BOOK NEWS: Contemporary Mexican literature's representations of sapphic desire

Lenchitudes: Sapphic Representation in Contemporary Mexican Narrative

By Alejandra Márquez

SUNY Press, 2026

ISBN: 9798855805154

https://sunypress.edu/Books/L/Lenchitudes2

Shows how representations of sapphic desire can subvert or sustain prevailing norms of gender, sexuality, and power in Mexican texts from the 1980s to the 2010s.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Drawing inspiration from the 2020 Marcha Lencha—"Lesbian March"—in Mexico City, Alejandra Márquez expands the concept of lenchitudes into a critical framework for thinking about gender and sexuality more expansively and inclusively, beyond essentialist identity categories. Assembling a lesbian archive that stretches from the publication of Rosamaría Roffiel's cult classic Amora in 1989 to the 2010s, Lenchitudes argues that sapphic representation in contemporary Mexican narrative subverts but also reinforces patriarchal norms. Sapphic narratives, Márquez argues, are not inherently queer but rather can uphold binary gender roles, heteronormativity, and monogamy. Bridging literature and activism, and putting theorists such as Judith Butler, Jack Halberstam, and José Esteban Muñoz into conversation with Latin American scholarship, Lenchitudes boldly joins ongoing debates about the place of queerness, or lo cuir, in Latin America.

"Sure to become a reference point for research and teaching in LGBTQ+ studies in and about Latin America, Lenchitudes challenges the dominant focus on gay male representation in cuir studies without simply adding lesbian culture to the existing scholarship. In dialogue with both the epistemologies of Mexican social movements and Latin American lesbian, marica, and travesti thinkers, Márquez moves beyond an identity-based approach to gender and sexuality, exploring the entanglement of multiple sapphic representations, desires, and experiences." — Patricio Simonetto, author of A Body of One’s Own: A Trans History of Argentina

"A very important contribution to the study of Spanish-language LGBTQ+ literature and culture from Mexico. Márquez incorporates a deep knowledge of queer/cuir approaches, skillfully connecting concepts from Anglo-American theory to related, though distinct, Mexican cultural schemes to produce readings that transcend the identity politics of Mexican lesbian-feminist circles. Lenchitudes is poised to help visibilize Mexican sapphic cultures in the English-speaking world." — Brandon Bisbey, author of Between Camp and Cursi: Humor and Homosexuality in Contemporary Mexican Narrative

Alejandra Márquez is an assistant professor of Spanish at Michigan State University.

BOOK NEWS: Reading Irish women's writing through a queer, postcolonial lens

Queering Twentieth-Century Irish Women’s Writing: Uneasy Moderns

By Naoise Murphy

Edinburgh UP, 2025

ISBN: 9781399547468

https://edinburghuniversitypress.com/book-queering-twentieth-century-irish-women-s-writing.html

A queer, postcolonial reading of twentieth-century Irish women’s writing

• Advances queer studies debates about resistance, progress and ‘bad feelings’ from a peripheral, postcolonial location
• Provides a new reading of canonical Irish women writers that challenges reductive celebratory narratives
• Intervenes in Irish public culture and feminist/LGBT+ history, advocating queer modes of thought as a response to the difficulties of a traumatic past

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Bringing together a group of untimely, queerly-oriented writers – Dorothy Macardle, Kate O’Brien, Elizabeth Bowen and Molly Keane – this book unsettles the conventional narratives of modern Irish culture. Despite attempts to impose a linear narrative of progress, feel-good accounts are clearly inadequate to the realities of contemporary Ireland. Guided by a queer refusal to move on from bad feelings, Naoise Murphy disrupts common-sense narratives of modernisation, gender, sexuality and race in the postcolonial state. Lingering with unease and discomfort in the work of mid-twentieth-century women writers and the spaces they occupied, this book pays close attention to inadmissible feelings of loss, anxiety, hauntedness and melancholia. By embracing discomfort, it moves towards a less idealising form of queer studies that is more responsive to the complexity of queer history, and offers a new story of Irish culture in the twentieth century.

"Naoise Murphy considers the fate of several ‘uneasy moderns’ – women whose recalcitrance and knotty attachments to the past rendered them out-of-step with their historical moment. This brilliant analysis of haunted texts and spaces speaks back to the narrative of Ireland’s progressive and secular modernity, pointing instead to the ongoing legacies of colonialism, sectarian violence and patriarchal authority." – Heather Love, University of Pennsylvania

Naoise Murphy is a researcher specialising in twentieth-century literature and queer studies and has taught at the University of Cambridge, Maynooth University and the University of Oxford.

