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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Friday, January 6, 2023

Conrad and Moral Luck: A Closer Look at JML 46.1

 


Take a closer look at JML 46.1. Author David Dwan discusses the concept of luck in Conrad's work, writing

I first became interested in luck in Conrad when I learned that the entire existence of his oeuvre depended on luck—on the happy botching of his attempt at suicide at the age of twenty-one. Understandably, luck became something of an idée fixe for Conrad. “You must not [...] believe in either good or bad luck” (Najder 64), Conrad’s uncle advised, but his nephew was not to be dissuaded. “There are runs of bad luck,” Conrad insisted, “which no foresight and no incantation can turn away” (Letters III 267). Success in the literary marketplace was, he believed, a function of luck and it seems appropriate that his most successful publishing venture came with the title Chance. Even the writing process was luck-governed: “For me it is a matter of chance, stupid chance” (Letters III 85).

Chance, of course, can make us all feel stupid by making the world seem unfathomable. [Click HERE to continue]


Dwan's essay, “Unlucky Jim: Conrad, Chance, Ethics,” is now available on Project Muse, FREE for a limited time.

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