BOOK NEWS: Examining transhistorial re-imaginings of the early American past in literary and creative media

Early America and the Modern Imagination: Rewriting the Past in the Present 

Edited by Patrick M. Erben and Rebecca L. Harrison

Edinburgh UP, 2025

ISBN: 9781399536172

https://edinburghuniversitypress.com/book-early-america-and-the-modern-imagination.html

Recurring culture war controversies in the US—ranging from reproductive freedom and gender identity to racial inequality and immigration—often turn public attention to early American precedents. At the same time, early American figures and tropes enjoy a stunning cachet in popular culture. Early America and the Modern Imagination squarely interprets the significance and cultural uses of these transhistorical re-imaginings of the early American past. While drawing productively on public memory scholarship, this volume augments its neglect of early American studies. The collection’s critical and pedagogical essays investigate how a variety of modalities—including literature, film, television, theatre, video games and graphic novels—rescript early America as a usable past for contemporary audiences. Early America and the Modern Imagination, therefore, interprets early American themes and their present-day echoes to grapple with the evolving and highly contested import of the American nation’s past in the present cultural moment.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

• Analyses the pervasive use of early American themes in contemporary culture, including literature, television series, film, theatre, graphic novels and video games
• Combines expertise in early American research methods with the study of new modalities (such as video games and graphic novels) and cultural paradigms (such as restorative approaches to Native American history and sovereignty)
• Interfaces with the burgeoning field of memory studies/public memory, especially its examination of cultural artifacts as mediators of a shared past
• Models innovative methodological approaches for navigating transhistorical topics and textualities that so far lack robust scholarly treatment
• Foregrounds particular strengths in Native American and Indigenous studies, African American studies, Gender and Sexuality studies, and Film studies

"This book is both brilliant and necessary. Each chapter links a deep knowledge of the past to its modern redeployments in contemporary media. In doing so, the book makes a powerful case for the humanities, explaining public memory and showing how important it is for literary scholars to study it. A vital project, and a terrific book." – Abram Van Engen, Washington University in St. Louis

Patrick M. Erben is professor of English at the University of West Georgia. He is the author of A Harmony of the Spirits: Translation and the Language of Community in Early Pennsylvania (2013) and co-edited The Francis Daniel Pastorius Reader (2019). Erben is a past president of the Society of Early Americanists and currently serves on the editorial board for Early American Literature.

Rebecca L. Harrison is professor of English at the University of West Georgia. She is the co-editor of the Eudora Welty Review and President of the Eudora Welty Society. Her books include Inhabiting La Patria: Identity, Agency, and Antojo in the Work of Julia Alvarez (2013), Teaching, Pedagogy, and Learning: Fertile Ground for Campus and Community Innovations (2017) and Revitalizing Classrooms: Innovations and Inquiry Pedagogies in Practice (2017).

BOOK NEWS: Seeking true equality via literary moments of resistance

Democratic Anarchy: Aesthetics and Political Resistance in U.S. Literature

By Matthew Scully

Fordham UP, 2024

ISBN: 9781531507077

https://fordhampress.com/democratic-anarchy-hb-9781531507060.html

Democratic Anarchy grapples with an uncomfortable but obvious truth inimical to democracy: both aesthetics and politics depend on the structuring antagonism of inclusion and exclusion. Yet in Democratic Anarchy, Matthew Scully asks, how can “the people” be represented in a way that acknowledges what remains unrepresentable? What would it mean to face up to the constitutive exclusions that haunt U.S. democracy and its anxious fantasies of equality?

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Synthesizing a broad range of theoretical traditions and interlocutors—including Lacan, Rancière, Edelman, and Hartman—Democratic Anarchy polemically declares that there has never been, nor can there ever be, a realized democracy in the U.S. because democracy always depends on the hierarchical institution of a formal order by one part of the population over another. Engaging with an expansive corpus of American literature and art (Harriet Jacobs, Nathaniel Hawthorne, Louis Zukofsky, Thomas Pynchon, Toni Morrison, Theresa Hak Kyung Cha, Nari Ward, Ocean Vuong, and Safiya Sinclair), Democratic Anarchy argues that many liberal concepts and institutions are in fact structurally opposed to democratic equality because they depend on regulating what can appear and in what form.

