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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label Proust. Show all posts
Showing posts with label Proust. Show all posts

Thursday, August 14, 2025

BOOK NEWS: How portrait photos serve as literary motifs in Proust, Kafka, and Woolf

Reading Portrait Photographs in Proust, Kafka and Woolf: Modernism, Media and Emotion

By Marit Grøtta



Edinburgh UP, 2024

ISBN: 9781399526982

https://edinburghuniversitypress.com/book-reading-portrait-photographs-in-proust-kafka-and-woolf.html


Portrait photography increased in popularity during the modernist period and offered new ways of seeing and understanding the human face. This book examines how portrait photographs appeared as literary motifs in the works of three modernist writers with personal experience of the medium: Marcel Proust, Franz Kafka and Virginia Woolf. Combining perspectives from literary, visual and media studies, Marit Grøtta discusses these writers’ ambivalent views on portrait photographs and the uncertain status of technical images in the early twentieth century more generally. In reconsidering the attention paid to analogue photographs in literature, this book throws light on both modernist reactions to portrait photography and on our relationships to photographs today.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

  • Considers the emotional and relational implications of portrait photographs for three modernist writers
  • Offers a comparative study of the motif of reading portrait photographs in Proust, Kafka, and Woolf
  • Discusses how portrait photographs prompt feelings of love and gratification as well as feelings of frustration and distress in the beholders
  • Discusses the modernists’ ambivalent views on portrait photographs and the uncertain status of such pictures early in the 20th century
  • Reconsiders the modernists’ relation to the visual media and the possibilities for contact, communication, and sympathy early in the twentieth century
  • Considers how the increased circulation of portrait photographs transformed human relations and the relation between the private and the public spheres

"Marit Grøtta makes us see how Proust, Kafka and Woolf read faces mediated by photography and revealing truth, power and sympathy in this wonderful new physiognomy of modernism." – Jean-Michel Rabaté, University of Pennsylvania

"This illuminating reading of portrait photographs in Proust, Kafka and Woolf offers both a probingly fresh understanding of modernism and a genealogy of our face-infested moment and scrambled private-public boundaries." – John Durham Peters, Yale University


Marit Grøtta is professor of comparative literature at the University of Oslo, Norway. She is the author of Baudelaire's Media Aesthetics: The Gaze of the Flâneur and Nineteenth-Century Media (Bloomsbury Academic, 2015) and a number of articles on Schlegel, Baudelaire, Proust, Kafka, Woolf, Queneau, and Agamben. Her research interests are nineteenth-century and modernist literature, visual culture, media philosophy and aesthetic theory.

Friday, August 8, 2025

BOOK NEWS: Modern literature and the science of sleep

Sleep Works: Experiments in Science and Literature, 1899-1929 

By Sebastian P. Klinger



Johns Hopkins UP, 2025

ISBN: 9781421450803

https://www.press.jhu.edu/books/title/53855/sleep-works


At the turn of the twentieth century, sleep began to be seen not merely as a passive state but as an active, dynamic process crucial to our understanding of consciousness and identity. In Sleep Works, cultural historian and literary scholar Sebastian P. Klinger explores the intriguing connections between scientific inquiry and literary expression during an era when sleep was both a scientific mystery and a cultural fascination.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Scientists, physicians, and pharmaceutical companies were at the forefront of this newfound fascination with sleep: some researchers distinguished sleep from related states such as fatigue and hypnosis, while others investigated sleep disorders and developed treatments for insomnia. Meanwhile, literary giants like Franz Kafka and Marcel Proust grappled with their own sleep disturbances and channeled these experiences into their writing. Through the lens of their discoveries, Klinger reveals the broader implications of sleep for concepts of selfhood and agency.

Tracing the emergence of interdisciplinary sleep science and the cultural production of sleep through literature, Sleep Works weaves together literary analysis, historical context, and research in the archives of the pharmaceutical industry to provide a comprehensive and compelling account of how sleep has been understood, represented, and experienced in the modern era.

