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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Friday, August 14, 2026

BOOK NEWS: Tracing the arbitrary or frivolous whims of four modernist authors

Modernism’s Whims

By Beci Carver



Oxford UP, 2026

ISBN: 9780198950721

https://global.oup.com/academic/product/9780198950721


Thomas Hardy asks of the ghost stalking him: 'Whither, O whither will your whim now draw me?' Immediately tripping up on its own laid-out comma, then pausing to howl theatrically, and hedging its bets with a stuttering, archaic 'whither' that skeptically hovers between 'where' and 'whether', this line has already begun to worry about where it is going or being 'whim-drawn.' On the other hand, it enjoys its worry, over-performs the conundrum. It is a whim addressing a whim.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Beci Carver's Modernism's Whims is a book about whims; their tyrannies, arbitrariness, ultimate frivolity: how they may feel urgent for all their lightness, while still letting you play, letting you go, letting you off the hook. The book is at once a meditation on the whim as a phenomenon and an endeavor to track the specific (albeit necessarily intangible) literary whims of four modernist writers: Hardy, T. S. Eliot, William Empson, Elsie Elizabeth Phare. Moving counter to the otherwise professionalized spirit of modernism, these literary whims and their author sponsors are imagined to occupy a fugitive position within the broader movement, their progress dangerously silly. Carver situates modernism after whim's Golden Age in the mid-nineteenth century, at a literary-historical moment when authors were expected to know what they were about. Hardy's stalker ghost is on the run.

  • Offers hundreds of original close readings of poems and prose passages, which in their turn contribute to a new take on the history of literary whims
  • Offers a new lens on modernism, via a hitherto unknown modernist author, Elsie Elizabeth Phare
  • The first extended and in-depth treatment of the debt to geometry in William Empson's poems

Beci Carver is a senior lecturer at the University of Exeter. She earned her BA, MPhil, and PhD at Cambridge University,  and stayed on there for a four-year Junior Research Fellowship at Trinity College. After that, she moved on to a teaching fellowship at University College London, followed by a three-year Early Career Leverhulme Fellowship. She took up a one-year lectureship at the University of St Andrews in 2016, and in 2017, was appointed to a permanent lectureship at the University of Exeter. Her first book is Granular Modernism (Oxford UP, 2014). 

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