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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Thursday, August 14, 2025

BOOK NEWS: How portrait photos serve as literary motifs in Proust, Kafka, and Woolf

Reading Portrait Photographs in Proust, Kafka and Woolf: Modernism, Media and Emotion

By Marit Grøtta



Edinburgh UP, 2024

ISBN: 9781399526982

https://edinburghuniversitypress.com/book-reading-portrait-photographs-in-proust-kafka-and-woolf.html


Portrait photography increased in popularity during the modernist period and offered new ways of seeing and understanding the human face. This book examines how portrait photographs appeared as literary motifs in the works of three modernist writers with personal experience of the medium: Marcel Proust, Franz Kafka and Virginia Woolf. Combining perspectives from literary, visual and media studies, Marit Grøtta discusses these writers’ ambivalent views on portrait photographs and the uncertain status of technical images in the early twentieth century more generally. In reconsidering the attention paid to analogue photographs in literature, this book throws light on both modernist reactions to portrait photography and on our relationships to photographs today.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

  • Considers the emotional and relational implications of portrait photographs for three modernist writers
  • Offers a comparative study of the motif of reading portrait photographs in Proust, Kafka, and Woolf
  • Discusses how portrait photographs prompt feelings of love and gratification as well as feelings of frustration and distress in the beholders
  • Discusses the modernists’ ambivalent views on portrait photographs and the uncertain status of such pictures early in the 20th century
  • Reconsiders the modernists’ relation to the visual media and the possibilities for contact, communication, and sympathy early in the twentieth century
  • Considers how the increased circulation of portrait photographs transformed human relations and the relation between the private and the public spheres

"Marit Grøtta makes us see how Proust, Kafka and Woolf read faces mediated by photography and revealing truth, power and sympathy in this wonderful new physiognomy of modernism." – Jean-Michel Rabaté, University of Pennsylvania

"This illuminating reading of portrait photographs in Proust, Kafka and Woolf offers both a probingly fresh understanding of modernism and a genealogy of our face-infested moment and scrambled private-public boundaries." – John Durham Peters, Yale University


Marit Grøtta is professor of comparative literature at the University of Oslo, Norway. She is the author of Baudelaire's Media Aesthetics: The Gaze of the Flâneur and Nineteenth-Century Media (Bloomsbury Academic, 2015) and a number of articles on Schlegel, Baudelaire, Proust, Kafka, Woolf, Queneau, and Agamben. Her research interests are nineteenth-century and modernist literature, visual culture, media philosophy and aesthetic theory.

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