BOOK NEWS: Rediscovering misplaced queer history in Irish literature and film

Queer Possessions: Creative Criticism and Modern Irish Literature

By Patrick R. Mullen

Syracuse UP, 2026.

ISBN: 9780815612131

https://press.syr.edu/supressbooks/9432/queer-possessions/

Too often, fleeting moments rooted in queer experience have appeared in popular fiction, only to be little remarked upon, often noted only as a sign of continuing neoliberal social advances. In Queer Possessions: Creative Criticism and Modern Irish Literature, Patrick Mullen makes the case for a more personal analysis of these moments, finding ways for readers to create new meaning and explore closer readings of key texts.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Queer Possessions is divided between close readings of modern Irish novels and films and creative readings of the same texts, to give readers the tools to engage more deeply with the process of analysis and criticism. In the first mode, Mullen examines how modern Irish literature has frequently featured comedy to represent queer sexuality and economic crisis in the twenty-first century. This analysis allows for the second mode, in which the text helps readers to assume a critical role, encouraging their own creative readings of texts and imagining more of the works.

Equal parts critical and playful, Queer Possessions works to rediscover misplaced queer history, encourage new forms of experiencing text, and empower readers to create new interpretations and works.

"What sets this book apart is its innovative approach to critical and creative reading. It doesn’t just offer theoretical insight, but delivers practical strategies for engaging with texts in imaginative, politically attuned, and meaningful ways, which is now more crucial than ever in the classroom. Queer Possessions is invaluable resource for scholars, educators, and students seeking new ways to approach and interpret literature."—Páraic Kerrigan, author of Reeling in the Queers: Tales of Ireland’s LGBTQ Past

Patrick R. Mullen is an associate professor of English at Northeastern University. He is the author of The Poor Bugger’s Tool: Irish Modernism, Queer Labor, and Postcolonial History.

BOOK NEWS: Expansive temporality in queer experience

Never on Time, Always in Time: Narrative Form and the Queer Sensorium 

By Kate McCullough

Ohio State UP, 2024.

ISBN: 978-0-8142-1577-7

https://ohiostatepress.org/books/titles/9780814215777.html

Queer futures begin with the body. In Never on Time, Always in Time, Kate McCullough explores how writers summon queer bodily experiences by way of the senses: these experiences have much to tell us about the pasts, presents, and futures of queer life. The author discusses how narrative form and techniques represent the senses in order to open a more expansive temporality for writers and readers. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Can queer futures contain the utopic, while also addressing the violence of the past and present? McCullough argues that a narratology that incorporates the senses is integral to conceptions of queer time, which in its most potent, palpable, and radical expression depends on a rendering of the senses. Never on Time, Always on Time looks at works by Monique Truong, Carol Rifka Brunt, Mia McKenzie, and Alison Bechdel to explore how they invoke the senses to narrate what otherwise seems to be non-narrativizable. McCullough thus reveals a vital queer narratology at work, a mode of reading and writing the senses toward a survivable future. She calls this cluster of contemporary texts “narratives of the queer sensorium,” and argues that representations of the senses in these texts open new perspectives onto history, futurity, and relationality.

“Recommended. Advanced undergraduates through faculty.” —G. Sikorski, CHOICE

“Never on Time, Always in Time is a groundbreaking work in narrative theory. It accomplishes a queer narratology that clearly and coherently connects specific narrative devices with such major concerns of queer theory as temporality, futurity, materiality, affect, and anti-heteronormative resistance. A transformative work.” —Robyn Warhol, coeditor of Narrative Theory Unbound: Queer and Feminist Interventions

 

Kate McCullough is associate professor of English and Feminist, Gender, and Sexuality Studies at Cornell University. She is the author of Regions of Identity: The Construction of America in Women’s Fiction, 1885–1914.

