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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label modernism. Show all posts
Showing posts with label modernism. Show all posts

Thursday, September 3, 2026

BOOK NEWS: How modernist writers reading faces reconfigured physiognomy

Face and Form: Physiognomy in Literary Modernism

By Anca Parvulescu



Cambridge UP, 2025

ISBN: 9781009599801 Open Access ebook

https://www.cambridge.org/core/books/face-and-form/3C155E6711CD5D399C1F20B7DE1B2D24


Faces, faces, faces – faces everywhere! Modernism was obsessed with the ubiquity of the human face. Thomas Mann, Marcel Proust, Virginia Woolf, Gertrude Stein, and, later, Kōbō Abe framed their literary projects around the question of the face, its dynamic of legibility and opacity. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

In literary modernism, the face functioned as a proxy for form, memory, intermediality, or difference – and combinations thereof. The old pseudo-science of physiognomy, which assumed faces to be sites of legible meaning, was in the process reconfigured. Modernist faces lost their connection to interiority, but remained surfaces of reading and interpretation. As such, they also became canvases for creative appropriation, what Mina Loy called auto-facial-construction. The modernist overinvestment in faces functions as a warning against the return of physiognomy in contemporary technologies of facial recognition. 

“Face and Form reassesses the centrality of physiognomy in the modernist perception to ask what we can learn from it today. This book is a remarkable contribution to modernist studies, and a timely response to the ongoing debates on facial recognition technologies and the politics of COVID-19.” —Katja Haustein, lecturer in Comparative Literature, University of Kent

“Face and Form: Physiognomy in Literary Modernism is an engaging, lucidly written account of the face as the site of a modernist struggle over form. Parvulescu offers brilliant re-readings of canonical modernist texts that focus on “modernist faciality” in light of their well-known experiments with character and literary form.” —Rochelle Rives, professor of English, City University of New York


Anca Pârvulescu is a scholar of comparative literature specializing in global modernism, literary and critical theory, literary comparatist, migration studies, and East Europe. She is the Liselotte Dieckmann Professor of Comparative Literature in the Department of English at the Washington University in St. Louis. Her books include Laughter: Notes on a Passion (MIT P, 2010); The Traffic in Women’s Work: East European Migration and the Making of Europe (U of Chicago P, 2014); and with Manuela Boatcă, Creolizing the Modern: Transylvania across Empires (Cornell UP, 2022).

Wednesday, July 15, 2026

BOOK NEWS: Examining department stores in French and Egyptian literature

Emporialism: Department Store Fictions and the Politics of the Mediterranean

By Amr Kamal



SUNY Press, 2025

ISBN: 9781438499468

https://sunypress.edu/Books/E/Emporialism


A comparative study of iconographic and fictional representations of department stores in France and Egypt, as sites of imperial and Mediterranean cultural memory, from 1869 to the present.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

This book examines what Amr Kamal calls the phenomenon of emporialism, or the convergence between the spaces and imaginaries of empires and emporia in the context of a modern Mediterranean divided among the British, French, and Ottoman empires. By "emporia," Kamal refers to the commercial network of nineteenth-century department stores, which gained prominence after the Suez Canal project. Taking as a focal point French and Egyptian department stores, the author examines emporialism as a set of phenomenological experiences, discursive and social praxes, and mechanisms of control and resistance, born from the intersection of modernity, colonialism, and mass consumption. Drawing on archival evidence, Kamal reads iconographic and literary representations of emporia in English, French, Arabic, and Hebrew, from the nineteenth century to the present, addressing works by Émile Zola, Huda Shaarawi, Jacqueline Kahanoff, and others. Emporialism, Kamal argues, served to rewrite the history of the Mediterranean, to reinvent national belonging, and to interrogate issues of modernity and social justice.

"A major critical study of the phenomenon of the department store in modern consumer culture, Emporialism offers a stimulating intervention in the fields of Egyptian literature, French literature, cultural studies, and postcolonial studies. Blending historical, literary, and visual analysis, Kamal rigorously draws out and cross-examines the interplay of imperialism, Orientalism, and commerce in transnational contexts, while the illustrations help highlight the rich iconography of the emporium." — H. Hazel Hahn, editor of Cross-Cultural Exchange and the Colonial Imaginary: Global Encounters via Southeast Asia

"The word 'Emporium' today carries with it a quaint and nostalgic reference to a luxurious and remote past. But if the great nineteenth-century 'department stores' have been eclipsed today by the Amazons of the Internet, Amr Kamal's genealogical, multinational study invests them with an 'aura'—in the sense given the word by Walter Benjamin. In its disappearance, Emporialism casts an illuminating light upon contemporary consumer culture." — Samuel Weber, author of Preexisting Conditions: Recounting the Plague and Singularity: Politics and Poetics

Amr Kamal is associate professor of French, Arabic, and comparative literature at the City College of New York and the CUNY Graduate Center.