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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label AAPI heritage month. Show all posts
Showing posts with label AAPI heritage month. Show all posts

Wednesday, May 20, 2026

BOOK NEWS: Tracing the figure of the Asian girl in midcentury and postwar American fiction

Asian Girlhood in the Shadows of US Empire

By Sharon N. Tran

University of Minnesota Press, 2026

ISBN 978-1-5179-1986-3 

https://www.upress.umn.edu/9781517919863/asian-girlhood-in-the-shadows-of-us-empire/


Representations of the “Asian girl” as lucky objects of humanitarian rescue and rehabilitation have been used to advance America’s imperial ambitions from World War II to the wars in Korea and Viet Nam. In this compelling work, Sharon N. Tran traces the production and instrumentalization of this figure through an examination of state documents, military newspapers, documentary photographs, and other archival materials. Theorizing “Asian girlhood” as a technology of imperial power, Tran exposes how the Asian girl is invoked as a shield that protects the innocence of US empire while she is excluded from innocence herself—relegated instead to a precarious position between child and adult, human and nonhuman, plaything and laborer.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Offering fresh insight into how imperial power operates, Tran analyzes figures such as the Japanese American school-girl in the context of World War II incarceration, the elusive “camptown girl,” and the objectified image of the “Napalm Girl.” Her innovative feminist approach interrogates the tendency to reclaim innocence for the Asian girl or to reframe her as an empowered woman. She engages the work of writers and artists such as Kiku Hughes, Nora Okja Keller, Aimee Phan, and lê thi diem thúy to demonstrate how Asian American literature offers rich theoretical interventions for critiquing the child–adult dichotomy that underpins key structures of imperial domination, illuminating more capacious conceptions of girlhood.

Restoring the dignity and agency of a figure too often denied both, Asian Girlhood in the Shadows of US Empire is a groundbreaking intersectional contribution to studies of gender, race, childhood, and state power.

"Ambitious, thoroughly researched, and illuminating, Sharon N. Tran’s brilliant intervention adopts a novel feminist approach to the problematics of race and empire that lie at the heart of Asian American studies. Asian Girlhood in the Shadows of US Empire sits in the discomfiting location of the subject who’s silenced, tapping both its potential for critique as well as its capacity for imagining Asian Americanness otherwise."—Daniel Y. Kim, author of The Intimacies of Conflict: Cultural Memory and the Korean War

"In Asian Girlhood in the Shadows of US Empire, Sharon N. Tran perceptively demonstrates the significant appearance of the Asian girl throughout the archives of US military and imperial enterprise. By examining this figure in twentieth-century and contemporary Asian American literature and culture, Tran offers a persuasive and moving response to this history, theorizing how Asian girlhood obliges us to reckon with the past anew."—Crystal Parikh, author of Writing Human Rights: The Political Imaginaries of Writers of Color

Sharon N. Tran is assistant professor of English at the University of Maryland, Baltimore County.

Friday, May 16, 2025

BOOK NEWS: Exploring artistic resistance in writing from and about India

Modernism and the Idea of India: The Art of Passive Resistance

BY JUDITH BROWN



Cambridge UP, 2024

ISBN: 9781009505246

https://www.cambridge.org/universitypress/subjects/literature/english-literature-1900-1945/modernism-and-idea-india-art-passive-resistance?format=AR


In his 1909 manifesto Hind Swaraj, Gandhi made an impassioned call for passive resistance that he soon retracted. 'Passive resistance' didn't, in the end, serve his overarching aims, but was troubled on multiple grounds from its use of the English phrase to the weakness implied by passivity. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Modernism and the Idea of India: The Art of Passive Resistance claims that the difficulty embedded in the phrase 'passive resistance,' from its seeming internal contradiction to the troubling category of passivity itself, transforms in artistic expression, where its dynamism, ambivalence, and receptivity enable art's capacity to create new forms of meaning. India provides the ground and the fantasy for writers and artists including Rabindranath Tagore, R.K. Narayan, Ahmed Ali, Amrita Sher-Gil, G.V. Desani, Virginia Woolf, and Le Corbusier. These artists and writers explore the capacities of passive resistance inspired by Gandhi's treatise, but move beyond its call for activism into new languages of art.

  • Provides inter-disciplinary reading of Indian modernism
  • Introduces new authors and artists to readers of modernist studies
  • Shows how Gandhi's idea of passive resistance is most relevant to Indian arts and literature


Judith Brown is associate professor of English at Indiana University, Bloomington, and author of Glamour in Six Dimensions: Modernism and the Radiance of Form.

Tuesday, May 6, 2025

BOOK NEWS: Tracing the love embedded in Black and Asian American literatures

Other Lovings: An AfroAsian American Theory of Life

By Seulghee Lee



Ohio State UP, 2025

ISBN: 978-0-8142-1509-8

https://ohiostatepress.org/books/titles/9780814215098.html


In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.


“Animated by theoretical erudition and historical attunement, Other Lovings is timely and perennial. Lee’s sensitive exploration of the overlapping frontiers between Afro-American and Asian American literatures, the romance of coalition and the labor of solidarity, and love’s fragility and sociality’s renewal is an extraordinary achievement.” —Fred Moten, author of All That Beauty

“Other Lovings centers the ‘love bonds’ that make up Black and Asian American sociality. Lee thematizes the strongholds of racial melancholia, Afropessimism, and queer negativity in contemporary thought and offers a dazzling theory of the loving, ‘intramural mega-sociality’ of Asian American racial ontology and AfroAsian life.” —Vivian L. Huang, author of Surface Relations: Queer Forms of Asian American Inscrutability


Seulghee Lee (he/him) is assistant professor of African American Studies and English at the University of South Carolina. He is coeditor, with Rebecca Kumar, of Queer and Femme Gazes in AfroAsian American Visual Culture.