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Check here for updates about our latest issues, calls for papers, submission guidelines and tips, as well special online-only content. Our issues themselves are available at Project Muse and are archived on JSTOR . Check out the "Read for Free" page to enjoy some featured content.



More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Thursday, December 28, 2023

BOOK NEWS: The influence of architecture on 20th century American poetry

Modern American Poetry and the Architectural Imagination: The Harmony of Forms

BY JO GILL



Oxford UP, 2023

ISBN: 9780198868347

https://global.oup.com/academic/product/modern-american-poetry-and-the-architectural-imagination-9780198868347?cc=us&lang=en


Modern American Poetry and the Architectural Imagination: The Harmony of Forms assesses the relationship between architectural and poetic innovation in the United States across the twentieth century. Taking the work of five key poets as case studies and drawing on the work of a rich range of other writers, architects, artists, and commentators, this study proposes that by examining the sustained and productive--if hitherto overlooked--engagement between the two disciplines, we enrich our understanding of the complexity and interrelationship of both.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The book begins by tracing the rise of what was conceived of as "modern" (and often "international style") architecture and by showing how poetry and architecture in the early decades of the century developed in dialogue, and within a shared, and often transnational, context. It then moves on to examine the material, aesthetic, and social conditions that helped shape both disciplines, offering new readings of familiar poems and bringing other pertinent resources to light. It considers the uses to which poets of the period put the insights of architecture--and vice versa. In closing, Gill turns to modern and contemporary architects' written accounts of their own practice, in memoirs and other commentaries, and examines how they have assimilated, or resisted, the practice and vision of poetry.


  • Expands our understanding of poetry and place; poetry and the city; poetry and the arts
  • Covers a range of familiar poets including Elizabeth Bishop, Hart Crane, Frank O'Hara and Wallace Stevens and others who are less widely studied
  • Brings architectural and poetic theory, practice, and debates together in unexpected and productive ways
  • Opens up the field of twentieth-century American poetry to new interpretations
  • Features unpublished archival research


Jo Gill is vice-principal and head of the College of Arts at the University of Glasgow. She specializes in mid-century American literature and culture and has published widely on writers including Anne Sexton, Sylvia Plath, Robert Lowell, Elizabeth Bishop, and Gwendolyn Brooks.


Wednesday, December 20, 2023

BOOK NEWS: Jean-Luc Nancy's thought and aesthetic modernity

 Understanding Nancy, Understanding Modernism

EDITED BY COSMIN TOMA



Bloomsbury Academic, 2023

ISBN: 9781501370144

https://www.bloomsbury.com/us/understanding-nancy-understanding-modernism-9781501370144/


Over the past three decades, Jean-Luc Nancy has become one of the most celebrated contemporary philosophers. His remarkably diverse body of work, which deals with such topics as post-Heideggerian ontology, Christian painting, the experience of drunkenness, heart transplants, contemporary cinema and the problem of freedom, is entirely "immersed" in modernity, as he puts it. Within this plural framework, art – which he explicitly defines as a modern construct – plays a singular role in that it is the very prism through which he explores the problems of sense and feeling in general, particularly as they relate to “our” experience of modernity.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The contributors to Understanding Nancy, Understanding Modernism fully delve into the heretofore under-acknowledged and under-explored modernism of Nancy's writings on philosophy and the arts through close readings of his key works as well as broader essays on the relationship between his thought and aesthetic modernity. In addition to an interview with Nancy himself, a final section consists of an extended glossary of Nancy's signature terms, which will be a valuable resource for students and experts alike.


"This is a stunning collection that will be a priceless resource for readers of Nancy's work. The essays are ddply knowledgeable and together they chart remarkably clear paths through all the major features of Nancy's world and his thinking of 'world.'" --Peggy Kamuf, University of Southern California

"The texts included here demonstrate in incisive ways not only how Nancy's writings open onto understanding modernity but also how questions of modernity offer new and compelling paths for reading Nancy. It is a wonderfully impressive volume." --Philip Armstrong, Ohio State University


Cosmin Toma is British Academy Postdoctoral Fellow at the University of Oxford, St Hugh's College, UK. He has primarily published on modern and contemporary French literature, critical theory, music, and aesthetics. His first book, Neutraliser l’absolu. Blanchot, Beckett et la chose littéraire (2019) is an inquiry into what remains of what Nancy and Lacoue-Labarthe called “the literary absolute” when it is neutralized by modernity. He has also worked extensively as an academic translator.

Friday, December 8, 2023

Remembering Alan Wilde, JML editorial board 1970-2003

 

© Temple University Libraries, Special
Collections Research Center, 1986

We are saddened to report that Alan Wilde, a founding member of the Journal of Modern Literature's editorial board, passed away November 25, 2023, at age 94. He served on the editorial board from the journal's founding in 1970 until 2003.

Wilde earned his BA and PhD from Harvard University, spent a year in Britain on a Fulbright Scholarship, and won a Guggenheim Fellowship in 1986. He was a professor at Temple University until retiring in 1994. 


