BOOK NEWS: The poetic innovations of the Noigandres group

Noigandres: Poetry Made New in Brazil

By Antonio Sergio Bessa

Fordham UP, 2026

ISBN: 9781531513689

https://fordhampress.com/noigandres-hb-9781531513672.html

The Noigandres group was one of the key movements in Brazilian modernism. Bessa’s account works through the specific poetic innovations that are the hallmark of the concrete poetics the group developed. These include their unprecedented reevaluation of Brazilian literary history, their distinctive exploration of graphic space inspired by emerging studies on cybernetics, and their embrace of a range of Modernist traditions, from Mallarmé’s vision of poetry as a constellation of words, to Joyce’s concept of the “verbivocovisual,” to Pound’s writings about the Chinese ideogram.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Bessa’s account begins with the core traits of concrete poetry developed by the Noigandres poets throughout the 1950s (the so-called “heroic phase” of concretism) and continues to the poetic experiments the group undertook after the military coup of 1964 in Brazil. The book concludes with translations of key primary texts: essays by the poets Augusto de Campos, Décio Pignatari and Haroldo de Campos and correspondence between the three poets and Ezra Pound.

Bessa persuasively situates the Noigandres group—the missing link between Modernism and the poetics of our digital age—within an artistic and philosophical lineage. Providing an accessible and incisive summary of the theoretical background and the particular cultural conditions of post-war Brazil, Bessa’s book is the ideal guide for understanding this novel, challenging, and important poetry.—Craig Dworkin, author of The Sound of Thinking: A Listener's Companion to Conceptual Music

Bessa renews our understanding of the Noigandres poets. His readings, with an eye on contemporary concerns, will introduce the movement to new generation of scholars.—Marília Librandi, author of Writing by Ear: Clarice Lispector and the Aural Novel

Antonio Sergio Bessa is a scholar of concrete poetry and the author of Öyvind Fahlström: The Art of Writing (2008). He has edited several volumes on concrete poetry including Haroldo de Campos’s Novas: Selected Writings (with Odile Cisneros, 2007), and Mary Ellen Solt: Toward a Theory of Concrete Poetry (2010).

BOOK NEWS: Tracing Chilean women poets' resistance to neoliberalism

Chilean Women’s Poetry under Neoliberalism, 1980–2020

By Bárbara Fernández-Melleda

Edinburgh UP, 2025

ISBN: 9781399541497

https://edinburghuniversitypress.com/book-chilean-women-s-poetry-under-neoliberalism-1980-2020.html

Examines how women poets have expressed resistance against neoliberalism in Chile at times of intense political upheaval

• A 4-decade chronology following on women’s poetry response to neoliberal ideology
• Takes an interdisciplinary approach to poetic work engaging with neoliberalism in Chile
• Centers on iconic works by canonical Chilean authors that deserve study in an international setting

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Chilean Women’s Poetry under Neoliberalism, 1980-2020 explores how the works of 6 women poets interact with the imposition and development of neoliberalism in Chile over 4 decades. The book follows a chronology that joins poetic work that criticizes the model from its inception during dictatorship times (1980s), through a democratic transition that did not live up to its expectations (1990s), until the naturalization of neoliberalism as a new normal that seems not possible to overcome (2000s). Finally, the 2010s show how the great inequalities denounced in the works from the previous 3 decades found concrete resistance through the October 2019 social revolt. This juncture brings new poetry hoping for a refoundation of Chile while also imagining the failure of a revolutionary movement. In the end, the latter came to pass.

Bárbara Fernández-Melleda brilliantly kickstarts her analytical journey when the sweeping violence of the Pinochet dictatorship installed the neoliberal model. Her book highlights various mechanisms of resistance against a repressive and individualistic social system. It also examines the asymmetry affecting Chilean literary production, perpetuating patriarchal practices that reduce or negate the contributions carried by the aesthetics of women writers. – Diamela Eltit, winner of the National Literature Prize of Chile 2018

Bárbara Fernández-Melleda is assistant professor in Latin American Studies at the University of Hong Kong. She has published articles on Gabriela Mistral, Elvira Hernández, Carmen Berenguer, and Nadia Prado, among other Chilean poets. She was awarded the Early Career Scheme Grant by the Hong Kong University Grants Committee for her project The Fall of Neoliberalism in the Chilean Post-Dictatorship Novel (2000–2020). Her current research interests delve into Sino-Latin American diplomatic relations, especially through the lives and works of Chilean poets Pablo Neruda and Armando Uribe. In 2024, she received the General Research Fund award to begin her 3-year project entitled Pablo Neruda in China.