BOOK NEWS: Modernist depictions of "masculine pregnancy"

Masculine Pregnancies: Modernist Conceptions of Creativity and Legitimacy, 1918-1939

By Aimee Armande Wilson

SUNY Press, 2024

ISBN: 9781438495606

https://sunypress.edu/Books/M/Masculine-Pregnancies

Examines literary depictions of "mannish" pregnant women and metaphors of male pregnancy to reframe the relationship between creativity and gender in modernism.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Who is taken seriously as an artist? What does gender have to do with it? Is there a relationship between artistic creation and physical procreation? In Masculine Pregnancies, Aimee Armande Wilson argues that modernist writers used depictions of "mannish" pregnant women and metaphors of male pregnancy to answer these questions. The book places "masculine pregnancies" in works by Djuna Barnes, Willa Cather, William Faulkner, and Ezra Pound in the context of interwar debates about eugenics, immigration, midwifery, and sexology in order to redefine the relationship between creativity and gender in modernism. Attending to recent developments in queer theory, Wilson challenges the critical assumption that figures of masculine pregnancy necessarily reinforce oppressive norms. The book's first half shows how some writers indeed used such figures to delegitimize artists who were not white, male, and heterosexual. The second half then shows how others used masculine pregnancies to extend legitimacy to mannish women, dark-skinned immigrants, and their (pro)creations-and did so a century before the current boom in queer pregnancy narratives.

"…this book does contribute to queer theory, interwar cultural history, and modernist literary studies in a significant way. It will appeal to those who want to explore where these branches of inquiry intersect." — CHOICE

"Masculine Pregnancies opens up important new perspectives on queer reproduction. Drawing on cutting-edge work in queer and trans studies, and carefully considering the entanglements of gender, sexuality, racialization, and class, Wilson reveals the uses, meanings, and contemporary legacies of masculine pregnancy in the modernist period." — Jana Funke, coeditor of Interrogating Lesbian Modernism: Histories, Forms, Genres

Aimee Armande Wilson is associate professor of Women, Gender, and Sexuality Studies at the University of Kansas. She is the author of Conceived in Modernism: The Aesthetics and Politics of Birth Control.

BOOK NEWS: An account of the breadth and depth of queer American literature

The Cambridge History of Queer American Literature

EDITED BY BENJAMIN KAHAN

Cambridge UP, 2024

ISBN: 9781108918725

https://www.cambridge.org/core/books/the-cambridge-history-of-queer-american-literature/6DBC1DA60D5B4AC05431401C40AA680D

Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies and sexuality studies became deeply entwined and what they can teach each other. It examines how American literature produces and is in turn woven out of sexualities, gender pluralities, trans-ness, erotic subjectivities, and alternative ways of inhabiting bodily morphology. In so doing, the volume aims to do nothing less than revise the ways in which we understand the whole of American literature. It will be an indispensable resource for scholars, graduate students, and undergraduates.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Part I - Synchronic Histories of American Sexuality

"The Transmasculinity Narrative in the Anglophone Atlantic Eighteenth Century" By Sal Nicolazzo

"Queering the Founding; Or, the Revolution in Sex" By Don James McLaughlin

"Whither the Queer History of Slavery?" By Patrice D. Douglass

"Queering Immigration and the Social Body, 1875–1924" By Madoka Kishi

"The Queerness of World War II" By Guy Davidson

"Queer Bonds of Cold War Sexuality" By GerShun Avilez

"'The Dead Never Die': Pre-Exposure Prophylaxis, Queer Temporalities, and the Literature of AIDS" By Tim Dean

"Fiction in the Post–Lawrence v. Texas Era, or Inventing Heteronormative Queerness" By Kate McCullough

"Trans-ing Transcendentalism" By Dorri Beam

"Sentimental Literature and the Erotics of Identification" By Kathryn R. Kent

"Queer Modernism and Misfit Identity" By Octavio R. González

"Imperialism and the Queer Harlem Renaissance" By Fiona I. B. Ngô

"The Mystical Sexuality of the Beats and the Berkeley Renaissance" By Julia Bloch and Ignacio Infante

"The New York School’s Queer Happiness" By Brian Glavey

"Chicana and Latina Lesbian Feminists and the Radical Making of Anthological Archives of Willfulness" By T. Jackie Cuevas

"Queer Literature after Queer Theory" By Michael D. Snediker

Part II - Diachronic Histories of American Sexuality

"Queer Historical Poetics and Queer Formalism: American Poetry before 1850" By James Mulholland

