Journal of Modern Literature 48.3 (Spring 2025) on the theme "Human-Nonhuman Transgressions and the Global Uncanny" is now LIVE on Project Muse at https://muse.jhu.edu/issue/55227
Content includes
Ramón E. Soto-Crespo
Editor’s Introduction: Human-Nonhuman Transgressions and the Global Uncanny
Romy Rajan
Subaltern Mosquitoes and Cyborg Histories in Namwali Serpell’s The Old Drift
Tracy A. Stephens
Kinship as a Counter to the Settler Gaze in Stephen Graham Jones’s The Only Good Indians
Emad Mirmotahari
Revisiting Juan José Saer’s El entenado / The Witness—Forty Years Later
Isabelle Wentworth
Fluid Dynamics of Queer Desire: Ellen van Neerven’s “Water” and Lía Chara’s Agua
Trevor Westmoreland
Inverting the Coordinates: Place, Dystopia and Utopia in Mohsin Hamid’s Exit West
Xiaofan Amy Li
Neo-Surrealism in Hong Kong: The Fiction of Hon Lai-chu and Dorothy Tse
Stanka Radović
Alice in Monsterland: Neocolonial Investigation in J.G. Ballard’s Super-Cannes
Mara Reisman
Grotesque Spaces and Transformative Nature in Patrick McGrath’s The Grotesque
Tiasa Bal and Gurumurthy Neelakantan
Memory, Uncanny, and Spectrality in Joseph Skibell’s A Blessing on the Moon
Umar Shehzad
“[D]elete the face it’s preferable”: Prosopagnosia as an Artistic Practice in Samuel Beckett’s Work
Xiaoshan Hou and Fuying Shen
Puppet and Paralipsis: The Performance of Maria and the Narrator in Joyce’s “Clay”
Derek Ryan
Review: Abstraction for All
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