Welcome to the Journal of Modern Literature news and information site.


Check here for updates about our latest issues, calls for papers, submission guidelines and tips, as well special online-only content. Our issues themselves are available at Project Muse and are archived on JSTOR . Check out the "Read for Free" page to enjoy some featured content.



More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label indigenous authors. Show all posts
Showing posts with label indigenous authors. Show all posts

Monday, July 14, 2025

NEW ISSUE: JML 48.3 "Human-Nonhuman Transgressions and the Global Uncanny" is now LIVE



Journal of Modern Literature 48.3 (Spring 2025) on the theme "Human-Nonhuman Transgressions and the Global Uncanny" is now LIVE on Project Muse at https://muse.jhu.edu/issue/55227


Content includes

Ramón E. Soto-Crespo

Editor’s Introduction: Human-Nonhuman Transgressions and the Global Uncanny


Romy Rajan

Subaltern Mosquitoes and Cyborg Histories in Namwali Serpell’s The Old Drift

FREE


Tracy A. Stephens 

Kinship as a Counter to the Settler Gaze in Stephen Graham Jones’s The Only Good Indians 


Emad Mirmotahari 

Revisiting Juan José Saer’s El entenado / The Witness—Forty Years Later 


Isabelle Wentworth

Fluid Dynamics of Queer Desire: Ellen van Neerven’s “Water” and Lía Chara’s Agua 


Trevor Westmoreland

Inverting the Coordinates: Place, Dystopia and Utopia in Mohsin Hamid’s Exit West 


Xiaofan Amy Li

Neo-Surrealism in Hong Kong: The Fiction of Hon Lai-chu and Dorothy Tse


Stanka Radović

Alice in Monsterland: Neocolonial Investigation in J.G. Ballard’s Super-Cannes


Mara Reisman 

Grotesque Spaces and Transformative Nature in Patrick McGrath’s The Grotesque 


Tiasa Bal and Gurumurthy Neelakantan 

Memory, Uncanny, and Spectrality in Joseph Skibell’s A Blessing on the Moon 


Umar Shehzad

“[D]elete the face it’s preferable”: Prosopagnosia as an Artistic Practice in Samuel Beckett’s Work


Xiaoshan Hou and Fuying Shen

Puppet and Paralipsis: The Performance of Maria and the Narrator in Joyce’s “Clay”


Derek Ryan 

Review: Abstraction for All


Thursday, May 1, 2025

BOOK NEWS: First major critical survey of Australian poetry

 

The Cambridge Companion to Australian Poetry

Edited by Ann Vickery



Cambridge UP, 2024

ISBN: 9781009470230

https://www.cambridge.org/us/universitypress/subjects/literature/european-and-world-literature-general-interest/cambridge-companion-australian-poetry?format=HB


An invaluable resource for faculty and students in literary studies and Australian studies, this volume is the first major critical survey on Australian poetry. It investigates poetry's central role in engaging with issues of colonialism, nationalism, war and crisis, diaspora, gender and sexuality, and the environment. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Individual chapters examine Aboriginal writing and the archive, poetry and activism, print culture, and practices of internationally renowned poets such as Lionel Fogarty, Gwen Harwood, John Kinsella, Les Murray, and Judith Wright. The Companion considers Australian leadership in the diversification of poetry in terms of performance, the verse novel, and digital poetries. It also considers Antipodean engagements with Romanticism and Modernism.


Contents:

"Introduction" Ann Vickery

I. Change and Renewal

1. "Models of poet and nation" Philip Mead

2. "War, crisis and identity in Australian poetry" Dan Disney

3. "Cultivating Australian poetry through periodicals" John Hawke


II. Networks

4. "Above and below: sublime and gothic relations in nineteenth century Australian poetry" Michael Farrell

5. "Romanticism, sensibility, and colonial women poets" Katie Hansord

6. "Experiment and adaptation in Australia's modernist poetry" Aidan Coleman

7. "The postwar 'golden generation' (1945–1965)" Toby Davidson

8. "Generation of '68 and a culture of revolution" Corey Wakeling


III. Authors

9. "High delicate outline: the poetry of Judith Wright" Nicholas Birns

10. "Burning Sappho: Gwen Harwood's Incendiary verse" Ann-Marie Priest

11. "Les Murray: ancient and modern" David McCooey

12. "Lionel Fogarty's poetics of address and negative lyric" Dashiell Moore


IV. Embodied Poetics

13. "'The strength of us as women': A Poetics of relationality and reckoning" Natalie Harkin and Jeanine Leane

14. "'Country snarled/ in borders': spatial poetics in Asian Australian poetry" Kim Cheng Boey

15. "Australian poets in the countries of others'" Louis Klee

16. "Writing the Body" Orchid Tierney

17. "Not the poem: in media res" John Kinsella


V. Expanding Form

18. "Hybrid Forms: the verse novel, prose poetry, and poetic biographies" Cassandra Atherton and Paul Hetherington

19. "Electronic, visual and sound poetries in Australia" A. J. Carruthers


Ann Vickery is professor of writing and literature at Deakin University. She is the Author of Leaving Lines of Gender: A Feminist Genealogy of Language Writing (2000) and Stressing the Modern: Cultural Politics of Australian Women's Poetry ((2007)). She is also the co-author of The Intimate Archive: Journeys into Private Papers (with Maryanne Dever and Sally Newman, 2009).

Thursday, April 4, 2024

JML 47.2 (Winter 2024), "Contemporary Works" is now LIVE!

 


Journal of Modern Literature 47.2 (Winter 2024), on the topic "Contemporary Works," is now LIVE on Project Muse at https://muse.jhu.edu/issue/52288


Content includes:

Editorial News


Maysaa Jaber

“I am a celebrated murderess”: Female Criminality and Multiple Personalities in Margaret Atwood’s Alias Grace


Klem James

Particules Flottantes: Mutable Identity and Postmodern “Schizophrenia” in the Works of Michel Houellebecq

FREE!


Rhys William Tyers

Houellebecq’s Platform: The Detective Novel and Its Infinite Boundary


Ian Almond

Armenians in Modern Turkish Literature: The Ghost Stories of Orhan Pamuk 


Jessica Morgan-Davies

Intermediality and the Politics of (Un)Making in Agnès Varda’s Visages Villages


Elin Käck 

A Spatiotemporal Collage Aesthetic: Poets and Poetry in Siri Hustvedt’s Memories of the Future


Ciara Moloney

Word and Image in Alison Bechdel’s Memoirs


Daniel Dufournaud

“Reduced to Near Nothingness”: Don DeLillo’s Ethico-Political Project in Cosmopolis


Daniel R. Adler 

Making Visible the “Mental Wreckage”: A Historical Materialist Reading of Milkman 

FREE!


Alexandra Lawrie

“The lost boys of privilege”: Triangulation and the End of History in Ben Lerner’s The Topeka School 


Geoff Hamilton

Finite Jest: Irony and Healing in There There


Reviews

Aimee Pozorski

Language, Trauma, and Medicine: A Review Essay of John Zilcosky’s The Language of Trauma and a Defense of Trauma Theory


Sol Peláez

An Intimacy of Strangers: An Aesthetic Clinic