"So much has been written on dreams in literature, so little on the experience of sleep itself. Klinger's fascinating book breaks the mould by placing texts by Proust, Valéry, Kafka, Rilke, and Schnitzler in the context of the sleep science of the early 20th century, as well as the burgeoning drug industry. Paying close attention to language and form, it shows how literary works generated new modes for discussing and understanding sleep. A major contribution to literature and science studies." — Sally Shuttleworth, University of Oxford

"Klinger's book is that rare piece of scholarship that takes up a familiar topic and transforms it into a genuinely new field of inquiry. His incisive analyses introduce us to the poetics of good and bad sleep while showing how literary discourses perform their own sleep experiments." — Jan Mieskowski, Reed College


Sebastian P. Klinger is a researcher and teacher-scholar in the department of German Studies at the University of Vienna, as well as an Honorary Faculty Research Fellow in Modern Languages at the University of Oxford.

Monday, January 8, 2024

BOOK NEWS: Exploring existential thought in Proust's fiction

Love, Subjectivity, and Truth: Existential Themes in Proust

BY RICK ANTHONY FURTAK



Oxford UP, 2023

ISBN: 9780197633724

https://global.oup.com/academic/product/love-subjectivity-and-truth-9780197633724?cc=us&lang=en&#


Love, Subjectivity, and Truth engages in a lively manner with the overlapping areas of philosophy and literature, philosophy of emotions, and existential thought. “Subjective truth,” a phrase used in Proust's novel In Search of Lost Time, is rich with existential connotations. It invokes Kierkegaard above all, but significantly Nietzsche as well, and other philosophers who thematize love, subjectivity, and truth. In Search of Lost Time is especially concerned about what we can know about others through love. Insofar as it conveys and analyzes experience, the novel is capable not only of exploring existential issues but also of doing something like phenomenology.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

What we know is shaped by our way of knowing, just as the properties of visible, colored objects are determined by the wavelengths of light our eyes can see. Nowhere does the subjective basis of our awareness appear so evident as it does when we view things through loving eyes. In Proust's novel we find skeptical views about love expressed again and again. However, we also note countercurrents, in which love is shown to provide a unique sort of insight. At those times, love seems to be a prerequisite of veridical apprehension. Love, Subjectivity, and Truth investigates this tension as it is played out in Proust's fiction.


"In this lucid and beautifully written book, Rick Anthony Furtak explores the infinite folds of the heart as it closes and opens to reality — the reality of the world, and the reality of the self. His inquiry into the truthfulness of love in Proust's À la recherche du temps perdu crosses seamlessly between literature, philosophy, and psychology, illuminating the grounds of perception and value." — Yi-Ping Ong, associate professor of Comparative Thought and Literature, Johns Hopkins University

"A hundred years on, Marcel Proust's À la recherche du temps perdu remains the leading candidate for The Great Philosophical Novel. Rick Furtak has written a great philosophical book to accompany that novel, a book that helps us navigate the complex, often contradictory statements of Proust's narrator and reveals the coherent philosophical sensibility that lies beneath. Furtak is the ideal guide to a potentially intimidating but profoundly rewarding and enriching literary work. Readers will find it both informative and inspiring, and will be inspired by it, I hope, to return to Proust's novel." —Troy Jollimore, author of Love's Vision and Earthly Delights: Poems

"Once in a rare while, a book comes along that makes you rethink everything you believed about Proust; Love, Subjectivity, and Truth is just such a book. It is original, persuasive, and as clear as it is erudite, and it has persuaded me to see matters of love and knowledge in an entirely new way. Elegantly written, and even moving at times, this is the best book on Proust I've read in many years." —Joshua Landy, author of The World According to Proust


Rick Anthony Furtak is associate professor of Philosophy at Colorado College. His work is focused on the moral psychology of the emotions, the relations between philosophy and literature, and the unique spirit of existential thought. He is past President of the Søren Kierkegaard Society. His translations from Rainer Maria Rilke and a book of his own poems are among his most recent publications.