His books include: Art and Order: A Study of E.M. Forster (New York UP, 1964); Christopher Isherwood (Twayne Publishers, 1971), Horizons of Assent: Modernism, Postmodernism, and the Ironic Imagination (Johns Hopkins UP, 1981; pb reprint with new preface, U of Pennsylvania P, 1987); Middle Grounds:  Studies in American Fiction (U of Pennsylvania P,1987). Wilde also published as editor a collection of critical essays Critical Essays on E.M. Forster (Twayne Publishers, 1990).

Tuesday, December 5, 2023

BOOK NEWS: Reconceptualizing Nietzsche’s relationship to Irish modernism

Subjectivity and Nationhood in Yeats, Joyce and Beckett: Nietzschean Constellations 

BY MATTHEW FOGARTY


Liverpool UP, 2023

ISBN: 9781802077223 

https://www.liverpooluniversitypress.co.uk/doi/book/10.3828/9781802077223


Subjectivity and Nationhood in Yeats, Joyce and Beckett: Nietzschean Constellations reconceptualizes Friedrich Nietzsche’s position in the intellectual history of modernism and substantively refigures our received ideas regarding his relationship to these Irish modernists. Building on recent developments in new modernist studies, the book demonstrates that Nietzsche is a modernist writer and a modernist philosopher by drawing new parallels between his engagement with established philosophical theories and the aesthetic practices that Ezra Pound and T.S. Eliot identified as quintessentially modernist. With specific reference to key Nietzschean philosophemes — eternal recurrence, the Übermensch, transnationalism, cultural paralysis, and ethical perspectivism — it challenges the longstanding assumption that Yeats, who repeatedly acknowledged his admiration for Nietzsche, is the most ‘Nietzschean’ of these Irish modernists.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

While showing how both Joyce and Beckett are in many important ways more ‘Nietzschean’ than Yeats, this interdisciplinary study makes a number of significant and timely contributions to the fields of Irish studies and modernist studies.


Nietzsche, the Protean philosopher par excellence, must be reinvented by each generation, and yet, in the first decades of the twentieth century, his revolutionary ideas were instrumental in bringing about Irish modernism, here represented by Yeats, Joyce and Beckett. Thanks to Matthew Fogarty’s astute, original, and compelling analyses, we discover an Übermensch speaking with an undeniable Irish accent. —Jean-Michel Rabaté, University of Pennsylvania


Matthew Fogarty is an associate lecturer at Maynooth University and University College Dublin. He has published articles in the Irish Gothic Journal, International Yeats Studies, Modern Drama, and the Journal of Academic Writing. His latest article is forthcoming in the James Joyce Quarterly. His co-edited collection, Ethical Crossroads in Literary Modernism, is forthcoming with Clemson University Press.

Monday, November 27, 2023

BOOK NEWS: Study of Orwell's Ethical Commitments

George Orwell: The Ethics of Equality

BY PETER BRIAN BARRY



Oxford UP, 2023

ISBN: 9780197627402

https://academic.oup.com/book/46650


George Orwell is sometimes read as being disinterested in if not outright hostile to philosophy. Yet a fair reading of Orwell’s work reveals an author whose writing was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell said things of ethical significance, but he also affirmed and defended substantive philosophical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

George Orwell: The Ethics of Equality avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of his corpus, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions. While he is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and to those philosophical sympathies that led him to embrace them. George Orwell: The Ethics of Equality is the first monograph written by a philosopher that offers a reading of Orwell informed by historical and contemporary philosophy and promises to better our understanding of him and his work.


Peter Brian Barry is professor of philosophy and the Finkbeiner Endowed Professor in Ethics, Saginaw Valley State University.

Tuesday, November 14, 2023

BOOK NEWS: How writers contributed to peace in Northern Ireland

Getting to Good Friday: Literature and the Peace Process in Northern Ireland

BY MARILYNN RICHTARIK



Oxford UP, 2023

ISBN: 9780192886408

https://global.oup.com/academic/product/getting-to-good-friday-9780192886408?cc=us&lang=en&#

Getting to Good Friday intertwines literary analysis and narrative history in an accessible account of the shifts in thinking and talking about Northern Ireland's divided society that brought thirty years of political violence to a close with the 1998 Belfast/Good Friday Agreement. Drawing on decades of reading, researching, and teaching Northern Irish literature and talking and corresponding with Northern Irish writers, Marilynn Richtarik describes literary reactions and contributions to the peace process during the fifteen years preceding the Agreement and in the immediate post-conflict era. Progress in this period hinged on negotiators' ability to revise the terms used to discuss the conflict. As poet Michael Longley commented in 1998, "In its language the Good Friday Agreement depended on an almost poetic precision and suggestiveness to get its complicated message across." 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Interpreting selected literary works by Brian Friel, Seamus Heaney, Michael Longley, Deirdre Madden, Seamus Deane, Bernard MacLaverty, Colum McCann, and David Park within a detailed historical frame, Richtarik demonstrates the extent to which authors were motivated by a desire both to comment on and to intervene in unfolding political situations. Getting to Good Friday suggests that literature as literature-that is, in its formal properties in addition to anything it might have to "say" about a given subject-can enrich readers' historical understanding. Through Richtarik's engaging narrative, creative writing emerges as both the medium of and a metaphor for the peace process itself.

