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Check here for updates about our latest issues, calls for papers, submission guidelines and tips, as well special online-only content. Our issues themselves are available at Project Muse and are archived on JSTOR . Check out the "Read for Free" page to enjoy some featured content.



More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Monday, February 22, 2021

Book News: Environmental writing in the 1930s and 40s

The Green Depression: American Ecoliterature in the 1930s and 1940s

BY MATTHEW M. LAMBERT



UP of Mississippi, 2020

Hardcover : 9781496830401

Paperback : 9781496830418

https://www.upress.state.ms.us/Books/T/The-Green-Depression


Dust storms. Flooding. The fear of nuclear fallout. While literary critics associate authors of the 1930s and ’40s with leftist political and economic thought, they often ignore concern in the period’s literary and cultural works with major environmental crises. To fill this gap in scholarship, author Matthew M. Lambert argues that depression-era authors contributed to the development of modern environmentalist thought in a variety of ways. Writers of the time provided a better understanding of the devastating effects that humans can have on the environment. They also depicted the ecological and cultural value of nonhuman nature, including animal “predators” and “pests. ” Finally, they laid the groundwork for “environmental justice” by focusing on the social effects of environmental exploitation.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

To show the reach of environmentalist thought during the period, the first three chapters of The Green Depression: American Ecoliterature in the 1930s and 1940s focus on different geographical landscapes, including the wild, rural, and urban. The fourth and final chapter shifts to debates over the social and environmental effects of technology during the period. In identifying modern environmental ideas and concerns in American literary and cultural works of the 1930s and ’40s, The Green Depression highlights the importance of depression-era literature in understanding the development of environmentalist thought over the twentieth century. This book also builds upon a growing body of scholarship in ecocriticism that describes the unique contributions African American and other nonwhite authors have made to the environmental justice movement and to our understanding of the natural world.

"Many of the important authors considered in this study—Nelson Algren, Tillie Olsen, James T. Farrell, and Richard Wright, to name a few—have received insufficient attention from ecocritics, and yet, as Matthew M. Lambert shows in The Green Depression, their work and other writing during the Depression and the World War II eras is profoundly relevant to the roots of contemporary environmentalism that emerged during the latter half of the twentieth century. "

- Scott Slovic, coeditor of Ecocritical Aesthetics: Language, Beauty, and the Environment

Matthew M. Lambert is assistant professor of English at Northwestern Oklahoma State University, where he teaches courses in American literature. His work has appeared in the Journal of the Midwest Modern Language Association and Journal of Popular Film and Television.

Wednesday, February 10, 2021

Book News: New trends in Hemingway studies

 The New Hemingway Studies

EDITED BY SUZANNE DEL GIZZO AND KIRK CURNUTT

Cambridge UP, September 2020

Hardback ISBN: 9781108494847

https://www.cambridge.org/us/academic/subjects/literature/american-literature/new-hemingway-studies?format=HB



The subject of endless biographies, fictional depictions, and critical debate, Ernest Hemingway continues to command attention in popular culture and in literary studies. He remains both a definitive stylist of twentieth-century literature and a case study in what happens to an artist consumed by the spectacle of celebrity. The New Hemingway Studies examines how two decades of new-millennium scholarship confirm his continued relevance to an era that, on the surface, appears so distinct from his—one defined by digital realms, ecological anxiety, and globalization. It explores the various sources (print, archival, digital, and other) through which critics access Hemingway. Highlighting the latest critical trends, the contributors to this volume demonstrate how Hemingway's remarkably durable stories, novels, and essays have served as a lens for understanding preeminent concerns in our own time, including paranoia, trauma, iconicity, and racial, sexual, and national identities.


  • Provides an overview of recent scholarly trends in Hemingway studies
  • Re-imagines Hemingway studies in new contexts
  • Demonstrates gaps in current scholarship and adumbrates possible paths for future inquiry

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Contributors

Suzanne del Gizzo, Kirk Curnutt, Robert W. Trogdon, Sandra Spanier, Verna Kale, Krista Quesenberry, Laura Godfrey, David Wyatt, Sarah Anderson Wood, Debra A. Moddelmog, Ian Marshall, Loren Glass, Lisa Tyler, Marc K. Dudley, Jeffrey Herlihy-Mera, Kevin R. West


Suzanne del Gizzo, Chestnut College, is editor of The Hemingway Review.  She has published over twenty articles in scholarly journals and has co-edited two books, Ernest Hemingway in Context with Debra A. Moddelmog and Ernest Hemingway's The Garden of Eden:  25 Years of Criticism with Frederic J. Svoboda.

Kirk Curnutt, Troy University, Alabama, is the author of several volumes of literary criticism and fiction, including, most recently, the edited-volume American Literature in Transition: 1970-1980, the pocket biography William Faulkner, and The 100 Greatest Literary Characters, co-authored with James Plath and Gail Sinclair.


