Book News: Welty's use of crime fiction conventions

Eudora Welty and Mystery: Hidden in Plain Sight

EDITED BY JACOB AGNER AND HARRIET POLLACK

UP of Mississippi, 2022

ISBN: 9781496842718

https://www.upress.state.ms.us/Books/E/Eudora-Welty-and-Mystery

Eudora Welty’s ingenious play with readers’ expectations made her a cunning writer, a paramount modernist, a short story artist of the first rank, and a remarkable literary innovator. In her signature puzzle-texts, she habitually engages with familiar genres and then delights readers with her transformations and nonfulfillment of conventions. Eudora Welty and Mystery: Hidden in Plain Sight reveals how often that play is with mystery, crime, and detective fiction genres, popular fiction forms often condescended to in literary studies, but unabashedly beloved by Welty throughout her lifetime.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Put another way, Welty often creates her stories’ secrets by both evoking and displacing crime fiction conventions. Instead of restoring order with a culminating reveal, her story-puzzles characteristically allow mystery to linger and thicken. The mystery pursued becomes mystery elsewhere. The essays in this collection shift attention from narratives, characters, and plots as they have previously been understood by unearthing enigmas hidden within those constructions.

Some of these new readings continue Welty’s investigation of hegemonic whiteness and southern narratives of race—outlining these in chalk as outright crime stories. Other essays show how Welty anticipated the regendering of the form now so characteristic of contemporary women mystery writers. Her tender and widely ranging personal correspondence with the hard-boiled American crime writer Ross Macdonald is also discussed. Together these essays make the case that across her career, Eudora Welty was arguably one of the genre’s greatest double agents, and, to apply the titles of Macdonald’s novels to her inventiveness with the form, she is its “underground woman,” its unexpected “sleeping beauty.”

"Eudora Welty and Mystery constitutes an unexpected, surprising, but productive approach to the works of a major American twentieth-century writer." - David McWhirter, professor of English at Texas A&M University

"Focusing on the influence exerted by the mystery/detective fiction genre on Welty's writing, Eudora Welty and Mystery unambiguously opens an overlooked and original avenue of inquiry. The essays powerfully evoke Welty, the late modernist caught in a postmodernist pose, and showcase some of her best critics patiently and cleverly teasing out various textual refractions and echoes." - Stephen M. Fuller, author of Eudora Welty and Surrealism

"The prose is accessible throughout. . . . Welty scholars will enjoy these well-argued pieces." - Publishers Weekly

Jacob Agner is a PhD candidate in English at the University of Mississippi. As a recipient of the Eudora Welty Research Fellowship, funded by the Eudora Welty Foundation and the Mississippi Department of Archives and History, he has examined the writer’s correspondence for connections to film history.

Harriet Pollack, College of Charleston, is author of Eudora Welty’s Fiction and Photography: The Body of the Other Woman and editor of New Essays on Eudora Welty, Class, and Race; Eudora Welty, Whiteness, and Race; Emmett Till in Literary Memory and Imagination (with Christopher Metress); Eudora Welty and Politics: Did the Writer Crusade? (with Suzanne Marrs); and Having Our Way: Women Rewriting Tradition in Twentieth-Century America. She now serves as editor of University Press of Mississippi’s book series Critical Perspectives on Eudora Welty. She has twice served as president of the Eudora Welty Society, has directed three international Welty conferences including the 2009 Centennial, and in 2008 received the Phoenix Award for outstanding contributions to Welty scholarship.