Wednesday, June 28, 2023

Book News: New view of Proust's magnum opus

The World According to Proust

BY JOSHUA LANDY



Oxford UP, 2022

ISBN: 9780197648681

https://global.oup.com/academic/product/9780197648681?cc=gb&lang=en&


100 years after Proust's death, In Search of Lost Time remains one of the greatest works in World Literature. At 3,000 pages, it can be intimidating to some. This short volume invites first-time readers and veterans alike to view the novel in a new way.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Marcel Proust (1871-1922) was arguably France's best-known literary writer. He was the author of stories, essays, translations, and a 3,000-page novel, In Search of Lost Time (1913-27). This book is a brief guide to Proust's magnum opus in which Joshua Landy invites the reader to view the novel as a single quest--a quest for purpose, enchantment, identity, connection, and belonging--through the novel's fascinating treatments of memory, society, art, same-sex desire, knowledge, self-understanding, self-fashioning, and the unconscious mind.

Landy also shows why the questions Proust raises are important and exciting for all of us: how we can feel at home in the world; how we can find genuine connection with other human beings; how we can find enchantment in a world without God; how art can transform our lives; whether an artist's life can shed light on their work; what we can know about the world, other people, and ourselves; when not knowing is better than knowing; how sexual orientation affects questions of connection and identity; who we are, deep down; what memory tells us about our inner world; why it might be good to think of our life as a story; how we can feel like a single, unified person when we are torn apart by change and competing desires. Finally, Landy suggests why it's worthwhile to read the novel itself-how the long, difficult, but joyous experience of making it through 3,000 pages of prose can be transformative for our minds and souls.


Joshua Landy is the Andrew B. Hammond Professor of French and Professor of Comparative Literature at Stanford University, where he co-directs the Initiative in Philosophy and Literature and co-hosts the nationally syndicated public radio program "Philosophy Talk." His books include Philosophy as Fiction: Self, Deception, and Knowledge in Proust (Oxford, 2004), How to Do Things With Fictions (Oxford, 2012), and (as coeditor) The Re-Enchantment of the World: Secular Magic in a Rational Age (Stanford, 2009).

Monday, April 11, 2022

JML 45.2 (Winter 2022) is LIVE!


JML 45.2 (Winter 2022) on the theme "Reclaiming Tradition and Contingency" is now live on Project Muse at https://muse.jhu.edu/issue/47651.


Contents

Charlotte Fox 

“Reclaiming” tradition: An exploration of literary influence in Helen Macdonald’s H Is for Hawk 


K. Joudry

The Gospel According to Bolo 


Emily Anderson

An “unseemly joke”: Service-author Stories and Wyndham Lewis’s Blasting and Bombardiering (1937)


Rachel Gaubinger 

The “Voiceless Language” of Sisters: Queer Possibility in E.M. Forster’s Howards End 

FREE


Niklas Cyril Fischer 

E.M. Forster, Realism, and the Style of Progressive Nostalgia


Gurumurthy Neelakantan 

Philip Roth’s Politics of Freedom in the American Trilogy 


Caroline Gelmi 

Vachel Lindsay and the Primitive Singing of the New Poetry


André Furlani

Walking toward Genre: The Pedestrian Excursus


Jack Quirk 

The Potentiality of Paralysis in Joyce’s “Counterparts” 


John Attridge

Contingent Sociality and Same-sex Desire in À la Recherche du Temps Perdu 


Reviews

Jake O’Leary

Politics and Literature in Interwar Britain’s Only Women-Controlled Weekly Review


Robert Harris

Making Him New: Ezra Pound in the Twenty-First Century


Chen Lin

The “wholeness” of T.S. Eliot: A Review of T. S. Eliot’s Dialectical Imagination