"Queer Mythology in American Poetry, 1855–1913" By Vivian R. Pollak

"Funny Emotions: Queer Lyric from the New Verse to the New American Poets" By Chad Bennett

"Queer American Poetry Now" By Stephanie Burt

"Queer American Drama: Plays, Replays, Yet-To-Be-Plays" By Penny Farfan

"The Gay Genre: Musical Theatre from Show Boat to A Strange Loop" By James F. Wilson

"The Oneiric Golden Age of Gay and Lesbian Pulp" By Stephanie Foote

"Queering Desire in American Science Fiction" By Anna Kurowicka

"Queering Comics Histories" By André Carrington

"LGBT Bestsellers" By Diarmuid Hester and Jack Parlett

"History Touches Us Everywhere: American Queer and Trans Memoir in the Long Twentieth Century" By Emma Heaney

"Whiteness and Trans Genre, Whiteness as Trans Genre" By Jules Gill-Peterson

"Queer Types for Early Asian American Literature" By Andrew Way Leong

"The Queerness of Blackness" By Amber Jamilla Musser

"Two-Spirit Writers and Queer Native American Literature" By Alicia Carroll

"Queer Southern Literature and the Dirty South" By Michael P. Bibler and Sharon P. Holland

"Queer DiaspoRican Circuits" By Lawrence La Fountain-Stokes

"'where sadness makes sense': The Queer Poetics of the Midwest Terrain" By Richard T. Rodríguez

"Queer New England Regionalism" By J. Samaine Lockwood

"Queer Beginnings at the End of the Frontier: Asia and the Pacific in the Making of a Modern Gay American Identity" By Amy Sueyoshi

"Queer American Literature in the World" By Marta Figlerowicz

Part III - Queer Methods

"Repression, Sublimation, and Latency from Charles Brockden Brown to James Purdy" By Melissa Hardie

"Gender Variance before Trans: A Literary History" By Xine Yao

"Female Friendship: Romantic Friends and Boston Marriages" By Lillian Faderman

"The Medical Model and Early Gay and Lesbian Writing" By Simon Stern

"'Flung out of space': Class and Sexuality in American Literary History" By Aaron S. Lecklider

"Quantifying Sex" By Joan Lubin

"The Pleasures of Reading Camp" By Teagan Bradway

"The Queerness of Religion" By Tracy Fessenden

"Tracing Queer Crip Poetics in Time" By Ellen Samuels

"Queer Print Culture: The Market and Circulation of Queer Literature" By Jaime Harker

Benjamin Kahan is the Herbert Huey McElveen Professor of English and Women’s, Gender, and Sexuality Studies at Louisiana State University. He has held fellowships from the John Simon Guggenheim Memorial Foundation, the National Humanities Center, and a number of other institutions. He is the author of Celibacies: American Modernism and Sexual Life (Duke, 2013) and The Book of Minor Perverts: Sexology, Etiology, and the Emergences of Sexuality (Chicago, 2019). His new monograph Sexual Aim and Its Misses is under contract with Chicago. 

BOOK NEWS: Reassessing the meanings, uses, and limitations of lesbian modernism

Interrogating Lesbian Modernism: Histories, Forms, Genres

EDITED BY ELIZABETH ENGLISH, JANA FUNKE, AND SARAH PARKER

Edinburgh UP, 2023

ISBN: 9781474486057

https://edinburghuniversitypress.com/book-interrogating-lesbian-modernism.html

Makiko Minow coined the phrase ‘lesbian modernism’ in 1989. Since then, scholars of lesbian modernism have produced crucial work to critique and expand the modernist canon. At the same time, there has been ongoing critical debate about what constitutes a lesbian modernist text, who counts as a lesbian modernist author, and how lesbian modernism relates to queer and trans modernism. This edited volume presents twelve newly commissioned chapters that reassess and interrogate the meanings, uses and limitations of lesbian modernism by exploring a broad range of authors, genres and histories. Individual chapters investigate what work the concept of ‘lesbian modernism’ has done in the past, how its boundaries have been defined and contested, and what voices have been included and excluded. As a whole, the book demonstrates how the concept of lesbian modernism can be mobilized in new and meaningful ways to continue to inform and enrich modernist studies.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Contents

