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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label Gayl Jones. Show all posts
Showing posts with label Gayl Jones. Show all posts

Tuesday, May 6, 2025

BOOK NEWS: Tracing the love embedded in Black and Asian American literatures

Other Lovings: An AfroAsian American Theory of Life

By Seulghee Lee



Ohio State UP, 2025

ISBN: 978-0-8142-1509-8

https://ohiostatepress.org/books/titles/9780814215098.html


In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.


“Animated by theoretical erudition and historical attunement, Other Lovings is timely and perennial. Lee’s sensitive exploration of the overlapping frontiers between Afro-American and Asian American literatures, the romance of coalition and the labor of solidarity, and love’s fragility and sociality’s renewal is an extraordinary achievement.” —Fred Moten, author of All That Beauty

Other Lovings centers the ‘love bonds’ that make up Black and Asian American sociality. Lee thematizes the strongholds of racial melancholia, Afropessimism, and queer negativity in contemporary thought and offers a dazzling theory of the loving, ‘intramural mega-sociality’ of Asian American racial ontology and AfroAsian life.” —Vivian L. Huang, author of Surface Relations: Queer Forms of Asian American Inscrutability


Seulghee Lee (he/him) is assistant professor of African American Studies and English at the University of South Carolina. He is coeditor, with Rebecca Kumar, of Queer and Femme Gazes in AfroAsian American Visual Culture.

Thursday, February 20, 2025

BOOK NEWS: Contemporary Black women writers embrace Africanist understandings of embodiment and disability

Refusing to Be Made Whole: Disability in Black Women's Writing

By Anna LaQuawn Hinton



UP of Mississippi, 2025

ISBN: 9781496855046

https://www.upress.state.ms.us/Books/R/Refusing-to-Be-Made-Whole


In Refusing to Be Made Whole: Disability in Black Women’s Writing, author Anna LaQuawn Hinton examines how contemporary Black women writers present becoming disabled as a traumatic and violent experience of Black womanhood. Nevertheless, Black women embrace disabled Black womanhood by turning to Africanist spiritual understandings of wholeness, which view debilitating injury and illness as not only physical but also spiritual, not just an individual problem but a symptom of discord in the community. Black women use these belief systems to reimagine healing in ways that make space for a variety of bodymindspirits. Hinton maintains that this is not only a major theme in contemporary Black women’s writing but that it also shapes the formal elements characteristic of the Black women’s literary tradition.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Refusing to Be Made Whole analyzes texts published after the civil rights movements of the 1950s and 1960s, focusing particularly on the late 1970s onward when Black women’s writing flourished. Through the lens of writings by authors such as Toni Cade Bambara, Gayl Jones, Gloria Naylor, Ntozake Shange, Audre Lorde, Alice Walker, Toni Morrison, Octavia Butler, Sapphire, and Sarah E. Wright, Hinton addresses prominent critical discourses within Black feminist literary studies. Hinton approaches the intersections of Africanist spirituality, race, gender, class, and disability, conversations about representation, community, motherhood, and sexuality through a Black feminist disability studies framework. Refusing to Be Made Whole embraces the complex and multifaceted nature of Black women’s writing, arguing that through this collision of race, gender, and spirituality, Black women writers speak healing and wellness into their readers’ lives and their own.


"Refusing to Be Made Whole takes seriously the Black feminist reckoning with disability, providing an apt guide to the tradition using the tenets of Black disability studies. This book deftly rereads the Black feminist literary tradition with an eye toward disability, and it was an absolute joy to read. Simply put, this is the book all Black feminist and disability scholars need." - Therí A. Pickens, author of Black Madness: Mad Blackness

"Anna LaQuawn Hinton’s Refusing to Be Made Whole: Disability in Black Women’s Writing brings together—and extends—theoretical paradigms from disability studies, Black studies, feminist studies and queer studies through careful, innovative readings of canonical and lesser-known texts written by Black women, demonstrating how the contemporary literature of Black women and the theoretical work of disability studies are mutually transformative when engaged together. This rich and exciting work showcases the author’s deep engagement with (and sense of accountability to) multiple scholarly fields, and anyone writing on any of the authors discussed here—even if they are not a disability scholar—should consult this book in the future." - Julie Avril Minich, author of Radical Health: Unwellness, Care, and Latinx Expressive Culture

 

Anna LaQuawn Hinton is assistant professor of disability studies and Black literature and culture in the English Department at the University of North Texas. She has published in the Journal of Literary and Cultural Disability Studies and CLA Journal, as well as The Cambridge Companion to American Literature and the Body and The Palgrave Handbook of Reproductive Justice and Literature.