BOOK NEWS: Youth catalyzing change in stories of Central American migration

Coming of Age(ncy) on the Migrant Trail: Adolescent Journeys in Contemporary Latinx Young Adult Literature

By Susana S. Martínez

Ohio State UP, 2025

ISBN: 978-0-8142-5965-8

https://ohiostatepress.org/books/titles/9780814216026.html

Susana S. Martínez’s Coming of Age(ncy) on the Migrant Trail maps the contours of agency in young adult literature involving Latinx migrant youth—a project that could not be timelier given anti-immigrant hostility, LGBTQ+ book bans, and intense scrutiny of how we teach about race. Martínez leads readers chronologically and geographically from the 1980s Central American civil wars north through Mexico during the war on drugs to the recent experiences of those living undocumented in the United States, showing that YA is an ideal medium through which to tease out those stories of Central American migration that are often subsumed within Latinx studies and to combat stereotypes of young migrants. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Viewed through the lenses of intersectionality and racialized capitalism’s politics of disposability, the novels in question contribute to timely antiracist pedagogical discussions where youth emerge as catalysts for social change. By including non-Latinx authors who wrote about the Guatemalan and Salvadoran civil conflicts alongside authors from the Central American diaspora—Marcia Argueta Mickelson, Jennifer De Leon, and Bessie Flores Zaldívar among them—Martínez invites us to reflect on solidarity in contentious times.

“While young people, and particularly young people seeking refuge, are at the mercy of oppressive systems, Martínez sheds light on the ways they discover and enact their power. Her nuanced analysis makes visible the ways that global capitalist policies and processes on both sides of the border directly impact people.” —Amina Chaudhri, author of Multiracial Identity in Children’s Literature

“Martínez deftly uses data and social scientific research alongside her analysis of young adult novels to contextualize the causes of youth migration and to counter xenophobic ideologies that position migrants as criminal, deportable bodies.” —Cristina Herrera, author of ChicaNerds in Chicana Young Adult Literature: Brown and Nerdy

Susana S. Martínez is associate professor in the Department of Modern Languages at DePaul University. Her articles have appeared in Ciberletras, Brújula, Studies in Latin American Popular Culture, and elsewhere.

BOOK NEWS: Contemporary Mexican literature's representations of sapphic desire

Lenchitudes: Sapphic Representation in Contemporary Mexican Narrative

By Alejandra Márquez

SUNY Press, 2026

ISBN: 9798855805154

https://sunypress.edu/Books/L/Lenchitudes2

Shows how representations of sapphic desire can subvert or sustain prevailing norms of gender, sexuality, and power in Mexican texts from the 1980s to the 2010s.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Drawing inspiration from the 2020 Marcha Lencha—"Lesbian March"—in Mexico City, Alejandra Márquez expands the concept of lenchitudes into a critical framework for thinking about gender and sexuality more expansively and inclusively, beyond essentialist identity categories. Assembling a lesbian archive that stretches from the publication of Rosamaría Roffiel's cult classic Amora in 1989 to the 2010s, Lenchitudes argues that sapphic representation in contemporary Mexican narrative subverts but also reinforces patriarchal norms. Sapphic narratives, Márquez argues, are not inherently queer but rather can uphold binary gender roles, heteronormativity, and monogamy. Bridging literature and activism, and putting theorists such as Judith Butler, Jack Halberstam, and José Esteban Muñoz into conversation with Latin American scholarship, Lenchitudes boldly joins ongoing debates about the place of queerness, or lo cuir, in Latin America.

"Sure to become a reference point for research and teaching in LGBTQ+ studies in and about Latin America, Lenchitudes challenges the dominant focus on gay male representation in cuir studies without simply adding lesbian culture to the existing scholarship. In dialogue with both the epistemologies of Mexican social movements and Latin American lesbian, marica, and travesti thinkers, Márquez moves beyond an identity-based approach to gender and sexuality, exploring the entanglement of multiple sapphic representations, desires, and experiences." — Patricio Simonetto, author of A Body of One’s Own: A Trans History of Argentina

"A very important contribution to the study of Spanish-language LGBTQ+ literature and culture from Mexico. Márquez incorporates a deep knowledge of queer/cuir approaches, skillfully connecting concepts from Anglo-American theory to related, though distinct, Mexican cultural schemes to produce readings that transcend the identity politics of Mexican lesbian-feminist circles. Lenchitudes is poised to help visibilize Mexican sapphic cultures in the English-speaking world." — Brandon Bisbey, author of Between Camp and Cursi: Humor and Homosexuality in Contemporary Mexican Narrative

Alejandra Márquez is an assistant professor of Spanish at Michigan State University.

