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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Wednesday, November 13, 2024

BOOK NEWS: Human monstrosity in Black horror fiction

 Anti-Blackness and Human Monstrosity in Black American Horror Fiction 

BY JERRY RAFIKI JENKINS



Ohio State UP, 2024

ISBN: 978-0-8142-5905-4

https://ohiostatepress.org/books/titles/9780814215364.html


In Anti-Blackness and Human Monstrosity in Black American Horror Fiction, Jerry RafikiJenkins examines four types of human monsters that frequently appear in Black American horror fiction—the monsters of White rage, respectability, not-ness, and serial killing—arguing that such monsters represent specific ideologies of American anti-Blackness. Jenkins examines a variety of these monstrous forms in Tananarive Due’s The Between, Victor LaValle’s The Changeling, Octavia Butler’s Kindred, Nnedi Okorafor’s Who Fears Death, and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Anti-Blackness and Human Monstrosity in Black American Horror Fiction is a necessary work that emphasizes the sanity and rationality of monstrous figures. Jenkins persuasively contends that combining Afropessimism and affirmation of Black life in fiction can provide resistance to the deadliness of the racial reality of anti-Blackness.” —Keith Byerman, author of Remembering the Past in Contemporary African American Fiction

Anti-Blackness and Human Monstrosity in Black American Horror Fiction is sharp and intellectually daring. Jenkins’s treatment of violence and prospects of Black counter-violence make it a timely resource for Black studies scholars and social and cultural critics of all kinds.” —Greg Thomas, author of Hip-Hop Revolution in the Flesh: Power, Knowledge, and Pleasure in Lil’ Kim’s Lyricism


Jerry Rafiki Jenkins is a professor in the Departments of English and Humanities, and Multicultural Studies at Palomar College and the author of The Paradox of Blackness in African American Vampire Fiction.

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