Welcome to the Journal of Modern Literature news and information site.


Check here for updates about our latest issues, calls for papers, submission guidelines and tips, as well special online-only content. Our issues themselves are available at Project Muse and are archived on JSTOR . Check out the "Read for Free" page to enjoy some featured content.



More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Tuesday, December 3, 2024

BOOK NEWS: Roundup of December sales on academic books

 


The following publishers are offering discounts on their books for a limited time:


Bloomsbury Academic, 30% off selected titles through 12/8 

Hopkins Press, 40% off all books through 12/8 with code HCYB24 

Oxford University Press, 25% off sitewide through 12/8 with code WEBXSTU92 

PSU Press, Save 40% sitewide through 12/20 with promo code HOL24  

SUNY Press, 50% on most books through 12/22 with code HOLIDAY24 

Syracuse University Press, 40% off all titles through 12/31 with code 05Snow24 

UGA Press, 50% sitewide through 12/20 with code 08HLDY24 

University of Iowa Press, select titles deeply discounted 

University of Minnesota Press, 30% off literary studies through Feb. 1, 2025 with code MN92260 

Thursday, November 21, 2024

Journal of Modern Literature is on Bluesky

 


Journal of Modern Literature left the social media platform X/Twitter at the end of November. Please follow us over on Bluesky instead, at https://bsky.app/profile/journalofmodlit.bsky.social


Wednesday, November 13, 2024

BOOK NEWS: Human monstrosity in Black horror fiction

 Anti-Blackness and Human Monstrosity in Black American Horror Fiction 

BY JERRY RAFIKI JENKINS



Ohio State UP, 2024

ISBN: 978-0-8142-5905-4

https://ohiostatepress.org/books/titles/9780814215364.html


In Anti-Blackness and Human Monstrosity in Black American Horror Fiction, Jerry RafikiJenkins examines four types of human monsters that frequently appear in Black American horror fiction—the monsters of White rage, respectability, not-ness, and serial killing—arguing that such monsters represent specific ideologies of American anti-Blackness. Jenkins examines a variety of these monstrous forms in Tananarive Due’s The Between, Victor LaValle’s The Changeling, Octavia Butler’s Kindred, Nnedi Okorafor’s Who Fears Death, and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

“Anti-Blackness and Human Monstrosity in Black American Horror Fiction is a necessary work that emphasizes the sanity and rationality of monstrous figures. Jenkins persuasively contends that combining Afropessimism and affirmation of Black life in fiction can provide resistance to the deadliness of the racial reality of anti-Blackness.” —Keith Byerman, author of Remembering the Past in Contemporary African American Fiction

“Anti-Blackness and Human Monstrosity in Black American Horror Fiction is sharp and intellectually daring. Jenkins’s treatment of violence and prospects of Black counter-violence make it a timely resource for Black studies scholars and social and cultural critics of all kinds.” —Greg Thomas, author of Hip-Hop Revolution in the Flesh: Power, Knowledge, and Pleasure in Lil’ Kim’s Lyricism


Jerry Rafiki Jenkins is a professor in the Departments of English and Humanities, and Multicultural Studies at Palomar College and the author of The Paradox of Blackness in African American Vampire Fiction.

Friday, November 8, 2024

Welcome new JML co-editor Jessica Burstein

 



Jessica Burstein has been promoted from advisory editor to co-editor of the Journal of Modern Literature. Burstein has had a long career in editing, learning while serving as a lackey (the term “editorial assistant” had yet to be invented, and those chosen did not appear on the masthead) at Critical Inquiry; then serving as the first founding managing editor of Modernism/modernity, beginning in a room with a chair, a phone, and a rolodex, and putting together its early issues. 

As an associate professor in the Department of English and adjunct in the Department of Gender, Women and Sexuality Studies at the University of Washington in Seattle, Burstein currently serves on the editorial boards of Modern Language Quarterly, as well as the advisory editorial board of Modernism/modernity. Their own critical work focuses on fashion and modernism; but they nurse a residual fondness for the history of sciences, and contemporary fiction. Burstein’s novel What It Was Like Not To Sleep With You has yet to find a press; meanwhile you can find Cold Modernism: Literature, Fashion, Art in an art history library near you.