Book News: Transatlantic view of Eudora Welty

The Eye That Is Language: A Transatlantic View of Eudora Welty

By DANIELE PITVAY-SOUQUES 

EDITED BY PEARL AMELIA MCHANEY

UP of Mississippi, 2022

ISBN 978-1-4968-4058-5

https://www.upress.state.ms.us/Books/T/The-Eye-That-Is-Language

Danièle Pitavy-Souques (1937–2019) was a European powerhouse of Welty studies. In this collection of essays, Pitavy-Souques pours new light on Welty’s view of the world and her international literary import, challenging previous readings of Welty’s fiction, memoir, and photographs in illuminating ways. The nine essays collected here offer scholars, critics, and avid readers a new understanding and enjoyment of Welty’s work. The volume explores beloved stories in Welty’s masterpiece The Golden Apples, as well as “A Curtain of Green,” “Flowers for Marjorie,” “Old Mr. Marblehall,” “A Still Moment,” “Livvie,” “Circe,” “Kin,” and The Optimist’s Daughter, One Writer’s Beginnings, and One Time, One Place. Essays include “Technique as Myth: The Structure of The Golden Apples” (1979), “A Blazing Butterfly: The Modernity of Eudora Welty” (1987), and others written between 2000 and 2018. Together, they reveal and explain Welty’s brilliance for employing the particular to discover the universal.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Pitavy-Souques, who briefly lived in and often revisited the South, met with Welty several times in her Jackson, Mississippi, home. Her readings draw on the visual arts, European theorists, and styles of modernism, postmodernism, surrealism, as well as the baroque and the gothic. The included essays reflect Pitavy-Souques’s European education, her sophisticated understanding of intellectual theories and artistic movements abroad, and her passion for the literary achievement of women of genius. The Eye That Is Language: A Transatlantic View of Eudora Welty reveals the way in which Welty’s narrative techniques broaden her work beyond southern myths and mysteries into a global perspective of humanity.

"These readings of Welty’s works provide a coherent and significant picture of Welty as a modernist writer who was not just of her time but ahead of her time. By placing Welty’s work in the context of twentieth-century philosophers, scientists, and artists, Danièle Pitavy-Souques will give readers a renewed appreciation for Welty’s work and firmly position Welty as a major force in the literary canon." --Sarah Gilbreath Ford, author of Haunted Property: Slavery and the Gothic

Danièle Pitavy-Souques (1937–2019) was professor emerita at the University of Burgundy, France; a recipient of the Eudora Welty Society Phoenix Award and the French Legion of Honor for her work on international women's rights; and a European powerhouse of Welty studies. She published two books and more than a dozen essays on Welty, and she made major contributions to southern and Canadian studies.

Pearl Amelia McHaney is Kenneth M. England Professor of Southern Literature Emerita at Georgia State University and a recipient of the Eudora Welty Society Phoenix Award for outstanding achievement in Welty studies. She is author of A Tyrannous Eye: Eudora Welty’s Nonfiction and Photography and editor of Eudora Welty as Photographer, Occasions: Selected Writings by Eudora Welty, Eudora Welty: The Contemporary Reviews, and A Writer’s Eye: Collected Reviews, all published by University Press of Mississippi.

Book News: Sexual policing in Hemispheric American Literature

Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature

BY JENNA GRACE SCIUTO

UP of Mississippi, 2021

ISBN 9781496833440 Hardcover

ISBN 9781496833457 Paperback

https://www.upress.state.ms.us/Books/P/Policing-Intimacy

In Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature, author Jenna Grace Sciuto analyzes literary depictions of sexual policing of the color line across multiple spaces with diverse colonial histories: Mississippi through William Faulkner’s work, Louisiana through Ernest Gaines’s novels, Haiti through the work of Marie Chauvet and Edwidge Danticat, and the Dominican Republic through writing by Julia Alvarez, Junot Díaz, and Nelly Rosario. This literature exposes the continuing coloniality that links depictions of US democracy with Caribbean dictatorships in the twentieth century, revealing a set of interrelated features characterizing the transformation of colonial forms of racial and sexual control into neocolonial reconfigurations.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

A result of systemic inequality and large-scale historical events, the patterns explored herein reveal the ways in which private relations can reflect national occurrences and the intimate can be brought under public scrutiny. Acknowledging the widespread effects of racial and sexual policing that persist in current legal, economic, and political infrastructures across the circum-Caribbean can in turn bring to light permutations of resistance to the violent discriminations of the status quo. By drawing on colonial documents, such as early law systems like the 1685 French Code Noir instated in Haiti, the 1724 Code Noir in Louisiana, and the 1865 Black Code in Mississippi, in tandem with examples from twentieth-century literature, Policing Intimacy humanizes the effects of legal histories and leaves space for local particularities. By focusing on literary texts and variances in form and aesthetics, Sciuto demonstrates the necessity of incorporating multiple stories, histories, and traumas into accounts of the past.

Jenna Grace Sciuto is associate professor of English at the Massachusetts College of Liberal Arts. Her work examines the intersections of race, gender, and sexuality in circum-Caribbean literature.