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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Tuesday, March 29, 2022

Book News: Afro-futurist Women

The Postapocalyptic Black Female Imagination

BY MAXINE LAVON MONTGOMERY



Bloomsbury Academic, 2021

ISBN: 9781350124509

https://www.bloomsbury.com/us/postapocalyptic-black-female-imagination-9781350124509/


Exploring postapocalypticism in the Black literary and cultural tradition, this book extends the scholarly conversation on Afro-futurist canon formation through an examination of futuristic imaginaries in representative twentieth and twenty-first century works of literature and expressive culture by Black women in an African diasporic setting.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The author demonstrates the implications of Afro-futurist literary criticism for Black Atlantic literary and critical theory, investigating issues of hybridity, transcending boundaries, temporality, and historical recuperation.

Covering writers including Octavia Butler, Edwidge Danticat, Nalo Hopkinson, Toni Morrison, Jesmyn Ward, and Beyoncé, this book examines the ways Black women artists attempt to recover a raced and gendered heritage, and how they explore an evolving social order that is both connected to and distinct from the past.

Maxine Lavon Montgomery is professor of English at Florida State University. Her recent publications include The Fictions of Gloria Naylor (2011) and, as editor, Conversations with Edwidge Danticat (2017).

Thursday, March 17, 2022

Book News: Enriching our understanding of literary empathy

Modernist Empathy: Geography, Elegy, and the Uncanny

BY EVE C. SORUM



Cambridge UP, 2019

ISBN: 9781108595667

https://www.cambridge.org/core/books/modernist-empathy/83F710997D411394B54BD1912C59A983


This book shows how reading modernist literature gives us a fresh and necessary insight into both the tensions within the empathetic imagination and the idea of empathy itself. Writers such as Thomas Hardy, Ford Madox Ford, Mary Borden, T. S. Eliot, and Virginia Woolf encourage us to enter other perspectives even as they question the boundaries between self and other and, hence, the very possibility of empathy. Eve Sorum maintains that we must think through this complex literary heritage, focusing on the geographic and elegiac modes of the empathetic imagination, and revealing empathy as more fraught, threatening, and even uncanny than it first appears. Modernist Empathy thereby forges a theory of literary empathy as an act not of orientation, but of disorientation, thereby enriching our contemporary understanding of both modernist literature and the concept of literary empathy. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Eve Sorum is associate professor of English at the University of Massachusetts, Boston and was a Fulbright Scholar in Burkina Faso in 2013–14. She has published articles and essays on a range of topics, including the masochistic aesthetics of T. S. Eliot and Virginia Woolf, poetic self-elegies, and the democratic nostalgia of W. H. Auden.

Tuesday, March 8, 2022

Book News: How the Cold War shaped Asian literary production

Cold War Reckonings: Authoritarianism and the Genres of Decolonization

BY JINI KIM WATSON



Fordham UP, 2021

ISBN 9780823294831

https://www.fordhampress.com/9780823294831/cold-war-reckonings/


Cold War Reckonings shows how the Cold War shaped culture and political power in the decolonizing world and gave rise, paradoxically, to authoritarian regimes of the so-called free world.

How did the Cold War shape culture and political power in decolonizing countries and give rise to authoritarian regimes in the so-called free world? Cold War Reckonings tells a new story about the Cold War and the global shift from colonialism to independent nationstates. Assembling a body of transpacific cultural works that speak to this historical conjuncture, Jini Kim Watson reveals autocracy to be not a deficient form of liberal democracy, but rather the result of Cold War entanglements with decolonization. Focusing on East and Southeast Asia, the book scrutinizes cultural texts ranging from dissident poetry, fiction, and writers’ conference proceedings of the Cold War period, to more recent literature, graphic novels, and films that retrospectively look back to these decades with a critical eye. Paying particular attention to anti-communist repression and state infrastructures of violence, the book provides a rich account of several U.S.–allied Cold War regimes in the Asia Pacific, including the South Korean military dictatorship, Marcos’s rule in the Philippines, illiberal Singapore under Lee Kuan Yew, and Suharto’s Indonesia.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Watson’s book argues that the cultural forms and narrative techniques that emerged from the Cold War-decolonizing matrix offer new ways of comprehending these histories and connecting them to our present. The book advances our understanding of the global reverberations of the Cold War and its enduring influence on cultural and political formations in the Asia Pacific.

Cold War Reckonings is not only a sophisticated work of cultural criticism, but also an astounding articulation of political theory. Analyzing literary and cinematic texts alongside occasions like PEN regional meetings, Jini Kim Watson offers an altogether original story about the Cold War and decolonization in Asia, on the one hand, and about the relationship between capitalism and authoritarianism, on the other. The book profoundly shifts our understanding of the Cold War, arrested decolonization, postcolonial sovereignty, and the developmental state within capitalist modernity. In short, it offers a new theory of the state in general, and of the capitalist authoritarian state in particular.” 

Jodi Kim, University of California, Riverside


“Jini Kim Watson’s Cold War Reckonings is an important, brilliant, and extremely engaging book that is beautifully written and bold and innovative in its arguments. Watson shows how the social and political promises of decolonization were derailed by the developmentalism that permitted certain sectors of postcolonial states to seize power by vowing ‘to fast-forward the time of national development.’ Treating thirdworld dictatorial regimes neither as unprepared political actors nor as dupes, Watson shows the overlapping interests between global capitalism and authoritarianism in some of Asia’s ‘capitalist success stories.’” 

Joseph Slaughter, Columbia University


Jini Kim Watson is associate professor of English and comparative literature at New York University. She is the author of The New Asian City: Three-dimensional Fictions of Space and Urban Form and editor, with Gary Wilder, of The Postcolonial Contemporary: Political Imaginaries for the Global Present.

Friday, March 4, 2022

Wednesday, March 2, 2022

Book News: Music's role in E.M. Forster's ideological outlook

 E. M. Forster and Music

BY TSUNG-HAN TSAI



Cambridge UP, 2021

ISBN: 9781108844314 Hardback

https://www.cambridge.org/us/academic/subjects/literature/english-literature-1900-1945/e-m-forster-and-music?format=HB


This book examines the political resonances of E. M. Forster's representations of music, offering readings of canonical and overlooked works. It reveals music's crucial role in his writing and draws attention to a previously unacknowledged eclecticism and complexity in Forster's ideological outlook. Examining unobtrusive musical allusions in a variety of Forster's writings, this book demonstrates how music provided Forster with a means of reflecting on race and epistemology, material culture and colonialism, literary heritage and national character, hero-worship and war, and gender and professionalism. It unveils how Forster's musical representations are mediated through a matrix of ideas and debates of his time, such as those about evolution, empire, Britain's relationship with the Continent, the rise of fascism, and the emergence of musicology as an academic discipline.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Read an excerpt at https://assets.cambridge.org/97811088/44314/excerpt/9781108844314_excerpt.pdf


Tsung-Han Tsai is an independent scholar specializing in music and twentieth-century literature. Since receiving his Ph.D. from the University of St Andrews, he has co-edited, with Emma Sutton, Twenty-First-Century Readings of E. M. Forster's Maurice, and has published articles on Forster, Goldsworthy Lowes Dickinson, and life-writing.