  • Enhances our understanding of what the peace process achieved and how literary writers contributed to it
  • Employs an innovative interdisciplinary approach that smoothly integrates literary analysis and narrative history to illuminate historical phenomena
  • Includes analysis informed by the author's personal conversations and correspondence with literary writers, as well as by examination of their unpublished papers
  • Offers readers cutting-edge scholarship in a readable format


"Professor Richtarik's book applies her deep knowledge of the psychological and political terrain of Northern Ireland to this empathetic study of a cohort of remarkably talented and closely linked writers. It brings new and arresting insights to the troubled history of the province, its contested cultural paradigms, the pressures which led to the peace process, and the tensions which continue to threaten that achievement." -- R. F. Foster, emeritus professor of Irish History, University of Oxford, and emeritus professor of Irish History and Literature, Queen Mary University of London

"Getting to Good Friday, a profound meditation on historical and political events and the cultural response of writers, confirms that it is by writing that a refinement in character is possible—and that the best self is the self that writes. In Reading in the Dark, published two years before the Belfast/Good Friday Agreement, Seamus Deane presciently identified the problem of the aftermath: the problem of telling or not telling. Marilynn Richtarik describes the drive towards Good Friday through riveting storytelling, but her detailed attention to creative writers' texts is her finest achievement." -- Anne Devlin, author of After Easter and The Apparitions

"Getting to Good Friday is an important book at a critical time. In arguments about Brexit and the protocol it is sometimes remarked that the people who defend the 1998 agreement never read it ... Getting to Good Friday is a welcome bridge between these sundered generations, made of the words that join them, conditional as they are." -- Nicolas Allen, The Irish Times


Marilynn Richtarik is professor of English at Georgia State University, where she teaches British, Irish, and world literature. She was educated at Harvard University, where she earned an undergraduate degree in American History and Literature, and at Oxford University, which she attended as a Rhodes Scholar. Her previous books include Acting Between the Lines: The Field Day Theatre Company and Irish Cultural Politics 1980-1984 (1994), Stewart Parker: A Life (2012), and an edition of Stewart Parker's novel Hopdance (2017). She spent the first half of 2017 researching and teaching at Queen's University Belfast as a US Fulbright Scholar.

Thursday, November 9, 2023

BOOK NEWS: Interviews with Tony Award-winning playwright Terrence McNally

Conversations with Terrence McNally

EDITED BY RAYMOND-JEAN FRONTAIN



UP of Mississippi

ISBN: 9781496843227

https://www.upress.state.ms.us/Books/C/Conversations-with-Terrence-McNally


Arriving in New York at the tail end of what has been termed the “Golden Age” of Broadway and the start of the Off-Broadway theater movement, Terrence McNally (1938–2020) first established himself as a dramatist of the absurd and a biting social critic. He quickly recognized, however, that one is more likely to change people’s minds by first changing their hearts, and—in outrageous farces like The Ritz and It’s Only a Play—began using humor more broadly to challenge social biases. By the mid-1980s, as the emerging AIDS pandemic called into question America’s treatment of persons isolated by suffering and sickness, he became the theater’s great poet of compassion, dramatizing the urgent need of human connection and the consequences when such connections do not take place.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Conversations with Terrence McNally collects nineteen interviews with the celebrated playwright. In these interviews, one hears McNally reflect on theater as the most collaborative of the arts, the economic pressures that drive the theater industry, the unique values of music and dance, and the changes in American theater over McNally’s fifty-plus year career. The winner of four competitive Tony Awards as the author of the Best Play (Love! Valour! Compassion! and Master Class) and author of the book for the Best Musical (Kiss of the Spider Woman and Ragtime), McNally holds the distinction of being one of the few writers for the American theater who excelled in straight drama as well as musical comedy. In addition, his canon extends to opera; his collaboration with composer Jake Heggie, Dead Man Walking, has proven the most successful new American opera of the last twenty-five years.

"Important and outstanding.... This highly recommended collection will be an essential addition to all libraries with theater collections." - Herbert E. Shapiro, Library Journal

 

Raymond-Jean Frontain is an independent scholar who has published eight books and over 100 scholarly articles on the Bible as literature, gay literature, Renaissance poetry, the Indian novel, and modern drama. His previous works on Terrence McNally include The Theater of Terrence McNally: Something about Grace (2019) and an edition of McNally’s writings about theater, Muse of Fire (2021). He is currently at work on a study of Tennessee Williams’s sexual ethic.