By focusing on works that disrupt this regulatory impulse, Scully shows how rhetorical strate­gies of interruption, excess, and disorder figure the anarchic equality that inegalitarian fantasies of democracy disavow. Democratic Anarchy develops a rigorous theory of equality that refuses to repeat the inequalities against which it positions itself, and it does so by turning to moments of resistance—both aesthetic and political—inaugurated by the equality that inheres in and antago­nizes the order of things.

Drawing on the work of Jacques Rancière in particular, Democratic Anarchy offers a compelling theory of democracy and an incisive critique of consensus politics in the United States. Its sharp rhetorical readings of diverse examples of US literature draw out a vision of radical equality beyond the limits of representation. —Christian P. Haines, author of A Desire Called America: Biopolitics, Utopia, and the Literary Commons

All readers of Scully. . . will find their certainties questioned, their convictions probed, and should relish seeing their favorite literary touchstones re-illuminated in the strobe light of political relevance and political impotence. —Anglia: Journal of English Philology

Matthew Scully is a lecturer in American literature and culture at the University of Lausanne. His work has appeared in numerous journals, including the Journal of Modern Literature, Diacritics, African American Review, American Literature, Critical Inquiry, and Postmodern Culture.

BOOK NEWS: Black immigrant fiction's rebellious daughters

 Against! Rebellious Daughters in Black Immigrant Fiction in the United States

BY ASHA JEFFERS

Ohio State UP, 2025

ISBN: 978-0-8142-5933-7

https://ohiostatepress.org/books/titles/9780814215791.html

Against! is the first book-length study of Afro-Caribbean and African immigrant and second-generation writing in the United States. In it, Asha Jeffers evaluates the relationship between Blackness and immigranthood in the US as depicted through the recurring theme of rebellious Black immigrant daughters. Considering the work of Paule Marshall, Edwidge Danticat, Chimamanda Ngozi Adichie, and Taiye Selasi, Jeffers untangles how rebellion is informed by race, gender, ethnicity, and migration status.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Immigrant and second-generation writers mobilize often complicated familial relationships to comment on a variety of political, social, and psychic contexts. Jeffers argues that rather than categorizing Black migrants as either immediately fully integrated into an African American experience or seeing them as another category altogether that is unbound by race, Marshall, Danticat, Adichie, and Selasi identify the unstable position of Black migrants within the American racial landscape. By highlighting the diverse ways Black migrants and their children negotiate this position amid the dual demands of the respectability politics imposed on African Americans and the model-minority myth imposed on immigrants, Jeffers reveals the unsteady nature of US racial categories.

“Against! balances a necessary critique of families invested in the turning of their offspring into status and profit with a necessary empathy for those ancestors who, themselves, had been so ruthlessly made. Jeffers’s affect work theorizes pain without being fueled by it, able to evade the sentimental and anti-sentimental traps common to symptomatic readings. This is important scholarship and bold literary criticism.” —Erin Khuê Ninh, author of Passing for Perfect: College Impostors and Other Model Minorities

“Against! makes a significant intervention into gender studies and diasporic literature and redirects the conversation around Caribbean American fiction. Jeffers demonstrates how rebellious immigrant daughter characters push back against ‘respectability’ and organize their subjectivity within and against model-minority discourse.” —Angeletta K.M. Gourdine, author of The Difference Place Makes: Gender, Sexuality, and Diaspora Identity

“Jeffers offers a theoretically engaged yet accessible presentation of how four diasporic novels explore their African and Afro-Caribbean protagonists’ rebellions against the familial, racial, geographical, cultural, and gendered vortexes that threaten their individuality. Jeffers’s multilayered, densely crafted analysis sets itself apart from the prevailing, stereotypically racial and gendered discussions of four dynamic women writers. This provocative text engagingly advances conversations around—and scholarship of—novels about African and Afro-Caribbean women’s experiences in their ancestral homelands and the diaspora” —Joyce A. Joyce, author of Black Studies as Human Studies: Critical Essays and Interviews

Asha Jeffers is associate professor of English and gender and women’s studies at Dalhousie University. Her research focuses on literature about the children of immigrants across national and ethnic lines. She is coeditor of The Daughters of Immigrants: A Multidisciplinary Study.

