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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label Willa Cather. Show all posts
Showing posts with label Willa Cather. Show all posts

Friday, June 13, 2025

BOOK NEWS: Modernist depictions of "masculine pregnancy"

Masculine Pregnancies: Modernist Conceptions of Creativity and Legitimacy, 1918-1939

By Aimee Armande Wilson



SUNY Press, 2024

ISBN: 9781438495606

https://sunypress.edu/Books/M/Masculine-Pregnancies


Examines literary depictions of "mannish" pregnant women and metaphors of male pregnancy to reframe the relationship between creativity and gender in modernism.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Who is taken seriously as an artist? What does gender have to do with it? Is there a relationship between artistic creation and physical procreation? In Masculine Pregnancies, Aimee Armande Wilson argues that modernist writers used depictions of "mannish" pregnant women and metaphors of male pregnancy to answer these questions. The book places "masculine pregnancies" in works by Djuna Barnes, Willa Cather, William Faulkner, and Ezra Pound in the context of interwar debates about eugenics, immigration, midwifery, and sexology in order to redefine the relationship between creativity and gender in modernism. Attending to recent developments in queer theory, Wilson challenges the critical assumption that figures of masculine pregnancy necessarily reinforce oppressive norms. The book's first half shows how some writers indeed used such figures to delegitimize artists who were not white, male, and heterosexual. The second half then shows how others used masculine pregnancies to extend legitimacy to mannish women, dark-skinned immigrants, and their (pro)creations-and did so a century before the current boom in queer pregnancy narratives.


"…this book does contribute to queer theory, interwar cultural history, and modernist literary studies in a significant way. It will appeal to those who want to explore where these branches of inquiry intersect." — CHOICE

"Masculine Pregnancies opens up important new perspectives on queer reproduction. Drawing on cutting-edge work in queer and trans studies, and carefully considering the entanglements of gender, sexuality, racialization, and class, Wilson reveals the uses, meanings, and contemporary legacies of masculine pregnancy in the modernist period." — Jana Funke, coeditor of Interrogating Lesbian Modernism: Histories, Forms, Genres


Aimee Armande Wilson is associate professor of Women, Gender, and Sexuality Studies at the University of Kansas. She is the author of Conceived in Modernism: The Aesthetics and Politics of Birth Control.

Wednesday, June 7, 2023

Book News: The possibilities and perils of disappearing acts in queer fiction

Queer Disappearance in Modern and Contemporary Fiction

BY BENJAMIN BATEMAN



Oxford UP, 2023

ISBN: 9780192896339

https://global.oup.com/academic/product/queer-disappearance-in-modern-and-contemporary-fiction-9780192896339


Queer Disappearance in Modern and Contemporary Fiction breaks with appearance-based models of queer performativity and argues for the experiential richness and political potentials of recessive tendencies in twentieth and twenty-first-century queer literary production. The study theorizes a "perish-performative" that allows for agency in practices of abeyance, and it discovers within queerness's ample archive of vanishing acts an environmental ethos antithetical to inflationary versions of the human. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Tying modernist classics by E.M. Forster and Willa Cather to Andrew Holleran's gay classic Dancer from the Dance, and then moving to the contemporary ecogothic of Lydia Millet's How the Dead Dream and the trans decadence of Shola von Reinhold's Lote, the book refuses the common wisdom that queerness becomes louder and prouder over time, delineating instead a minimalist and daydreaming subjectivity wherein queerness finds escape, respite, and varied opportunities for imaginative reverie. This precarious subjectivity, necessitated but not defined by oppression and obstacle, rewards and restores the queer self, and it also contests the logics of development, acquisition, and productivity that wreak havoc on the planet and entrench social disparities of race, class, and ability. Queer Disappearance in Modern and Contemporary Fiction supplies multiple accounts of the collective and personal pleasures, possibilities, and perils to be found in pulling away, going missing, and taking a break.

  • Places modernist classics in conversation with contemporary queer and environmental fiction
  • Intertwines literary studies, queer theory, and the environmental humanities
  • Advances critical alternatives to 'coming out' narratives
  • Revises theories of gender and sexual performativity

Benjamin Bateman is senior lecturer in Post-1900 British Literature at The University of Edinburgh and author of The Modernist Art of Queer Survival (Oxford UP, 2017). He previously held a joint appointment in English and Women's, Gender, and Sexuality Studies at California State University Los Angeles, where he also served as director of The Center for the Study of Genders and Sexualities. 

Monday, July 25, 2022

JML 45.3 (Spring 2022) is LIVE!

JML 45.3 (Spring 2022) on the theme "New Materialisms" is now live on Project Muse at https://muse.jhu.edu/issue/48204

 

Content includes:


Jennifer Yusin

Editorial Changes

FREE!


Marit Grøtta

Showing Seeing: The Study of Faces and Portrait Photographs in Virginia Woolf’s Early Novels 


Rachel Murray

Things that Cling: Marine Attachments in Eliot 

FREE!


Emma Felin

Faith and Fabrication in To the Lighthouse: Virginia Woolf’s Table-Cloth(s)


Olga Zolotareva

The Image Responds: Photographic Aura in Aleksandr Ivanov’s “Stereoscope” 


Matt Prout

Art or Shit: Value, Sincerity, and the Avant-garde in David Foster Wallace 


Zackary Vernon

Faulkner’s Charismatic Megaflora: Critical Plant Studies and the US South


Quan Zhou and Qiping Liu

Agentic Things and Traumatized People in Toni Morrison's The Bluest Eye


Aaron McCullough

Sheaths, Molds, and Shards: The Formation of an Anthropological Aesthetics in Willa Cather’s The Song of the Lark


Alyson Brickey

“Fragments of cloth, bits of cotton, lumps of earth”: Object-Oriented Lists in Let Us Now Praise Famous Men 


James Draney

W.G. Sebald’s Paper Universe: Austerlitz and the Poetics of Media Obsolescence 


Reviews

Zachary Kinsella

Becoming Bewildered


Tim Clarke

Modernist Women’s Writing and the Gift of Literature 


Karina Jakubowicz

From Waste Lands to Farmhands: T.S. Eliot and the Organic Husbandry Movement 


Jeffrey Careyva

The Evanescence of Lyric: A Review of John Wilkinson’s Lyric in Its Times: Temporalities in Verse, Breath, and Stone