Welcome to the Journal of Modern Literature news and information site.


Check here for updates about our latest issues, calls for papers, submission guidelines and tips, as well special online-only content. Our issues themselves are available at Project Muse and are archived on JSTOR . Check out the "Read for Free" page to enjoy some featured content.



More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label W.E.B DuBois. Show all posts
Showing posts with label W.E.B DuBois. Show all posts

Tuesday, February 24, 2026

BOOK NEWS: The evolution of Black speculative fiction and philosophy

Afrofuturism and World Order 

By Reynaldo Anderson 



Ohio State UP, 2025

ISBN: 978-0-8142-5955-9

https://ohiostatepress.org/books/titles/9780814215944.html


In Afrofuturism and World Order, Reynaldo Anderson delves into the evolution of Black speculative thought and Afrofuturism from the early twentieth century to the present day. By locating Afrofuturism within an African geography of reason, he situates the past, present, and future of people of African descent at the intersection of speculative philosophy, science fiction, futurology, artificial intelligence, climate change, and geopolitics. Historically, Afrofuturism theorized futures for Black Americans through merging their lived experiences with science fiction, technology, music, and art. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Drawing from adaptations in Black culture and speculative thought during the Cold War, Anderson addresses the shifting focus of the genre from American to transnational, as well as the implications of modern existential threats such as the COVID-19 pandemic. By tracing the Black speculative tradition from its overlaps with Africana esotericism and certain African diaspora regions, to its intersections with astroculture and modernism, to the works of Malcolm X, Amiri Baraka, W. E. B. Du Bois, and Octavia Butler, to the aesthetic politics of the Black Speculative Arts movement, and beyond, Anderson illuminates how Afrofuturism participates in an increasingly multipolar world.

“Anderson situates Afrofuturism within the long history of African philosophy, going beyond traditional literary studies to offer new ways to consider questions of justice, equality, and liberation. A must-read for anyone interested in understanding the intellectual power and political depth of the Black speculative imagination.” —Alex Zamalin, author of Black Utopia: The History of an Idea from Black Nationalism to Afrofuturism

“Anderson locates the limitations of modernism as a European ideology and then uses established principles of Africology to propose new approaches to both critical and creative analysis. Afrofuturism and World Order is essential reading for Black and African studies scholars and will become a bedrock text for graduate instruction.” —Walter D. Greason, Dewitt Wallace Professor of History, Macalester College


Reynaldo Anderson is associate professor of Africology and African American Studies at Temple University and coeditor of, among others, Afrofuturism 2.0: The Rise of Astro-Blackness, The Black Speculative Arts Movement: Black Futurity, Art + Design, and Cosmic Underground: A Grimoire of Black Speculative Discontent. He is also the editor of The Shape of Things to Come: Africology and the Rise of Afrofuturist Studies.

Monday, February 17, 2025

BOOK NEWS: Cross-caste romance in W.E.B. Du Bois's fiction

Tales from Du Bois: The Queer Intimacy of Cross-Caste Romance

By Erika Renée Williams



SUNY Press, 2022

ISBN: 9781438488189

https://sunypress.edu/Books/T/Tales-from-Du-Bois


Offers a new framework for understanding Du Bois's poetics and politics, including the concept of double consciousness, by tracing the trope of the cross-caste romance across his fiction.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Tales from Du Bois brings together critical race theory, queer studies, philosophy, and genre theory to offer an illuminating new comprehensive study of W. E. B. Du Bois's fiction from 1903–1928. Erika Renée Williams begins by revisiting Du Bois's tale of being rebuffed by a white female classmate in The Souls of Black Folk, identifying it as a failure of what she calls "cross-caste romance"—a sentimental, conjugal, or erotic relation projected across lines of cultural difference. In Du Bois's text, this failure figures as the cause of double consciousness, the experience of looking at oneself through the eyes of others. 

Far from being unique to Souls, the trope of cross-caste romance, Williams argues, structures much of Du Bois's literary oeuvre. With it, Du Bois queries romance's capacity to ground nationalism, on the one hand, and to foment queer forms of Afro-Diasporic reclamation and kinship, on the other. Beautifully written and deftly argued, Tales from Du Bois analyzes familiar works like Souls and Dark Princess alongside neglected short fiction to make a case for the value of Du Bois's literary writing and its centrality to his thought more broadly.

"Well researched and clearly written, this volume provides a new perspective on Du Bois, calling attention to his less-known writing Williams carefully documents the contexts and sources of the critical discourse surrounding her approach, making this excellent book a reasonable introduction to Du Bois." — CHOICE

"The insights this book offers are sometimes startling but also so convincing that one wonders how earlier scholars had not seen them." — Koritha Mitchell, author of From Slave Cabins to the White House: Homemade Citizenship in African American Culture

"Williams's archive and interventions are wide-ranging and far-reaching as she nimbly carries us from queer of color critique to medieval and African folklore to affect theory to Enlightenment formulations that braid aesthetics, morality, and reason. Still, it is not enough to say that this study of double consciousness and its enframement in cross-caste romance will be important to ongoing conversations across multiple disciplines. Rather, Williams invites a re-thinking of the key concepts that moor Black Studies." — Nicole A. Waligora-Davis, author of Sanctuary: African Americans and Empire


Erika Renée Williams is associate professor of English and Africana Studies at the University of Connecticut.