BOOK NEWS: An account of the breadth and depth of queer American literature

The Cambridge History of Queer American Literature

EDITED BY BENJAMIN KAHAN

Cambridge UP, 2024

ISBN: 9781108918725

https://www.cambridge.org/core/books/the-cambridge-history-of-queer-american-literature/6DBC1DA60D5B4AC05431401C40AA680D

Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies and sexuality studies became deeply entwined and what they can teach each other. It examines how American literature produces and is in turn woven out of sexualities, gender pluralities, trans-ness, erotic subjectivities, and alternative ways of inhabiting bodily morphology. In so doing, the volume aims to do nothing less than revise the ways in which we understand the whole of American literature. It will be an indispensable resource for scholars, graduate students, and undergraduates.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Part I - Synchronic Histories of American Sexuality

"The Transmasculinity Narrative in the Anglophone Atlantic Eighteenth Century" By Sal Nicolazzo

"Queering the Founding; Or, the Revolution in Sex" By Don James McLaughlin

"Whither the Queer History of Slavery?" By Patrice D. Douglass

"Queering Immigration and the Social Body, 1875–1924" By Madoka Kishi

"The Queerness of World War II" By Guy Davidson

"Queer Bonds of Cold War Sexuality" By GerShun Avilez

"'The Dead Never Die': Pre-Exposure Prophylaxis, Queer Temporalities, and the Literature of AIDS" By Tim Dean

"Fiction in the Post–Lawrence v. Texas Era, or Inventing Heteronormative Queerness" By Kate McCullough

"Trans-ing Transcendentalism" By Dorri Beam

"Sentimental Literature and the Erotics of Identification" By Kathryn R. Kent

"Queer Modernism and Misfit Identity" By Octavio R. González

"Imperialism and the Queer Harlem Renaissance" By Fiona I. B. Ngô

"The Mystical Sexuality of the Beats and the Berkeley Renaissance" By Julia Bloch and Ignacio Infante

"The New York School’s Queer Happiness" By Brian Glavey

"Chicana and Latina Lesbian Feminists and the Radical Making of Anthological Archives of Willfulness" By T. Jackie Cuevas

"Queer Literature after Queer Theory" By Michael D. Snediker

Part II - Diachronic Histories of American Sexuality

"Queer Historical Poetics and Queer Formalism: American Poetry before 1850" By James Mulholland

"Queer Mythology in American Poetry, 1855–1913" By Vivian R. Pollak

"Funny Emotions: Queer Lyric from the New Verse to the New American Poets" By Chad Bennett

"Queer American Poetry Now" By Stephanie Burt

"Queer American Drama: Plays, Replays, Yet-To-Be-Plays" By Penny Farfan

"The Gay Genre: Musical Theatre from Show Boat to A Strange Loop" By James F. Wilson

"The Oneiric Golden Age of Gay and Lesbian Pulp" By Stephanie Foote

"Queering Desire in American Science Fiction" By Anna Kurowicka

"Queering Comics Histories" By André Carrington

"LGBT Bestsellers" By Diarmuid Hester and Jack Parlett

"History Touches Us Everywhere: American Queer and Trans Memoir in the Long Twentieth Century" By Emma Heaney

"Whiteness and Trans Genre, Whiteness as Trans Genre" By Jules Gill-Peterson

"Queer Types for Early Asian American Literature" By Andrew Way Leong

"The Queerness of Blackness" By Amber Jamilla Musser

"Two-Spirit Writers and Queer Native American Literature" By Alicia Carroll

"Queer Southern Literature and the Dirty South" By Michael P. Bibler and Sharon P. Holland

"Queer DiaspoRican Circuits" By Lawrence La Fountain-Stokes

"'where sadness makes sense': The Queer Poetics of the Midwest Terrain" By Richard T. Rodríguez

"Queer New England Regionalism" By J. Samaine Lockwood

"Queer Beginnings at the End of the Frontier: Asia and the Pacific in the Making of a Modern Gay American Identity" By Amy Sueyoshi

"Queer American Literature in the World" By Marta Figlerowicz

Part III - Queer Methods

"Repression, Sublimation, and Latency from Charles Brockden Brown to James Purdy" By Melissa Hardie

"Gender Variance before Trans: A Literary History" By Xine Yao

"Female Friendship: Romantic Friends and Boston Marriages" By Lillian Faderman

"The Medical Model and Early Gay and Lesbian Writing" By Simon Stern

"'Flung out of space': Class and Sexuality in American Literary History" By Aaron S. Lecklider

