BOOK NEWS: Expansive temporality in queer experience

Never on Time, Always in Time: Narrative Form and the Queer Sensorium 

By Kate McCullough

Ohio State UP, 2024.

ISBN: 978-0-8142-1577-7

https://ohiostatepress.org/books/titles/9780814215777.html

Queer futures begin with the body. In Never on Time, Always in Time, Kate McCullough explores how writers summon queer bodily experiences by way of the senses: these experiences have much to tell us about the pasts, presents, and futures of queer life. The author discusses how narrative form and techniques represent the senses in order to open a more expansive temporality for writers and readers. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Can queer futures contain the utopic, while also addressing the violence of the past and present? McCullough argues that a narratology that incorporates the senses is integral to conceptions of queer time, which in its most potent, palpable, and radical expression depends on a rendering of the senses. Never on Time, Always on Time looks at works by Monique Truong, Carol Rifka Brunt, Mia McKenzie, and Alison Bechdel to explore how they invoke the senses to narrate what otherwise seems to be non-narrativizable. McCullough thus reveals a vital queer narratology at work, a mode of reading and writing the senses toward a survivable future. She calls this cluster of contemporary texts “narratives of the queer sensorium,” and argues that representations of the senses in these texts open new perspectives onto history, futurity, and relationality.

“Recommended. Advanced undergraduates through faculty.” —G. Sikorski, CHOICE

“Never on Time, Always in Time is a groundbreaking work in narrative theory. It accomplishes a queer narratology that clearly and coherently connects specific narrative devices with such major concerns of queer theory as temporality, futurity, materiality, affect, and anti-heteronormative resistance. A transformative work.” —Robyn Warhol, coeditor of Narrative Theory Unbound: Queer and Feminist Interventions

 

Kate McCullough is associate professor of English and Feminist, Gender, and Sexuality Studies at Cornell University. She is the author of Regions of Identity: The Construction of America in Women’s Fiction, 1885–1914.

Book News: Sexual policing in Hemispheric American Literature

Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature

BY JENNA GRACE SCIUTO

UP of Mississippi, 2021

ISBN 9781496833440 Hardcover

ISBN 9781496833457 Paperback

https://www.upress.state.ms.us/Books/P/Policing-Intimacy

In Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature, author Jenna Grace Sciuto analyzes literary depictions of sexual policing of the color line across multiple spaces with diverse colonial histories: Mississippi through William Faulkner’s work, Louisiana through Ernest Gaines’s novels, Haiti through the work of Marie Chauvet and Edwidge Danticat, and the Dominican Republic through writing by Julia Alvarez, Junot Díaz, and Nelly Rosario. This literature exposes the continuing coloniality that links depictions of US democracy with Caribbean dictatorships in the twentieth century, revealing a set of interrelated features characterizing the transformation of colonial forms of racial and sexual control into neocolonial reconfigurations.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

A result of systemic inequality and large-scale historical events, the patterns explored herein reveal the ways in which private relations can reflect national occurrences and the intimate can be brought under public scrutiny. Acknowledging the widespread effects of racial and sexual policing that persist in current legal, economic, and political infrastructures across the circum-Caribbean can in turn bring to light permutations of resistance to the violent discriminations of the status quo. By drawing on colonial documents, such as early law systems like the 1685 French Code Noir instated in Haiti, the 1724 Code Noir in Louisiana, and the 1865 Black Code in Mississippi, in tandem with examples from twentieth-century literature, Policing Intimacy humanizes the effects of legal histories and leaves space for local particularities. By focusing on literary texts and variances in form and aesthetics, Sciuto demonstrates the necessity of incorporating multiple stories, histories, and traumas into accounts of the past.

Jenna Grace Sciuto is associate professor of English at the Massachusetts College of Liberal Arts. Her work examines the intersections of race, gender, and sexuality in circum-Caribbean literature.