BOOK NEWS: Fantasy authors of color create alternate visions of morality

Dispelling Fantasies: Authors of Color Reimagine a Genre

By Joy Sanchez-Taylor

Ohio State UP, 2025

ISBN: 978-0-8142-5949-8

https://ohiostatepress.org/books/titles/9780814215906.html

In Dispelling Fantasies, Joy Sanchez-Taylor examines how authors of color, such as R.F. Kuang, N.K. Jemisin, Nnedi Okorafor, Tomi Adeyemi, Tasha Suri, Aiden Thomas, Nghi Vo, and Marlon James, among others, offer critical counterpoints to the history of white-dominated, Eurocentric fantasy. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The traditional fantasy that these authors are writing against reinforces Christian virtues and colonial, white supremacist structures; Sanchez-Taylor argues that its racial tropes are tied to a history of colonization and Christian missionary practices, with popular fantasy narratives often depicting Indigenous groups as primitive, deviant peoples in need of salvation. Such representations are based on a Western binary of rational versus magical and are influenced by tenets of Christianity, ultimately contributing to depictions of “the dark fantastic” or fantasy worlds where dark and othered characters are implicitly portrayed as evil and irredeemable. 

Organized around four Christian ideals that appear frequently in Western fantasy texts—virtue, envy, patriarchy, and salvation—Dispelling Fantasies demonstrates how non-Eurocentric fantasy worlds offer alternative versions of morality, race, gender, and sexuality and make space for authors to move away from hierarchical, binary systems of good and evil.

“Written in an accessible style....[Dispelling Fantasies] is focused and well organized, and the examples are current and thoughtfully analyzed....Summing Up: Highly recommended. General readers through faculty; professionals.” —P. J. Kurtz, CHOICE

“Dispelling Fantasies significantly advances scholarship on works that break from the Western, Eurocentric fantasy tradition, highlighting how Christian virtues and their historical ties to colonialism and white supremacy have shaped fantasy’s bias toward whiteness.” —Taylor Driggers, author of Queering Faith in Fantasy Literature: Fantastic Incarnations and the Deconstruction of Theology

“Sanchez-Taylor introduces a large number of BIPOC authors into the critical arena, engaging with subtleties and variations across different ethnic, religious, and colonialized experiences and revealing how these writers challenge and subvert the fantasy canon. Dispelling Fantasies is creative and insightful.” —Farah Mendlesohn, author of Rhetorics of Fantasy

Joy Sanchez-Taylor is professor of English at LaGuardia Community College (CUNY), where her research addresses intersections between science fiction, fantasy, and critical race studies. She is the author of Diverse Futures: Science Fiction by Authors of Color (2021).

BOOK NEWS: Critical reflections on the work of Luis J. Rodríguez

The Life, Literature and Legacy of Luis J. Rodríguez: In the Long Run

Edited by Josephine Metcalf and Ben Olguin

Edinburgh UP, 2025

ISBN: 9781399520591

https://edinburghuniversitypress.com/book-the-life-literature-and-legacy-of-luis-j-rodriguez.html

Luis Rodríguez is a prominent Latinx poet, memoirist and activist renowned for his candid visceral accounts of urban working-class life that includes youth gang violence, incarceration and drug abuse, gruelling factory work and union organising activities and collective approaches to redemption and political empowerment, which have resonated across multiple communities in the United States and abroad. Accordingly, whilst Rodríguez has been the focus of some critical scholarship, huge segments of his life, work and legacy remain unexamined. This anthology has commissioned new and unique critical essays and reflections on Rodríguez’s life and works, putting forward new ideas about bringing the voices of 'barrio organic intellectuals' to the fore. The anthology deliberately includes traditional academics as well as more public intellectuals and creative writers from across Europe and the Americas to reflect Rodriguez’s own diverse outputs as a prisoner author and activist.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

This book is an authoritative anthology on Luis Rodríguez’s life and works that

• Offers a range of perspectives on multiple aspects of his many different accomplishments and activities that can be used in secondary and university curricula
• Gathers peer author reflections that offer insights on Rodriguez’s aesthetics for readers and writers to study and use, thus filling a gap between academic oriented scholarship and popular journalism about Rodriguez and his work
• Introduces new unpublished works by Rodriguez himself and archival materials relating to his career for further use in teaching and research as well as general interest