"Quantifying Sex" By Joan Lubin

"The Pleasures of Reading Camp" By Teagan Bradway

"The Queerness of Religion" By Tracy Fessenden

"Tracing Queer Crip Poetics in Time" By Ellen Samuels

"Queer Print Culture: The Market and Circulation of Queer Literature" By Jaime Harker

Benjamin Kahan is the Herbert Huey McElveen Professor of English and Women’s, Gender, and Sexuality Studies at Louisiana State University. He has held fellowships from the John Simon Guggenheim Memorial Foundation, the National Humanities Center, and a number of other institutions. He is the author of Celibacies: American Modernism and Sexual Life (Duke, 2013) and The Book of Minor Perverts: Sexology, Etiology, and the Emergences of Sexuality (Chicago, 2019). His new monograph Sexual Aim and Its Misses is under contract with Chicago. 

BOOK NEWS: Study of LGBTQ themes and characters in Appalachian literary works

Doubly Erased: LGBTQ Literature in Appalachia

By Allison E. Carey

SUNY Press, 2024

ISBN: 9781438493565

https://sunypress.edu/Books/D/Doubly-Erased

The first book of its kind, Doubly Erased is a comprehensive study of the rich tradition of LGBTQ themes and characters in Appalachian novels, memoirs, poetry, drama, and film. Appalachia has long been seen as homogenous and tradition-bound. Allison E. Carey helps to remedy this misunderstanding, arguing that it has led to LGBTQ Appalachian authors being doubly erased—routinely overlooked both within United States literature because they are Appalachian and within the Appalachian literary tradition because they are queer. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

In exploring motifs of visibility, silence, storytelling, home, food, and more, Carey brings the full significance and range of LGBTQ Appalachian literature into relief. Dorothy Allison's Bastard Out of Carolina and Alison Bechdel's Fun Home are considered alongside works by Maggie Anderson, doris davenport, Jeff Mann, Lisa Alther, Julia Watts, Fenton Johnson, and Silas House, as well as filmmaker Beth Stephens. While primarily focused on 1976 to 2020, Doubly Erased also looks back to the region's literary "elders," thoughtfully mapping the place of sexuality in the lives and works of George Scarbrough, Byron Herbert Reece, and James Still.

"[Carey] offers a scholarly but accessible analysis of a relatively unexplored subject, and one might very well expect this book to encourage the development of an emergent specialization within literary and queer studies." — CHOICE

"Doubly Erased contributes significantly to Appalachian literary scholarship by providing close, well-framed analyses of LGBTQ authors' works. Carey clearly articulates the complexity of the region and its inhabitants, eschewing essentialization of the people and reductive caricatures. I foresee this book having a profound positive impact not only for the Appalachian LGBTQ community but also for the Appalachian community writ large, however one defines that." — Theresa L. Burriss, coeditor of Appalachia in the Classroom: Teaching the Region

Allison E. Carey is professor of English and chair of the English Department at Marshall University.

BOOK NEWS: Engaging legal culture as a key to understanding Black writing

See Justice Done: The Problem of Law in the African American Literary Tradition

BY CHRISTOPHER MICHAEL BROWN

UP of Mississippi, 2024

ISBN: 9781496848208

https://www.upress.state.ms.us/Books/S/See-Justice-Done

In See Justice Done: The Problem of Law in the African American Literary Tradition, author Christopher Michael Brown argues that African American literature has profound and deliberate legal roots. Tracing this throughline from the eighteenth century to the present, Brown demonstrates that engaging with legal culture in its many forms—including its conventions, paradoxes, and contradictions—is paramount to understanding Black writing.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Brown begins by examining petitions submitted by free and enslaved Blacks to colonial and early republic legislatures. A virtually unexplored archive, these petitions aimed to demonstrate the autonomy and competence of their authors. Brown also examines early slave autobiographies such as Olaudah Equiano’s Interesting Narrative and Mary Prince’s History, which were both written in the form of legal petitions. These works invoke scenes of Black competence and of Black madness, repeatedly and simultaneously.

Early Black writings reflect how a Black Atlantic world, organized by slavery, refused to acknowledge Black competence. By including scenes of Black madness, these narratives critique the violence of the law and predict the failure of future legal counterparts, such as Plessy v. Ferguson, to remedy injustice. Later chapters examine the works of more contemporary writers, such as Sutton E. Griggs, George Schuyler, Toni Morrison, and Edward P. Jones, and explore varied topics from American exceptionalism to the legal trope of "colorblindness." In chronicling these interactions with jurisprudential logics, See Justice Done reveals the tensions between US law and Black experiences of both its possibilities and its perils.

