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Check here for updates about our latest issues, calls for papers, submission guidelines and tips, as well special online-only content. Our issues themselves are available at Project Muse and are archived on JSTOR . Check out the "Read for Free" page to enjoy some featured content.



More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label Ben Lerner. Show all posts
Showing posts with label Ben Lerner. Show all posts

Monday, May 13, 2024

BOOK NEWS: 21st century American authors grapple with the construct of whiteness

Ugly White People: Writing Whiteness in Contemporary America

BY STEPHANIE LI



University of Minnesota Press, 2023

ISBN 978-1-5179-1574-2

https://www.upress.umn.edu/book-division/books/ugly-white-people


Ugly White People explores representations of whiteness from twenty-first-century white American authors (Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others) as they grapple with whiteness as its own construct rather than a wrongly assumed norm. Revealing white recognition of the ugly forms whiteness can take, Stephanie Li examines the tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others.

"Ugly White People is not about the 'racists' but about the way whiteness shapes the subjectivity of all white people. Relying on an elegant and parsimonious textual analysis of the work of contemporary authors, Stephanie Li shows how whites manage to evade while they acknowledge their whiteness, how they consume people of color through racist love, and how they accept whiteness in a way that neglects addressing racism. I highly recommend this book to readers interested in understanding contemporary whiteness." — Eduardo Bonilla-Silva, Duke University

"The best writing critically studying whiteness today intensely engages imbrications of race with other identities, especially class, gender, nationality, and disability. No one does all of that better than Stephanie Li. Addressing literary moments with a sure grasp of history and an adventuresome readings of texts, Ugly White People speaks compellingly to the persisting strength of Trump and white nationalism and to the desire for social media celebrity as something authors both explore and share." — David Roediger, author of The Sinking Middle Class: A Political History of Debt, Misery, and the Drift to the Right


Stephanie Li is Lynne Cooper Harvey Distinguished Professor of English at Washington University in St. Louis. She is author of Pan-African American Literature, Playing in the White, and Signifying without Specifying.

Thursday, April 4, 2024

JML 47.2 (Winter 2024), "Contemporary Works" is now LIVE!

 


Journal of Modern Literature 47.2 (Winter 2024), on the topic "Contemporary Works," is now LIVE on Project Muse at https://muse.jhu.edu/issue/52288


Content includes:

Editorial News


Maysaa Jaber

“I am a celebrated murderess”: Female Criminality and Multiple Personalities in Margaret Atwood’s Alias Grace


Klem James

Particules Flottantes: Mutable Identity and Postmodern “Schizophrenia” in the Works of Michel Houellebecq

FREE!


Rhys William Tyers

Houellebecq’s Platform: The Detective Novel and Its Infinite Boundary


Ian Almond

Armenians in Modern Turkish Literature: The Ghost Stories of Orhan Pamuk 


Jessica Morgan-Davies

Intermediality and the Politics of (Un)Making in Agnès Varda’s Visages Villages


Elin Käck 

A Spatiotemporal Collage Aesthetic: Poets and Poetry in Siri Hustvedt’s Memories of the Future


Ciara Moloney

Word and Image in Alison Bechdel’s Memoirs


Daniel Dufournaud

“Reduced to Near Nothingness”: Don DeLillo’s Ethico-Political Project in Cosmopolis


Daniel R. Adler 

Making Visible the “Mental Wreckage”: A Historical Materialist Reading of Milkman 

FREE!


Alexandra Lawrie

“The lost boys of privilege”: Triangulation and the End of History in Ben Lerner’s The Topeka School 


Geoff Hamilton

Finite Jest: Irony and Healing in There There


Reviews

Aimee Pozorski

Language, Trauma, and Medicine: A Review Essay of John Zilcosky’s The Language of Trauma and a Defense of Trauma Theory


Sol Peláez

An Intimacy of Strangers: An Aesthetic Clinic