Introduction, Elizabeth English, Jana Funke, and Sarah Parker

Part 1: Interrogating Lesbian/Queer/Trans Modernism

Chapter 1: Loving/Hating/Loving Lesbian Modernism, Jodie Medd

Chapter 2: Lesbian-Trans-Feminist Modernism: Christopher St. John, Trans Masculinity and Celibate Friendship in Hungerheart: The Story of a Soul, Jana Funke

Chapter 3: The Ontology of the Pluri-Singular Body in Natalie Clifford Barney’s The One Who is Legion or A.D.’s After-Life, Katharina Boeckenhoff

Part 2: Genres and Forms

Chapter 4: Imaginative Biography: Margaret Goldsmith, Vita Sackville-West and Lesbian Historical Life Writing, Elizabeth English

Chapter 5: Modernism at the Margins: Mariette Lydis’s Print Portfolio Lesbiennes, Abbey Rees-Hales

Chapter 6: Inverting the Gaze: Radclyffe Hall and Male Sexual Identities, Steven Macnamara

Part 3: Relationality, Networks and Kinship

Chapter 7: Writing Widows of Lesbian Modernism, Hannah Roche

Chapter 8: Lesbianism in/and the Family: Eva Gore-Booth and the Making of Feminist Modernism, Kathryn Holland

Chapter 9: Lesbian Joyce, Katherine Mullin

Part 4: Histories and Temporalities

Chapter 10: Elizabethan Lovemaking: College Romance and Queer Anachronism in Edna St. Vincent Millay’s The Lamp and the Bell, Sarah Parker

Chapter 11: The Lesbian Herstory Archives at Fifty, Robin Hackett

Chapter 12: Hidden in Plain Sight: The Reconstruction of Lesbian Modernist Sexual Histories, Jo Winning

"This impressive essay collection showcases the range and—perhaps more crucially—the continuing relevance of lesbian studies to scholars of literary modernism. Interrogating Lesbian Modernism invites readers to reflect on the past, present, and future of the figure of the ‘lesbian’ and will undoubtedly influence how we engage with modernity itself."　—Laura Doan, author of Disturbing Practices: History, Sexuality, and Women’s Experience of Modern War

Elizabeth English is a senior lecturer in English at Cardiff Metropolitan University

Jana Funke is associate professor of English and sexuality studies at the University of Exeter.

Sarah Parker is a senior lecturer in English at Loughborough University.

BOOK NEWS: Study of LGBTQ themes and characters in Appalachian literary works

Doubly Erased: LGBTQ Literature in Appalachia

By Allison E. Carey

SUNY Press, 2024

ISBN: 9781438493565

https://sunypress.edu/Books/D/Doubly-Erased

The first book of its kind, Doubly Erased is a comprehensive study of the rich tradition of LGBTQ themes and characters in Appalachian novels, memoirs, poetry, drama, and film. Appalachia has long been seen as homogenous and tradition-bound. Allison E. Carey helps to remedy this misunderstanding, arguing that it has led to LGBTQ Appalachian authors being doubly erased—routinely overlooked both within United States literature because they are Appalachian and within the Appalachian literary tradition because they are queer. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

In exploring motifs of visibility, silence, storytelling, home, food, and more, Carey brings the full significance and range of LGBTQ Appalachian literature into relief. Dorothy Allison's Bastard Out of Carolina and Alison Bechdel's Fun Home are considered alongside works by Maggie Anderson, doris davenport, Jeff Mann, Lisa Alther, Julia Watts, Fenton Johnson, and Silas House, as well as filmmaker Beth Stephens. While primarily focused on 1976 to 2020, Doubly Erased also looks back to the region's literary "elders," thoughtfully mapping the place of sexuality in the lives and works of George Scarbrough, Byron Herbert Reece, and James Still.

"[Carey] offers a scholarly but accessible analysis of a relatively unexplored subject, and one might very well expect this book to encourage the development of an emergent specialization within literary and queer studies." — CHOICE

"Doubly Erased contributes significantly to Appalachian literary scholarship by providing close, well-framed analyses of LGBTQ authors' works. Carey clearly articulates the complexity of the region and its inhabitants, eschewing essentialization of the people and reductive caricatures. I foresee this book having a profound positive impact not only for the Appalachian LGBTQ community but also for the Appalachian community writ large, however one defines that." — Theresa L. Burriss, coeditor of Appalachia in the Classroom: Teaching the Region

Allison E. Carey is professor of English and chair of the English Department at Marshall University.