Journal of Modern Literature 49.1 (Fall 2025) on the theme "Running Counter" is now LIVE on Project Muse at https://muse.jhu.edu/issue/56220
Content includes:
Preston Stone
“She will be right”: Queer Haitian Protest in Roxane Gay’s “Of Ghosts and Shadows”
Laura Lorhan
Turning the Tables on “Bluebeard”: Intertextuality in Helen Oyeyemi’s Mr. Fox
Dan Dougherty
“[S]trange new air of myth”: Homophony, Narration, and the Modernist Autobiography in Ben Okri’s The Famished Road
Roy Benjamin
“Unprobables in their poor suit of the improssable”: The Improbability Principle in Joyce
Robert Fillman
“[A] certain amusing comfort that makes you happy”: William Carlos Williams’s Ambivalent Pastoral Aesthetic
Dennis Wilson Wise
C.S. Lewis’s Modernist Moment: Taking up the Gauntlet in “Poem for Psychoanalysts and/or Theologians”
Jeremy Pomeroy
Reconsidering Moretti’s “rhetoric of innocence”: Ambivalence Toward and Rationalizations of Heroic Violence in Contemporary Epic
Jihuan Yu
A Play on the Post-isms: The Unnamed Narrator’s Quest for Realness in Remainder
Kevin Rulo
Autonomy, Satire, and Parasitic Aesthetics in Wyndham Lewis’s “Joint” and The Apes of God
Ira Nadel
Lawless Exuberance: Céline and Roth
Reviews
Jean-Michel Rabate
How It Is / Comment C’est / Как ЭTо: Glosses for Beckett’s Darkest Novel
James Mesiti
Samuel Beckett and his Transdisciplinary and Creative Process
Nicole Higgins
“There it is, brothers, sitting there, for USE”: A Review of Joseph Pizza’s Dissonant Voices
Joseph Darlington
Little Wilson and Uncle Sam
Bryan Counter
Turning Around Uncertainty
No comments:
Post a Comment