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Check here for updates about our latest issues, calls for papers, submission guidelines and tips, as well special online-only content. Our issues themselves are available at Project Muse and are archived on JSTOR . Check out the "Read for Free" page to enjoy some featured content.



More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label Anthony Burgess. Show all posts
Showing posts with label Anthony Burgess. Show all posts

Monday, January 12, 2026

NEW ISSUE: JML 49.1 (Fall 2025), "Running Counter" is LIVE!

 


Journal of Modern Literature 49.1 (Fall 2025) on the theme "Running Counter" is now LIVE on Project Muse at https://muse.jhu.edu/issue/56220


Content includes:

Preston Stone 

“She will be right”: Queer Haitian Protest in Roxane Gay’s “Of Ghosts and Shadows”


Laura Lorhan

Turning the Tables on “Bluebeard”: Intertextuality in Helen Oyeyemi’s Mr. Fox


Dan Dougherty

“[S]trange new air of myth”: Homophony, Narration, and the Modernist Autobiography in Ben Okri’s The Famished Road


Roy Benjamin

“Unprobables in their poor suit of the improssable”: The Improbability Principle in Joyce


Robert Fillman

“[A] certain amusing comfort that makes you happy”: William Carlos Williams’s Ambivalent Pastoral Aesthetic

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Dennis Wilson Wise

C.S. Lewis’s Modernist Moment: Taking up the Gauntlet in “Poem for Psychoanalysts and/or Theologians” 


Jeremy Pomeroy

Reconsidering Moretti’s “rhetoric of innocence”: Ambivalence Toward and Rationalizations of Heroic Violence in Contemporary Epic


Jihuan Yu

A Play on the Post-isms: The Unnamed Narrator’s Quest for Realness in Remainder


Kevin Rulo

Autonomy, Satire, and Parasitic Aesthetics in Wyndham Lewis’s “Joint” and The Apes of God 


Ira Nadel

Lawless Exuberance: Céline and Roth


Reviews

Jean-Michel Rabate

How It Is / Comment C’est / Как ЭTо: Glosses for Beckett’s Darkest Novel


James Mesiti

Samuel Beckett and his Transdisciplinary and Creative Process


Nicole Higgins

“There it is, brothers, sitting there, for USE”: A Review of Joseph Pizza’s Dissonant Voices


Joseph Darlington

Little Wilson and Uncle Sam


Bryan Counter

Turning Around Uncertainty


Thursday, January 7, 2021

JML 44.1 (Fall 2020) is LIVE!

 

JML 44.1 (Fall 2020) on the theme "Genealogies and Historiographies" is now live on JSTOR at https://www.jstor.org/stable/10.2979/jmodelite.44.issue-1 and on Project Muse at https://muse.jhu.edu/issue/43684

Contents include:

Genealogies of the Modern

Michael Bedsole

Exteriority and Interiority in T.S. Eliot’s Graduate Work  


Ignasi Ribó 

“At the farthest pole from man”: Kafka’s Posthuman Outlook on War 


John S. Bak

Tennessee Williams’s “Homage to Ophelia (A Pretentious Foreword)” with Commentary


Joseph Darlington

Anthony Burgess and William S. Burroughs: Shared Enemies, Opposed Friends


Kevin McGuirk

“[T]he apple an apple”: Ammons, Bloom, and “the ten thousand things” – with Emerson and Lao Tzu 


Dream Historiographies

Clare Udras Ellis

Pursued by Time: The Chronolibidinal Aesthetics of Katherine Mansfield 


Annaliese Hoehling

Seeing History in the Baroque Ruins of Elizabeth Bowen’s The Last September: An Indictment of Cosmopolitan Modernity


Liran Razinsky

Psychoanalysis and Autobiography: Leiris, Freud and the Obstacle to Self-Knowledge 


Jesse Zuba

Raymond Carver and the Modern Career Imaginary


Bram Mertens

Dread, Desire and Destruction: The Historical Sublime in Erwin Mortier’s Marcel (1999) 


Reviews

Elizabeth Scheer

Surveying the Damage: Marina MacKay’s Modernism, War, and Violence


Robert L. Caserio

Audacious Reconciliation


Farisa Khalid

Good, Brave Causes: British Fiction of the 1950s