"The Life, Literature and Legacy of Luis J. Rodríguez: In the Long Run is the most comprehensive overview, critical assessment and sustained study of the renowned former gang member, pinto author, barrio intellectual and critical humanist-philosopher. It encompasses perspectives that account for the significance of his literary impact, his praxis-oriented politics, critical reflections on him by people who’ve known Luis for decades, analysis of the transformation of his once hyper masculinist worldview, pedagogical approaches to Rodriguez’s life story and prison literature, his impact as a publisher, and original new work. In the depth and range of critical perspectives included here, Metcalf and Olguín make a major contribution and set a new standard for US literary history and author studies, community studies and intellectual biographies." – Louis Mendoza, Arizona State University

"Luis J. Rodríguez’s work offers a playbook for how to engage in resistance in these troubled times. This collection of scholarly and literary essays reveals his activism as that of a Chicano 'organic intellectual' in the tradition of Antonio Gramsci who challenges the US’s political, cultural and material hegemony." – Avelardo Valdez, University of Southern California

Josephine Metcalf is a senior lecturer in American studies and criminology at the University of Hull, UK where she is the co-founder and co-director of the Cultures of Incarceration Centre. Her research focuses on the representation of prisons and street gangs in literature and other pop-culture forms and the ways these have been received by audiences. She has published on prison memoirs by authors such as Stanley Tookie Williams and Shaun Attwood and wrote a foreword for an anniversary edition of Joseph Bathanti’s award-winning prison novel, Coventry.

Ben V. Olguín is the Robert and Liisa Erickson Presidential Chair in English in the Department of English at the University of California, Santa Barbara, and founding director of the UCSB Global Latinidades Centre. In addition to articles published in Cultural Critique, American Literary History, Aztlán, Frontiers, Biography, MELUS, and Nepantla, Olguín is the author of La Pinta: Chicana/o History, Culture, and Politics (2010) and Violentologies: Violence, Identity, and Ideology in Latina/o Literature (2021). He also is a published poet, and author of Red Leather Gloves (2014) and At the Risk of Seeming Ridiculous: Poems from Cuba Libre (2014).

BOOK NEWS: Analyzing contemporary Nahuatl-Spanish poetry

The Serpent's Plumes: Contemporary Nahua Flowered Words in Movement

By Adam W. Coon

SUNY Press, 2024

ISBN: 9781438497785

https://sunypress.edu/Books/T/The-Serpent-s-Plumes2

Draws on Nahua concepts to explore Nahua literary production and contributions to cultural activism from the 1980s to the present.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The Serpent's Plumes analyzes contemporary Nahua cultural production, principally bilingual Nahuatl-Spanish xochitlajtoli, or "poetry," written from the 1980s to the present. Adam W. Coon draws on Nahua perspectives as a decolonizing theoretical framework to argue that Nahua writers deploy unique worldviews-namely, ixtlamatilistli ("knowledge with the face," which highlights the value of personal experiences); yoltlajlamikilistli ("knowledge with the heart," which underscores the importance of affective intelligence); and tlaixpan ("that which is in front," which presents the past as lying ahead of a subject rather than behind). The views of ixtlamatilistli, yoltlajlamikilistli, and tlaixpan are key in Nahua struggles and effectively challenge those who attempt to marginalize Native knowledge production.

"The Serpent's Plumes makes an important intervention in Indigenous literary studies as well as cultural studies Highly recommended." — CHOICE

"Written in a luminous and engaging style, The Serpent's Plumes provides an extraordinary survey of poetry and prose works by contemporary Nahua writers in Mexico and the United States. While many readers know Nahua poetry through colonial works (such as Cantares Mexicanos), this book reminds us of the relevance of works by contemporary Nahua authors not merely as heirs to an admired literary tradition but as highly accomplished artists who bravely confront racism, discrimination, historical oblivion, and patriarchal hegemony in their work." — David Tavárez, author of Rethinking Zapotec Time: Cosmology, Ritual, and Resistance in Colonial Mexico

Adam W. Coon is associate professor of Latin American Studies and Spanish at the University of Minnesota Morris.

BOOK NEWS: Engaging critically with Sandra Cisneros's oeuvre

¡Ay Tú!: Critical Essays on the Life and Work of Sandra Cisneros

Edited by Sonia Saldívar-Hull and Geneva M. Gano

U of Texas P, 2024

ISBN: 9781477329900

https://utpress.utexas.edu/9781477329900/

Sandra Cisneros (b. 1954), author of the acclaimed novel The House on Mango Street and a recipient of the National Medal of the Arts, a MacArthur “Genius Grant,” and the PEN/Nabokov Award for International Literature, was the first Chicana to be published by a major publishing house. ¡Ay Tú! is the first book to engage critically with her life and work as a whole. Edited by scholars Sonia Saldívar-Hull and Geneva M. Gano, this volume addresses themes that pervade Cisneros’s oeuvre, like romantic and erotic love, female friendship, sexual abuse and harassment, the exoticization of the racial and ethnic “other,” and the role of visual arts in the lives of everyday people. Essays draw extensively on the newly opened Cisneros Papers, housed in the Wittliff Collections at Texas State University, and the volume concludes with a new long-form interview with Cisneros by the award-winning journalist Macarena Hernández.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