Tuesday, October 22, 2024

Forster's musical Lucy Churchill and proto-nuclear aesthetics: A Closer Look at JML 47.4




In a special feature for the Indiana University Press blog, author Ryan James McGuckin discusses female musicality in A Room with a View, and sees in the novel's inconclusive romance—as well as in Forster's 1958 essay "A View without a Room"—hints that the fear of nuclear annihilation forecloses hope about the future. Read it at https://iupress.org/connect/blog/e-m-forsters-nuclear-aesthetics-a-closer-look-at-jml-47-4/

McGuckin's JML 47.4 essay, “E. M. Forster’s Female Musicality: Inconclusive Counter-romance in A Room with a View,” is available to read for FREE.

Friday, October 11, 2024

JML 47.4 (Summer 2024) is now LIVE!

 


JML 47.4 (Summer 2024) with clusters on Virginia Woolf and literary misfits is now LIVE on Project MUSE at https://muse.jhu.edu/issue/53384


Content includes:


Woolf

Kate M. Nash

The Ecology of Virginia Woolf’s London Scene

 

Gabriel Quigley

Moments of Rupture: Woolf, Whitehead, Deleuze 


Timothy O’Leary

Years and Years: The Distribution of the Sensible in Woolf and Ernaux 


Misfits

Abhipsa Chakraborty

Vernacular Acoustics: Caste, Embodiment, and the Politics of Listening in Mulk Raj Anand’s Untouchable (1935)


Carly Overfelt 

“To Suggest the Sound”: Impressibility and the Language of Whiteness in Charles W. Chesnutt’s Long Fiction 


Lillianna G. Wright

“A Fascination, Strange and Compelling”: Marriage as the Prevention of Queerness in Nella Larsen’s Passing 


Ryan James McGuckin 

E. M. Forster’s Female Musicality: Inconclusive Counter-romance in A Room with a View 

FREE


Tim Clarke

The Consolations of Decadence in John Fante’s Ask the Dust 


Susan Poursanati and Maryam Neyestani

Sisyphean or Medusan: The Absurd Hero in Jean Rhys’s Good Morning, Midnight and Wide Sargasso Sea  


Reviews  

Anna Nygren

Rewriting the Narrative of Modernisms 


Andrew Hui

The Once and Always Baroque


Benjamin Schreier

How to Be a Critic


Afterword

Daniel T. O’Hara

Memorial Tributes


Friday, October 4, 2024

BOOK NEWS: Spirit forces in global contemporary novels

Worldly Spirits, Extra-Human Dimensions, and the Global Anglophone Novel 

BY HILARY THOMPSON



Bloomsbury Academic, 2023

ISBN: 9781350373815

https://www.bloomsbury.com/worldly-spirits-extrahuman-dimensions-and-the-global-anglophone-novel-9781350373815/


Engaging a diverse range of contemporary anglophone literature from authors of the Asian, Middle Eastern and Caribbean diasporas, this book explores how such works turn to spirit forces, spirit realms and spirit beings—were-animals, mystical birds, and snake goddesses—as positive forces that assert perceptual dimensions beyond those of the human, and present a vision of Earth as agentive and animate. With previous scholarship downplaying these aspects of modern works as uncanny hauntings or symptoms of capitalism's or anthropocentrism's destructiveness, or within a blanket rubric of "magical realism," Hilary Thompson rejects this partitioning of them as products of an exotic East or global South. By contrast, this book builds a new critical framework for analysis of worldly spirits, drawing on anthropological discussions of animism, the newly recovered 1930s boundary-crossing art movement Dimensionism, and multispecies theories of animals' diverse perceptual worlds.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Taking stock of novels published from 2018-2020 by such writers as Amitav Ghosh, André Alexis, Yangsze Choo, Azareen Van der Vliet Oloomi, Zeyn Joukhadar, and Tanya Tagaq, Thompson illuminates how these works extend an ecological call to decentre the human and align with multidimensional theories of art and literature to provide ways to read for rather than reduce the extra-human dimensions emerging in contemporary fiction.

A refreshing rejection of ecological apocalypticism, this book unsettles typical conceptualizations of both anglophone and Anthropocene literatures by invoking European art theory, philosophy, and non-Western ideas on animism and spirits to put forward perceptions of the extra-human as a form of dealing with the many uncertainties of today's different crises.


Hilary Thompson is associate professor of English at Bowdoin College. She is author of Novel Creatures: Animal Life and the New Millennium (2018) and has published multiple articles on Amitav Ghosh and on global anglophone literature, biopolitics, and the Anthropocene.