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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Monday, September 27, 2021

Book News: The cyborgian imaginary in modernism

Fantasies of Self-Mourning: Modernism, the Posthuman and the Finite

BY RUBEN BORG



Brill, 2019

ISBN: 978-90-04-39034-8 hardback

ISBN: 978-90-04-39035-5 ebook

https://brill.com/view/title/54051?language=en&contents=editorial-content


In Fantasies of Self-Mourning Ruben Borg describes the formal features of a posthuman, cyborgian imaginary at work in modernism. The book’s central claim is that modernism invents the posthuman as a way to think through the contradictions of its historical moment. Borg develops a posthumanist critique of the concept of organic life based on comparative readings of Pirandello, Woolf, Beckett, and Flann O’Brien, alongside discussions of Alfred Hitchcock, Chris Marker, Béla Tarr, Ridley Scott and Mamoru Oshii. The argument draws together a cluster of modernist narratives that contemplate the separation of a cybernetic eye from a human body—or call for a tearing up of the body understood as a discrete organic unit capable of synthesizing desire and sense perception.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Ruben Borg is Chair of English at the Hebrew University of Jerusalem. He has published numerous articles on modernism, has co-edited two books on Flann O’Brien and is the author of The Measureless Time of Joyce, Deleuze and Derrida (2007).

Wednesday, September 22, 2021

Book News: revised, expanded study of Colson Whitehead

 Understanding Colson Whitehead, revised and expanded edition

BY DEREK C. MAUS 



U of South Carolina P, 2021

ISBNs: 978-1-64336-174-1 paperback

978-1-64336-173-4 hardback

978-1-64336-175-8 ebook

https://uscpress.com/Understanding-Colson-Whitehead-revised-and-expanded-edition


In 2020 Colson Whitehead became the youngest recipient of the Library of Congress Prize for American Fiction. Although Whitehead's widely divergent books complicate overarching categorization, Derek C. Maus argues that they are linked by their skepticism toward the ostensible wisdom inherited from past generations and the various forms of "stories" that transmit it. Whitehead, best known for his Pulitzer Prize winning novel The Underground Railroad, bids readers to accompany him on challenging, often open-ended literary excursions designed to reexamine—and frequently defy—accepted notions of truth.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Understanding Colson Whitehead unravels the parallel structures found within Whitehead's books from his 1999 debut The Intuitionist through 2019's The Nickel Boys, for which he won his second Pulitzer Prize for Fiction. By first imitating and then violating their conventions, Whitehead attempts to transcend the limits of the formulas of the genres in which he seems to write. Whitehead similarly tests subject matter, again imitating and then satirizing various forms of conventional wisdom as a means of calling out unexamined, ignored, or malevolent aspects of American culture.

Although it is only one of many subjects that Whitehead addresses, race is often central to his work. It serves as a prime example of Whitehead's attempt to prompt his readers into revisiting their assumptions about meanings and values. By upending the literary formulas of the detective novel, the heroic folktale, the coming-of-age story, the zombie apocalypse, the slave narrative, and historical fiction, Whitehead reveals the flaws and shortcomings by which Americans have defined themselves. In addition to evoking such explicitly literary storytelling traditions, Whitehead also directs attention toward other interrelated historical and cultural processes that influence how race, class, gender, education, social status, and other categories of identity determine what an individual supposedly can and cannot do.


"With Understanding Colson Whitehead, Derek Maus offers an invaluable, readable, and comprehensive introduction to the work of one of the current era's most important authors. Few writers have shifted genres, styles, and tones so masterfully, and Maus helps readers understand how Whitehead's work all fits together."—Cameron Leader-Picone, Kansas State University

"Understanding Colson Whitehead is an indispensable study about an incredibly inventive contemporary novelist. Derek C. Maus produces superb and meticulous analyses of The Intuitionist, John Henry Days, The Underground Railroad, and Whitehead's other books. This engaging examination advances our views of an author whose idiosyncratic novels captured the attention of countless readers and earned astonishing levels of critical acclaim." —Howard Rambsy II, Author of Bad Men: Creative Touchstones of Black Writers


Derek C. Maus teaches contemporary literature at the State University of New York at Potsdam. He is also the author of Jesting in Earnest: Percival Everett and Menippean Satire and Unvarnishing Reality: Subversive Russian and American Cold War Satire. He is also the editor or coeditor of Conversations with Colson Whitehead; Post-Soul Satire: Black Identity after Civil Rights; Finding a Way Home: A Critical Assessment of Walter Mosley's Fiction; and Angry Rain: A Memoir by Maurice Kenny.


Friday, September 17, 2021

Book News: first person plural in contemporary fiction

 We-Narratives: Collective Storytelling in Contemporary Fiction

BY NATALYA BEKHTA



Ohio State UP, 2020

ISBN: 978-0-8142-1441-1 Hardcover

https://ohiostatepress.org/books/titles/9780814214411.html


Natalya Bekhta’s We-Narratives: Collective Storytelling in Contemporary Fiction analyzes a storytelling form shaped by the pronoun “we,” probing the tensions between individuality and collectivity in more recent narratives in English. Despite a growing interest in collective characters and the we-form in narratology and beyond, narrative theory has not yet done justice to the plural voice in fiction. In fact, the formulation of a poetics of collective expression needs clear theoretical conventions and a reassessment of established concepts in order to approach plural voices and agents on their own terms. We-Narratives addresses this demand by distinguishing between indicative and performative uses of the first-person plural pronoun in fiction and by identifying formal and rhetorical possibilities of stories told by group narrators.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

What does it mean for a multitude to speak as one? How can a truly collective narrative voice be achieved or lost? What are its aesthetic and political repercussions? In order to tackle these questions, Bekhta reads a range of contemporary novels and short stories by Jeffrey Eugenides, Joshua Ferris, Toby Litt, Zakes Mda, Joyce Carol Oates, and Julie Otsuka. She also focuses on narrative innovation by Margaret Atwood, William Faulkner, and Susan Sontag. These narratives feature group protagonists and narrators and therefore offer insight into collective narrative discourse and focalization, construction of communal knowledge and unreliability. We-narrative, taken as a distinct storytelling form, illuminates fiction’s expressive potential and nuances models of narrative analysis.

“Combining theoretical sophistication, interpretive acumen, and a broad range of narratological insights, Natalya Bekhta’s We-Narratives delivers a compelling account of narratives cast in the we-form.” —Marco Caracciolo


Natalya Bekhta is a postdoctoral research fellow at the Helsinki Collegium for Advanced Studies.