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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Thursday, June 11, 2026

BOOK NEWS: Reading Irish women's writing through a queer, postcolonial lens

Queering Twentieth-Century Irish Women’s Writing: Uneasy Moderns

By Naoise Murphy



Edinburgh UP, 2025

ISBN: 9781399547468

https://edinburghuniversitypress.com/book-queering-twentieth-century-irish-women-s-writing.html


A queer, postcolonial reading of twentieth-century Irish women’s writing

  • Advances queer studies debates about resistance, progress and ‘bad feelings’ from a peripheral, postcolonial location
  • Provides a new reading of canonical Irish women writers that challenges reductive celebratory narratives
  • Intervenes in Irish public culture and feminist/LGBT+ history, advocating queer modes of thought as a response to the difficulties of a traumatic past

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Bringing together a group of untimely, queerly-oriented writers – Dorothy Macardle, Kate O’Brien, Elizabeth Bowen and Molly Keane – this book unsettles the conventional narratives of modern Irish culture. Despite attempts to impose a linear narrative of progress, feel-good accounts are clearly inadequate to the realities of contemporary Ireland. Guided by a queer refusal to move on from bad feelings, Naoise Murphy disrupts common-sense narratives of modernisation, gender, sexuality and race in the postcolonial state. Lingering with unease and discomfort in the work of mid-twentieth-century women writers and the spaces they occupied, this book pays close attention to inadmissible feelings of loss, anxiety, hauntedness and melancholia. By embracing discomfort, it moves towards a less idealising form of queer studies that is more responsive to the complexity of queer history, and offers a new story of Irish culture in the twentieth century.

"Naoise Murphy considers the fate of several ‘uneasy moderns’ – women whose recalcitrance and knotty attachments to the past rendered them out-of-step with their historical moment. This brilliant analysis of haunted texts and spaces speaks back to the narrative of Ireland’s progressive and secular modernity, pointing instead to the ongoing legacies of colonialism, sectarian violence and patriarchal authority." – Heather Love, University of Pennsylvania


Naoise Murphy is a researcher specialising in twentieth-century literature and queer studies and has taught at the University of Cambridge, Maynooth University and the University of Oxford.


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