"See Justice Done compels readers to think again about Black life before the law while revealing an aesthetics of harm and injury that gives form to the ‘incommensurable.’ A difficult, unsettling journey, it takes African American writing, from early slave petitions to the contemporary novel, as riposte to a legal system that fails to imagine the Black subject. Giving blood to terms overused and emptied out, this timely book is at once chilling and analytically acute." —Colin Dayan, author of The Law Is a White Dog: How Legal Rituals Make and Unmake Persons, With Dogs at the Edge of Life, and In the Belly of Her Ghost: A Memoir

"See Justice Done cogently excavates the convergence of African American fiction and the histories in US law. Its declaration of this critical intimacy is accomplished in ways that are substantive, nuanced, and frankly brilliant. Brown’s book will be indispensable, not only for understanding the relationship between law and literature, but because of its compelling exploration of how the law’s ‘disjuncture’ and ‘ambiguity’ flow with unnerving ease through his distinctive and deeply engaged reading of African American fiction. Brown’s necessary text proves its point—that the relationship of law to ‘racialized subjects’ challenges the very notions of legal freedom and fugitivity, the composition of American cultural studies, and—in ‘In Formation’ the final chapter’s deadly serious take on Black culture’s performativity, whether as entertainment or as a matter of life and death, the law, with all its incapacities, may indeed be the adjudicator that determines whether and how Black lives—be they fact or fiction—matter." —Karla FC Holloway, author of Passed On: African American Mourning Stories: A Memorial and Legal Fictions: Constituting Race, Compositing Literature

Christopher Michael Brown is assistant professor of English at Wake Forest University, where he teaches courses on African American literature and legal culture. His research has been supported by fellowships from the American Council of Learned Societies and the Ford Foundation.

BOOK NEWS: Afro-diasporic fiction confronts the resurgence of biological racism

Alchemies of Blood and Afro-Diasporic Fiction: Race, Kinship, and the Passion for Ontology

BY NICOLE SIMEK

Bloomsbury Academic, 2023

ISBN: 9781501377655

https://www.bloomsbury.com/us/alchemies-of-blood-and-afrodiasporic-fiction-9781501377655/

Alchemies of Blood and Afro-Diasporic Fiction focuses on the resurgence of biological racism in 21st-century public discourse, the ontological and material turns in the academy that have occurred over the same time period, and how Afro-diasporic fiction has responded to both with alternative visions of bloodlines, kinship, and community.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

In thinking through conceptions of race, ethnicity, and materiality at work within both humanities research and popular culture, Nicole Simek asks how the figure of alchemy – that semi-scientific, semi-mystical search for gold and the elixir of long life – can help scholars address the epistemological and affective investments in blood, bloodlines, and genetics marking both academic and mainstream discourses. To answer this question, Simek examines neo-plantation and Afrofuturist narratives, Afropessimist interventions, museums and public memory projects, and direct-to-consumer genetic testing services in the French Caribbean and the United States. This comparative approach to cultural production helps pinpoint and better understand the intersections and divergences between scholarship trends and troubling features of a broader Zeitgeist.

"This is a refreshing and original reflection on racial theory and contemporary cultural production that speaks aptly to the tensions and anxieties of our times while demonstrating how literature and film can offer salutatory alternatives to ongoing racial injustice." --Jane Hiddleston, professor of literatures in French, Oxford University

"Nicole Simek's Alchemies of Blood and Afro-Diasporic Fiction offers a trenchant critique of cultural and political bloodlines in contemporary Black thought, In a bold series of case studies, from genealogical analysis to a wonderful juxtaposition of work by Whitehead and Condé, Simek provides fresh thinking on a passion for the real in Black writing. An impressive contribution." --Peter Hitchcock, professor of English, Baruch College and the Graduate Center, CUNY

 

Nicole Simek is Cushing Eells Professor of Philosophy and Literature at Whitman College, USA. Her latest books include Hunger and Irony in the French Caribbean: Literature, Theory, and Public Life (2016) and Eating Well, Reading Well: Maryse Condé and the Ethics of Interpretation (2008). She is also co-editor of Francophone Literature as World Literature (Bloomsbury, 2020) and translator of Maryse Condé's The Belle Créole (2020).