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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Monday, January 23, 2023

Book News: Tracing pataphysical experimentation from its origins to today

’Pataphysics Unrolled

EDITED BY KATIE L. PRICE AND MICHAEL R. TAYLOR



Penn State UP, 2022

ISBN: 978-0-271-08958-4

https://www.psupress.org/books/titles/978-0-271-08958-4.html


In the 1890s, French poet and playwright Alfred Jarry founded pataphysics, the absurdist “science of imaginary solutions,” a concept that has been nominally recognized as the precursor to Dadaism, Surrealism, and the Theater of the Absurd, among other movements. Over a century after Jarry “made the gesture of dying,” Katie L. Price and Michael R. Taylor argue that it is time to take the comedic intervention of pataphysics seriously.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

’Pataphysics Unrolled collects critical and creative essays to create an unauthorized account of pataphysical experimentation from its origins in the late nineteenth century through the contemporary moment. Reaching beyond the geographic and cultural boundaries normally associated with pataphysics, this volume presents rich readings of pataphysical syzygy, traces the influence of pataphysics across disciplines and outside of coteries such as the Collège de ’Pataphysique, and asks fundamental questions about the field of modern and contemporary studies that challenge distinctions between the modern and the postmodern, high and low culture, the serious and the comic. Touching on disciplines such as literature, art, architecture, education, music, and technology, this book reveals how pataphysics has been a platform and medium for persistent intellectual, poetic, conceptual, and artistic experimentation for over a century.

In addition to the editors, the contributors to this volume include Charles Bernstein, Marc Décimo, Adam Dickinson, Johanna Drucker, Craig Dworkin, Catherine Hansen, James Hendler, John Heon, Ted Hiebert, Andrew Hugill, Steve McCaffery, Seth McDowell, Jerome McGann, Anne M. Mulhall, Marcus O’Dair, Jean-Michel Rabaté, Orchid Tierney, and Brandon Walsh.

“Continuing and elaborating Alfred Jarry’s notion of ’pataphysics, this collection tracks ’pataphysics’ continued appearances and developments in ensuing avant-garde movements, modern and contemporary art, the intersections of art, literature, and science— and the far-reaching effects of pushing against normative logics and thinking in exceptional ways.” —Judith Roof, author of What Gender Is, What Gender Does


Katie L. Price is associate director at the Lang Center for Civic and Social Responsibility, a codirector of the Philadelphia Avant-Garde Studies Consortium, and interviews editor at Jacket2. She is the author of the chapbook BRCA: Birth of a Patient.

Michael R. Taylor is the chief curator and deputy director for art and education at the Virginia Museum of Fine Arts. He is the author of Marcel Duchamp: Étant donnés, Arshile Gorky: A Retrospective, and Thomas Chimes: Adventures in ’Pataphysics.


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