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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Showing posts with label Djuna Barnes. Show all posts
Showing posts with label Djuna Barnes. Show all posts

Friday, June 13, 2025

BOOK NEWS: Modernist depictions of "masculine pregnancy"

Masculine Pregnancies: Modernist Conceptions of Creativity and Legitimacy, 1918-1939

By Aimee Armande Wilson



SUNY Press, 2024

ISBN: 9781438495606

https://sunypress.edu/Books/M/Masculine-Pregnancies


Examines literary depictions of "mannish" pregnant women and metaphors of male pregnancy to reframe the relationship between creativity and gender in modernism.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Who is taken seriously as an artist? What does gender have to do with it? Is there a relationship between artistic creation and physical procreation? In Masculine Pregnancies, Aimee Armande Wilson argues that modernist writers used depictions of "mannish" pregnant women and metaphors of male pregnancy to answer these questions. The book places "masculine pregnancies" in works by Djuna Barnes, Willa Cather, William Faulkner, and Ezra Pound in the context of interwar debates about eugenics, immigration, midwifery, and sexology in order to redefine the relationship between creativity and gender in modernism. Attending to recent developments in queer theory, Wilson challenges the critical assumption that figures of masculine pregnancy necessarily reinforce oppressive norms. The book's first half shows how some writers indeed used such figures to delegitimize artists who were not white, male, and heterosexual. The second half then shows how others used masculine pregnancies to extend legitimacy to mannish women, dark-skinned immigrants, and their (pro)creations-and did so a century before the current boom in queer pregnancy narratives.


"…this book does contribute to queer theory, interwar cultural history, and modernist literary studies in a significant way. It will appeal to those who want to explore where these branches of inquiry intersect." — CHOICE

"Masculine Pregnancies opens up important new perspectives on queer reproduction. Drawing on cutting-edge work in queer and trans studies, and carefully considering the entanglements of gender, sexuality, racialization, and class, Wilson reveals the uses, meanings, and contemporary legacies of masculine pregnancy in the modernist period." — Jana Funke, coeditor of Interrogating Lesbian Modernism: Histories, Forms, Genres


Aimee Armande Wilson is associate professor of Women, Gender, and Sexuality Studies at the University of Kansas. She is the author of Conceived in Modernism: The Aesthetics and Politics of Birth Control.

Thursday, March 14, 2024

BOOK NEWS: Suffering, joy, and sexed embodiment in Djuna Barnes's work

Djuna Barnes and Theology: Melancholy, Body, Theodicy

BY ZHAO NG



Bloomsbury Academic, 2023

ISBN: 9781350256064

https://www.bloomsbury.com/us/djuna-barnes-and-theology-9781350256064/


Modernism, religion, and queer bodies come together in this study of Djuna Barnes's writings and art. Examining the role of Barnes's theological imagination in relation to a phenomenology of suffering, joy, and sexed embodiment, this book unfolds an intricate synthesis of theology, psychoanalysis, and narrative theory to interrogate how queerness informs her art.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Providing an original contribution to religious and literary theory, Ng develops a neo-ontological account of melancholy in relation to the myth of the Fall and provides a novel framework for understanding comedy and tragedy in relation to the question of theodicy.

Presented in light of a large body of new archival evidence, Barnes's works are also examined for the first time in relation to a wide range of intertextual and intermedial encounters, including the medieval mysticism of Marguerite Porete, Stravinsky's music, 16th- and 18th-century engravings by Albrecht Dürer and Joseph Ottinger, and French and Russian literature from Baudelaire and Lautréamont to Proust and Dostoevsky.


Zhao Ng is a fellow at the Rothermere American Institute, University of Oxford, UK. Her articles have been published by or are forthcoming with English Literary History, Twentieth-Century Literature, symploke, Literature and Theology, and Religion & Literature.

Tuesday, October 31, 2023

Animal Becoming Human: A Closer Look at JML 46.4

 


Cory Austin Knudson discusses how Georges Bataille’s notion of “animality” can help us understand Robin Vote in Djuna Barnes's Nightwood, in this post for the Indiana University Press blog: https://iupress.org/connect/blog/the-beast-turning-human-a-closer-look-at-jml-46-4/

His essay is available FREE for a limited time, linked in the post.

Thursday, October 12, 2023

JML 46.4 (Summer 2023) is now LIVE!



JML 46.4 (Summer 2023), "Evocations of Intimacy," is now LIVE on Project Muse at https://muse.jhu.edu/issue/51258


Content includes:


Anca Parvulescu

The Biography of a Face: Virginia Woolf’s Orlando


Patty Argyrides

Hauntingly Beautiful: Embodied Reading, Virginia Woolf, and Woolf Works 


Patricia Morgne Cramer

“Everyone chooses their love after their own fashion”: The Waves as a Modernist Symposium 

FREE!


Cory Austin Knudson

Animality and the Limits of Discourse in Djuna Barnes and Georges Bataille

FREE!


Farah Ali

The Invisible Flesh: Mimesis in Jean Genet’s The Maids


Molly B. Lewis

The Life-Giving Efficacy of Beauty and Desire in Stoppard’s Drama 


Sina Movaghati

A Beast to Be Slain: The Tiger and the Unquenched Desire of Man


Yi-chin Shih

Senses of Place: The Black Community in Alice Childress’s Wedding Band


Hsiao-wen Chen

Black Cosmofeminism: Commodity, Sexuality, and the Transnational Mixed-Race Subject in Nella Larsen’s Quicksand


Celiese Lypka

“I Look Straight into His Eyes … For the Last Time”: Intimacy and Indifference in Jean Rhys’s Good Morning, Midnight 


Reviews

Karalyn Kendall-Morwick

Imagining Justice for Sentient Lives 


Caroline Hovanec 

The Modernist Dog