As these essays reveal, Cisneros’s success in the literary field was integrally connected to the emergent Chicana feminist movement and the rapidly expanding Chicanx literary field of the late twentieth century. This collection shows that Cisneros didn’t achieve her groundbreaking successes in isolation and situates her as a vital Chicana feminist writer and artist.

"¡Ay Tú! brings together a stellar ensemble of Latina/x and Chicana/x literary scholars and essays devoted to the writing of Sandra Cisneros, one of the most prolific writers of our time. This tremendous collection is a gift to every professor and student of literature and cultural studies." ~Deborah R. Vargas, Yale University, author of Dissonant Divas in Chicana Music: The Limits of La Onda

"¡Brava! The coeditors of ¡Ay Tú! have gathered a wealth of scholarly perspectives that students, scholars, and general readers are sure to find illuminating. Insightful and thought-provoking, every chapter opens a door into Cisneros’s familiar and well-loved literary works. Whether you are new to Cisneros or have read and reread favorites, you are sure to find new insights and approaches to her work in this magnificent collection." ~Norma E. Cantú, Trinity University, coeditor of ¡Somos Tejanas! Chicana Identity and Culture in Texas

Sonia Saldívar-Hull is a professor emerita of English at the University of Texas at San Antonio. She is the author of Feminism on the Border: Chicana Literature and Politics.

Geneva M. Gano is a professor of English at Texas State University and the author of The Little Art Colony and US Modernism.

BOOK NEWS: Practical approaches to decolonial scholarship founded in humility

Quiet Methodologies: Humility in the Humanities

By Suzanne Bost

University of Minnesota Press, 2025

ISBN 978-1-5179-1821-7 

https://www.upress.umn.edu/9781517918217/quiet-methodologies/

How might foregrounding the writings of colonized peoples transform the ways we work in the humanities? In an era dominated by loud political rhetoric, Suzanne Bost advocates for quieter modes of scholarship: intellectual humility rather than ego, collaboration and conversation rather than singular argumentation, continual reflection and revision rather than defensiveness, and a willingness to believe in different ways of being and knowing rather than adhering to academic norms. With Quiet Methodologies, she demonstrates practical decolonial scholarship and proposes alternative approaches for fostering meaningful engagement.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Turning to feminist, queer, and decolonial writings from writers such as Gloria Anzaldúa, Alexis Pauline Gumbs, Audre Lorde, and many others, Bost reflects on what we do when we work with literature, culture, and ideas. She weaves together multiple voices, methods of writing, and culturally diverse epistemologies and uses creative devices such as collage, her own original poetry, revision, lists, images, and conversation to disengage academic thought and writing from colonial theories and archives that have passed as neutral. Eschewing conventional monograph formats, her work embraces a reciprocal and heterogeneous learning process with profound ethical implications.

Part of a movement of reimagining research and education through care, Quiet Methodologies is a powerful exploration of the possibilities of criticism during crises. It encourages readers to be visionary and pragmatic, challenging current conditions and offering alternative ideas for the future of the humanities.

"Suzanne Bost’s book is a powerful exploration of literary criticism during an age of crises, when planetary, human, and other-species futurities are at stake. It privileges a careful, porous reading of texts that center the decolonial and the resistant. Bost offers a nuanced reflexivity that never crosses into navel-gazing—and asks us to reimagine how we make scholarly arguments through a method that is dialogical, critical, and even tender."—Piya Chatterjee, coeditor of The Imperial University: Academic Repression and Scholarly Dissent

"Quiet Methodologies showcases post-oppositional approaches to conventional academic scholarship, creating new opportunities for provocative multispecies, cross-temporal conversations and inter-dimensional communities of knowledge creators. Replacing the combative critique that so often dominates contemporary academic life with intellectual humility, radical inclusivity, invitational pedagogies, and alchemical dialogues, Suzanne Bost offers much-needed possibilities for transformation. I can’t wait to share this book with my students!"—AnaLouise Keating, author of The Anzaldúan Theory Handbook

Suzanne Bost is professor of English at Loyola University Chicago. She is author of several books, including Shared Selves: Latinx Memoir and Ethical Alternatives to Humanism.