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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Thursday, November 17, 2022

Book News: Poetic justice in modern Ireland

Poetry, Politics, and the Law in Modern Ireland

BY ADAM HANNA 



Syracuse UP, 2022

ISBN: 9780815637615

https://press.syr.edu/supressbooks/4769/poetry-politics-and-the-law-in-modern-ireland/


A compelling look at the role of legal developments and controversies in shaping modern Irish poetry.

Poetry, Politics, and the Law in Modern Ireland is a richly detailed exploration of how modern Irish poetry has been shaped by, and responded to, the laws, judgments, and constitutions of both of the island’s jurisdictions. Focusing on poets’ responses in their writing to such contentious legal issues as partition, censorship, paramilitarism, and the curtailment of women’s reproductive and other rights, this monograph is the first in the growing field of law and literature to focus exclusively on modern Ireland. Hanna unpacks the legal engagements of both major and non-canonical poets from every decade between the 1920s and the present day, including Rhoda Coghill, Austin Clarke, Paul Durcan, Elaine Feeney, Miriam Gamble, Seamus Heaney, Thomas Kinsella, Paula Meehan, Julie Morrissy, Doireann Ní Ghríofa, and W. B. Yeats.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Poetry from the time of independence onwardhas been shaped by two opposing forces. On the one hand, the Irish public has traditionally had strong expectations that poets offer a dissenting counter-discourse to official sources of law. On the other hand, poets have more recently expressed skepticism about the ethics of speaking for others and about the adequacy of art in performing a public role. Hanna’s fascinating study illuminates the poetry that arises from these antithetical modern conditions.


"I was hooked from the word go . . . . this pioneering book develops a strong case for the engagement of poetry and law in Ireland. It opens up in a genuinely original and intellectually nuanced way the resonant overlap between legal, constitutional and ethical concerns in Irish poetry since Yeats."—Hugh Haughton, Emeritus Professor of English and Related Literatures at the University of York

"Poetry, Politics, and Law in Modern Ireland is a major achievement. Combining the rigours of quite brilliant close readings with an attention to the various legal and extra-legal contexts that help shape the work of Ireland's modern poets, Hanna reveals the jurisprudential unconscious of the literary and the cultural after-life of the law."—Eugene McNulty, Dublin City University

"This is a book about poetic justice itself, about how the acknowledged legislations of poetry act as conscience and arbitrator for the failings of laws—and their inevitable repeal. Hanna's scholarship has an ambition of breadth and reach that means it should be read by lawyers, historians and political scientists—but above all it should be read by poets and their readers, as an argument for the seriousness of Irish poetic engagement with the laws of the country, South and North."—Matthew Campbell, University of York


Adam Hanna is a lecturer in the English Department at University College Cork. He is the author of Northern Irish Poetry and Domestic Space and the coeditor of Architectural Space and the Imagination: Houses in Art and Literature from Classical to Contemporary and Law and Literature: The Irish Case.

Friday, November 11, 2022

Book News: Children in hemispheric American Gothic fiction

Uncanny Youth: Childhood, the Gothic, and the Literary Americas

BY SUZANNE MANIZZA ROSZAK 



University of Wales Press, 2022

ISBN: 9781786838667

https://www.uwp.co.uk/book/uncanny-youth/


A literary study of childhood in the American Gothic. 

Childhood in Gothic literature has often served colonialist, white supremacist, and patriarchal ideologies, but in Uncanny Youth, Suzanne Manizza Roszak highlights hemispheric American writers who subvert these scripts. In the hands of authors ranging from Octavio Paz and Maryse Condé to N. Scott Momaday and Tracey Baptiste, Gothic conventions critique systems of power in the Americas. As fictional children confront shifting configurations of imperialism and patterns of gendered, anti-queer violence, their uncanny stories call on readers to reckon with intersecting forms of injustice.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

‘Mining an impressive array of Gothic texts – including novels, short stories, plays, and literature written for young adult audiences – Uncanny Youth deftly argues for the subversive and revolutionary power of child and teen characters who confront (and only sometimes survive) the devastating impacts of white supremacy, colonialism, imperialism, and genocide.’ --Bridget M. Marshall, associate professor of English, University of Massachusetts, Lowell


Suzanne Manizza Roszak is an assistant professor of English at the University of Groningen, the Netherlands.

Tuesday, November 1, 2022

Book News: Woolf's invocation of Greek mythology

Virginia Woolf's Mythic Method

BY AMY C. SMITH



Ohio State UP, 2022

ISBN: 978-0-8142-1513-5

https://ohiostatepress.org/books/titles/9780814215135.html


In Virginia Woolf’s Mythic Method, Smith reinvigorates scholarly analysis of myth in Virginia Woolf’s fiction by examining how Woolf engaged social and political issues in her work. Through close readings of Mrs. Dalloway, To the Lighthouse, and Between the Acts, Smith argues that Woolf develops a paratactic method of alluding to Greek myth that is shaped by the style of archaic oral literature and her intersectional feminist insights. By revising such famously paradoxical figures as the Great Goddess, the Eleusinian deities, Dionysus, Odysseus, and the Sirens, Woolf illustrates the links between epistemological and metaphysical assumptions and war, empire, patriarchy, capitalism, and fascism.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

At the same time, her use of parataxis to invoke ancient myth unsettles authorial control and empowers readers to participate in making meaning out of her juxtaposed fragments. In contrast to T. S. Eliot’s more prominent mythic method, which seeks to control the anarchy of modern life, Woolf’s paratactic method envisions more livable forms of sociality by destabilizing meaning in her novels, an agenda that aligns better with our contemporary understandings of modernism.

Virginia Woolf’s Mythic Method is a fresh, nuanced, and innovative examination of Mrs. Dalloway, To the Lighthouse, and Between the Acts viewed through the dual lenses of myth and modernism. Smith’s richly layered analysis and excellent scholarly sources position this book to shape future interpretations of Woolf’s work.”     —Vara Neverow, editor of Virginia Woolf Miscellany


Amy C. Smith is associate professor of English at Lamar University.