Periodical Cultures

BY EURIE DAHN


U of Massachusetts P, 2021

ISBN: 9781625345264

https://www.umasspress.com/9781625345264/jim-crow-networks/


Scholars have paid relatively little attention to the highbrow, middlebrow, and popular periodicals that African Americans read and discussed regularly during the Jim Crow era—publications such as the Chicago Defender, the Crisis, Ebony, and the Half-Century Magazine. Jim Crow Networks considers how these magazines and newspapers, and their authors, readers, advertisers, and editors worked as part of larger networks of activists and thinkers to advance racial uplift and resist racism during the first half of the twentieth century.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

As Eurie Dahn demonstrates, authors like James Weldon Johnson, Nella Larsen, William Faulkner, and Jean Toomer wrote in the context of interracial and black periodical networks, which shaped the literature they produced and their concerns about racial violence. This original study also explores the overlooked intersections between the black press and modernist and Harlem Renaissance texts, and highlights key sites where readers and writers worked toward bottom-up sociopolitical changes during a period of legalized segregation.

"Dahn provides close and textured readings of the networks to make a significant contribution to periodical and discursive studies ... attending to the ways Black people forged bottom-up resistance through the Black press." —Reception

“Jim Crow Networks makes a particularly important contribution to how we might recover underexamined Black literary networks by reviving the importance of what Dahn labels ‘middlebrow networks.’... [S]uch work makes visible the broader culture and networks that brought Black print culture into being and opens them up for Black bibliographic practice.” —Papers of the Bibliographic Society of America

EURIE DAHN is associate professor of English at The College of Saint Rose.