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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Monday, March 31, 2025

BOOK NEWS: Reconsidering short works by the mother of the horror genre, Shirley Jackson

Shirley Jackson’s Dark Tales: Reconsidering the Short Fiction

Edited by Joan Passey and Robert Lloyd



Bloomsbury, 2025

ISBN: 9781350361157

https://www.bloomsbury.com/us/shirley-jacksons-dark-tales-9781350361157/


The first dedicated exploration of the short fiction of Shirley Jackson for three decades, this volume takes an in-depth look at the themes and legacies of the 200-plus short stories by the mother of contemporary horror. Scholars from across the globe, and from a range of different disciplinary backgrounds, dig into the lasting impact of her work in light of its increasing relevance to contemporary critical preoccupations and the re-release of Jackson's work in 2016. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Offering new methodologies to study her work, this volume calls upon ideas of intertextuality, ecocriticism and psychoanalysis to examine a broad range of themes from national identity, race, gender and class to domesticity, the occult, selfhood and mental illness. With consideration of her blockbuster works alongside later works that received much less critical attention, Shirley Jackson's Dark Tales promises a rich and dynamic expansion on previous scholarship of Jackson's oeuvre, both bringing her writing into the contemporary conversation, and ensuring her place in the canon of horror fiction.

"Shirley Jackson's Dark Tales is a much-needed expansion of Jackson studies. These essays apply diverse critical approaches to a wide array of previously understudied stories, exploring topics such as influence, identity, space, and genre. They offer compelling new perspectives on Jackson's work, yet remain vitally aware of her position in the cultural landscape of mid-century America." --Melanie D. Anderson, Delta State University


Joan Passey is a lecturer at the University of Bristol, UK, where she has taught since 2016. She has published on Shirley Jackson in Women’s Studies, introduced the biopic Shirley for 70+ Curzon cinemas nationwide, and participated in a Q&A to promote Shirley with Birds Eye View.

Robert Lloyd is a teacher and researcher at Cardiff University, UK, and specializes in women’s literature, the supernatural, and critical theory. He completed his thesis on Shirley Jackson and hauntology in 2021, is in the process of preparing his monograph, and has published on Jackson in Women’s Studies.

Wednesday, November 13, 2024

BOOK NEWS: Human monstrosity in Black horror fiction

 Anti-Blackness and Human Monstrosity in Black American Horror Fiction 

BY JERRY RAFIKI JENKINS



Ohio State UP, 2024

ISBN: 978-0-8142-5905-4

https://ohiostatepress.org/books/titles/9780814215364.html


In Anti-Blackness and Human Monstrosity in Black American Horror Fiction, Jerry RafikiJenkins examines four types of human monsters that frequently appear in Black American horror fiction—the monsters of White rage, respectability, not-ness, and serial killing—arguing that such monsters represent specific ideologies of American anti-Blackness. Jenkins examines a variety of these monstrous forms in Tananarive Due’s The Between, Victor LaValle’s The Changeling, Octavia Butler’s Kindred, Nnedi Okorafor’s Who Fears Death, and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Anti-Blackness and Human Monstrosity in Black American Horror Fiction is a necessary work that emphasizes the sanity and rationality of monstrous figures. Jenkins persuasively contends that combining Afropessimism and affirmation of Black life in fiction can provide resistance to the deadliness of the racial reality of anti-Blackness.” —Keith Byerman, author of Remembering the Past in Contemporary African American Fiction

Anti-Blackness and Human Monstrosity in Black American Horror Fiction is sharp and intellectually daring. Jenkins’s treatment of violence and prospects of Black counter-violence make it a timely resource for Black studies scholars and social and cultural critics of all kinds.” —Greg Thomas, author of Hip-Hop Revolution in the Flesh: Power, Knowledge, and Pleasure in Lil’ Kim’s Lyricism


Jerry Rafiki Jenkins is a professor in the Departments of English and Humanities, and Multicultural Studies at Palomar College and the author of The Paradox of Blackness in African American Vampire Fiction.