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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label fascism. Show all posts
Showing posts with label fascism. Show all posts

Thursday, December 18, 2025

BOOK NEWS: Exploring the rhetoric of ecofacism as a political genre

Everyday Ecofascism: Crisis and Consumption in American Literature

By Alexander Menrisky



University of Minnesota Press, 2025

ISBN: 978-1-5179-1868-2

https://www.upress.umn.edu/9781517918682/everyday-ecofascism/


As challenges posed by climate change have intensified in the twenty-first century, right-wing figures in the United States and abroad have increasingly framed anti-immigrant, anti-Indigenous, and white-supremacist sentiments in terms of environmental survival. Everyday Ecofascism explores the insidious nature of this tendency, revealing how permutations of these perspectives in fact resonate across the political spectrum. Drawing on comparative studies of fascism writ large, Alexander Menrisky demonstrates that ecofascism is best understood not as a uniquely right-wing ideology but as a political genre that reinforces white supremacy and other forms of domination.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Presenting a view of fascism as a complex power network that plays out on scales both large and small, Menrisky shows how extremist sentiments have crept into everyday language, stories, and ideas. Through a literary and cultural studies lens, he illuminates ecofascism’s narrative patterns and their easy permeation of environmentalist discourses, from back-to-the-land movements to the resurgence of psychedelic drugs, food localism, and pandemic politics. Opposite his analysis of ecofascism in action, Menrisky sheds important light on narrative resistances to dominant conceptions of race, nation, and territory by Native, queer, and women-of-color writers who have countered ethnonationalism for generations.

Bridging past and present, Menrisky powerfully nails down the emergent concept of ecofascism and forms a basis for understanding phenomena like COVID-19, ecological utopianism, and psychedelic environmentalism that detangles ecofascist tendencies from justice-oriented visions of place-based belonging.

"Everyday Ecofascism boldly exposes the numerous, yet insidiously subtle, narratives in contemporary culture that foster ecofascist ideologies. But perhaps more importantly, Alexander Menrisky also showcases powerful counternarratives that can shape more just futures. This is bracing, timely, and vital work." —Nicole Seymour, author of Bad Environmentalism: Irony and Irreverence in the Ecological Age

“Alexander Menrisky’s vital and moving book attunes readers to the widely used and yet highly contested term ecofascism. He offers an original perspective on the convergence of environmental crisis and political violence, illuminating the quotidian roles of storytelling and genre in these processes.” —Teresa Shewry, author of Hope at Sea: Possible Ecologies in Oceanic Literature

Alexander Menrisky is assistant professor of English at the University of Connecticut. He is author of Wild Abandon: American Literature and the Identity Politics of Ecology.

Wednesday, June 30, 2021

Book News: Examining "the crowd" in modern literature

Modernism and the Idea of the Crowd

BY JUDITH PALTIN  

Cambridge UP, December 2020

Hardback ISBN: 9781108842235

https://www.cambridge.org/us/academic/subjects/literature/english-literature-1900-1945/modernism-and-idea-crowd?format=HB



This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories of democratic assembly to argue that an abstract construction of the crowd engages with the transformation of popular subjectivity from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with intersectional conditions of oppression and precarity. Modernist works, many of which were composed during the ascendancy of fascism and other populist politics claiming to be based on the action of the crowd, frequently stage the crowd as a primal scene for violence; at the same time, they posit a counterforce in more agile collective gatherings which clarify the changing relations in literary modernity between subjects and power.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

  • Examines and analyzes crowds, political agency, and group performativity across a set of canonical and lesser known modernist works
  • Offers a comprehensive anatomy of the social mind as theorized from within modernist studies, democracy studies, and literary studies
  • Engages with a variety of period archives including fiction, drama, poetry, music, painting, newspapers, police and government records, published correspondence, manifestos, private writings, and exhibitions

Judith Paltin is an assistant professor in the Department of English Language and Literatures at the University of British Columbia. She has published articles in the James Joyce Quarterly, The Conradian, Conradiana, The Wildean, and ISLE, and a chapter in Affective Materialities: Reorienting the Body in Modernist Literature (2019).