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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label Lessing. Show all posts
Showing posts with label Lessing. Show all posts

Tuesday, September 10, 2024

BOOK NEWS: Psychic connection and porous selves in British fiction

Psychic Connection and the Twentieth-Century British Novel: From Telepathy to the Network Novel

BY MARK TAYLOR



Edinburgh UP, 2024

ISBN: 9781399524483

https://edinburghuniversitypress.com/book-psychic-connection-and-the-twentieth-century-british-novel.html


Criticism of the novel routinely starts with the assumption that characters must think, develop, and strive for self-fulfillment as individuals. This book challenges the paradigm that individualism is innate to the novel as a medium. It describes how major writers throughout the twentieth century—many convinced by the supposed findings of parapsychology—rejected the idea of the discrete character. Treating the self as porous, they offered novels structured around the development of communities and ideas rather than individuals. By focusing on D. H. Lawrence, Olaf Stapledon, Aldous Huxley, and Doris Lessing, Mark Taylor demonstrates the need to broaden our approach to character when addressing the novel of the twentieth century and beyond.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

  • Contends that the twentieth century novel’s approach to character fundamentally shifted in response to contemporaneous theories of psychic connection
  • Challenges the paradigm that individualism is innate to the novel as a medium
  • Charts an unmapped trajectory in the novel’s development away from individualism
  • Accessibly outlines how psychic speculation informs the conception of character in major twentieth century novels
  • Offers valuable tools for analyzing literature without treating the individuated character as a necessary unit


"Taylor’s book offers a fascinating alternative history of the twentieth-century British novel. While the novel form is often seen as the definitive narrative of individualism, Psychic Connection tracks a different path through telepathy, panpsychism, and visions of collective selves, working through D. H. Lawrence, Olaf Stapledon, Aldous Huxley and Doris Lessing, and ending with a generative reading of the contemporary ‘network novels’ of David Mitchell. A cogent and consistently compelling counter-narrative." —Roger Luckhurst, Birkbeck College


Mark Taylor is a specialist in twentieth-century British literature, most recently working as assistant professor in English Literature at HSE University, Moscow. His research focuses on notions of individual and collective selfhood in British literature of the previous century. His work has been published in Modern Fiction Studies, Mosaic and Science Fiction Studies.

Thursday, December 2, 2021

Book News: British Fiction in the Turbulent 1970s

Politics and the British Novel in the 1970s

By J. RUSSELL PERKIN


McGill-Queen's UP, 2021

ISBN: 9780228006244

https://www.mqup.ca/politics-and-the-british-novel-in-the-1970s-products-9780228006244.php?page_id=73&


The 1970s in Britain saw a series of industrial disputes, a referendum on membership in the European Economic Community, conflict about issues of immigration and citizenship, and emergent environmental and feminist movements. It was also a decade of innovation in the novel, and novelists often addressed the state of the nation directly in their works.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

In Politics and the British Novel in the 1970s Russell Perkin looks at social novels by John Fowles and Margaret Drabble, the Cold War thrillers of John le Carré, Richard Adams's best-selling fable Watership Down, the popular campus novels of Malcolm Bradbury and David Lodge, Doris Lessing's dystopian visions, and V.S. Naipaul's explorations of post-colonial displacement. Many of these highly regarded works sold in large numbers and have enjoyed enduring success - a testament to the power of the political novel to explain a nation to itself. Perkin explores the connections between the novel and politics, situating the works it discusses in the rich context of the history and culture of the decade, from party politics to popular television shows.

Politics and the British Novel in the 1970s elucidates a period of literary history now fifty years in the past and offers a balanced perspective on the age, revealing that these works not only represented the politics of the time but played a meaningful role in them.

"Russell Perkin's emphasis on the ways in which fiction reflects political currents and discussions in the 1970s offers an original and much-needed contribution to our understanding of this tumultuous and neglected period." Caroline Zoe Krzakowski, Northern Michigan University


J. Russell Perkin is professor of English at Saint Mary's University in Nova Scotia, Canada.