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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Thursday, June 11, 2026

BOOK NEWS: Reading Irish women's writing through a queer, postcolonial lens

Queering Twentieth-Century Irish Women’s Writing: Uneasy Moderns

By Naoise Murphy



Edinburgh UP, 2025

ISBN: 9781399547468

https://edinburghuniversitypress.com/book-queering-twentieth-century-irish-women-s-writing.html


A queer, postcolonial reading of twentieth-century Irish women’s writing

  • Advances queer studies debates about resistance, progress and ‘bad feelings’ from a peripheral, postcolonial location
  • Provides a new reading of canonical Irish women writers that challenges reductive celebratory narratives
  • Intervenes in Irish public culture and feminist/LGBT+ history, advocating queer modes of thought as a response to the difficulties of a traumatic past

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Bringing together a group of untimely, queerly-oriented writers – Dorothy Macardle, Kate O’Brien, Elizabeth Bowen and Molly Keane – this book unsettles the conventional narratives of modern Irish culture. Despite attempts to impose a linear narrative of progress, feel-good accounts are clearly inadequate to the realities of contemporary Ireland. Guided by a queer refusal to move on from bad feelings, Naoise Murphy disrupts common-sense narratives of modernisation, gender, sexuality and race in the postcolonial state. Lingering with unease and discomfort in the work of mid-twentieth-century women writers and the spaces they occupied, this book pays close attention to inadmissible feelings of loss, anxiety, hauntedness and melancholia. By embracing discomfort, it moves towards a less idealising form of queer studies that is more responsive to the complexity of queer history, and offers a new story of Irish culture in the twentieth century.

"Naoise Murphy considers the fate of several ‘uneasy moderns’ – women whose recalcitrance and knotty attachments to the past rendered them out-of-step with their historical moment. This brilliant analysis of haunted texts and spaces speaks back to the narrative of Ireland’s progressive and secular modernity, pointing instead to the ongoing legacies of colonialism, sectarian violence and patriarchal authority." – Heather Love, University of Pennsylvania


Naoise Murphy is a researcher specialising in twentieth-century literature and queer studies and has taught at the University of Cambridge, Maynooth University and the University of Oxford.


Friday, June 5, 2026

BOOK NEWS: Rediscovering misplaced queer history in Irish literature and film

Queer Possessions: Creative Criticism and Modern Irish Literature

By Patrick R. Mullen



Syracuse UP, 2026.

ISBN: 9780815612131

https://press.syr.edu/supressbooks/9432/queer-possessions/


Too often, fleeting moments rooted in queer experience have appeared in popular fiction, only to be little remarked upon, often noted only as a sign of continuing neoliberal social advances. In Queer Possessions: Creative Criticism and Modern Irish Literature, Patrick Mullen makes the case for a more personal analysis of these moments, finding ways for readers to create new meaning and explore closer readings of key texts.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Queer Possessions is divided between close readings of modern Irish novels and films and creative readings of the same texts, to give readers the tools to engage more deeply with the process of analysis and criticism. In the first mode, Mullen examines how modern Irish literature has frequently featured comedy to represent queer sexuality and economic crisis in the twenty-first century. This analysis allows for the second mode, in which the text helps readers to assume a critical role, encouraging their own creative readings of texts and imagining more of the works.

Equal parts critical and playful, Queer Possessions works to rediscover misplaced queer history, encourage new forms of experiencing text, and empower readers to create new interpretations and works.

"What sets this book apart is its innovative approach to critical and creative reading. It doesn’t just offer theoretical insight, but delivers practical strategies for engaging with texts in imaginative, politically attuned, and meaningful ways, which is now more crucial than ever in the classroom. Queer Possessions is invaluable resource for scholars, educators, and students seeking new ways to approach and interpret literature."—Páraic Kerrigan, author of Reeling in the Queers: Tales of Ireland’s LGBTQ Past


Patrick R. Mullen is an associate professor of English at Northeastern University. He is the author of The Poor Bugger’s Tool: Irish Modernism, Queer Labor, and Postcolonial History.