Thursday, February 4, 2021

Book News: The "still life spirit" in modernism

 Modernism and Still Life: Artists, Writers, Dancers

BY CLAUDIA TOBIN



Edinburgh UP, 2020

https://edinburghuniversitypress.com/book-modernism-and-still-life.html

ISBN Hardback: 9781474455138

ISBN ePub: 9781474455169

ISBN PDF: 9781474455152

The late nineteenth and early twentieth centuries have been characterized as the ‘age of speed’ but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Cézanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do not constitute an endorsement by the Journal of Modern Literature.

  • Explores the ‘still life spirit’ in modern painting, prose, dance, sculpture and poetry
  • Challenges the conventional positioning of still life as a ‘minor’ genre in art history
  • Proposes a radical alternative to narratives of modernism that privilege speed and motion by revealing forms of stillness and still life at the heart of modern literature and visual culture
  • Provides the first study of still life to consider the genre across modern literature, visual cultures and dance
  • Uncovers connections and cultural exchange between networks of European and American artists including the Bloomsbury Group and Wallace Stevens


Modernism and Still Life reminds us that Modernism not only introduced new ways of making art but also new ways of looking at art. Tobin is alert to the paradoxes inherent in the title 'still life' but also to the many ways in which stillness and movement enter into conversation in early modernism. This is a work of deft scholarship and considerable originality of thought. It makes a fresh intervention into a major subject and deepens understanding, offering another landmark in the historiography of Modernism.

– Frances Spalding, Clare Hall, University of Cambridge


Claudia Tobin is a Leverhulme Early Career Fellow in English at the University of Cambridge. She has held fellowships at the Paul Mellon Centre for British Art and the Huntington Library, California. She has published commissioned articles, scholarly book chapters, and exhibition catalogues on interdisciplinary topics including Virginia Woolf and still life, modernism and colour, and on Vanessa Bell's abstract painting as part of Tate's 'In Focus' series. She is General Editor, with Julian Bell, of Ways of Drawing, Thames & Hudson (2019).

Monday, January 18, 2021

Book News: Limited-time sale on Woolf scholarly books

The University Press of Florida is offering a special sale--and free shipping--on three scholarly works by Barbara Lounsberry listed below now through 2/2/21.


Becoming Virginia Woolf
Her Early Diaries and the Diaries She Read

BARBARA  LOUNSBERRY

272 pp. | 6 x 9 | Paper $24.95 $18.00

“This vital study inspires one to reread Woolf’s diaries with special attention to outside influences that helped shape her writing.” —Choice

“Lounsberry ultimately helps us see, through her close attention to what she calls the first three phases in Woolf’s diary-keeping, how the Virginia Woolf we know actually became that writer. This book is foundational, one the rest of us will depend on for a long time.” —Woolf Studies Annual



Virginia Woolf’s Modernist Path
Her Middle Diaries and the Diaries She Read

BARBARA  LOUNSBERRY

280 pp. | 6 x 9 | Paper $24.95 $18.00

CHOICE OUTSTANDING ACADEMIC TITLE

“Meticulously researched and beautifully written, this volume is a love letter for all scholars of Woolf and modernism, and for neophytes interested in the aegis of Woolf’s distinctive style. . . . Essential.”—Choice

“Lounsberry’s years of meditation on her material can be felt. . . . In the passionate diary reader we find here, Barbara Lounsberry has brought to life one more Virginia Woolf.” —Times Literary Supplement




Virginia Woolf, the War Without, the War Within
Her Final Diaries and the Diaries She Read

BARBARA  LOUNSBERRY

408 pp. | 6 x 9 | Paper $24.95 $18.00

CHOICE OUTSTANDING ACADEMIC TITLE

“Essential.”—Choice

“Barbara Lounsberry has done for Woolf’s diaries what the diaries once did for Woolf’s novels, and what all great literary criticism seeks to do: It takes a canonical work of literature and offers an entirely new way of seeing it.”—New Republic


ORDER FORM

 

SALE ENDS FEBRUARY 2

Thursday, January 14, 2021

Book News: Dublin's post-independence theatre scene

 

Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940

BY RUUD VAN DEN BEUKEN 


Syracuse UP, January 2021

Paper ISBN: 9780815636434

Hardcover ISBN: 9780815636250

https://press.syr.edu/supressbooks/3470/avant-garde-nationalism-at-the-dublin-gate-theatre-1928-1940/


A new generation of Irish playwrights set out to establish Dublin as a modern European capital by staging radical productions at the Dublin Gate Theatre.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do not constitute an endorsement by the Journal of Modern Literature.

In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland’s tumultuous first post-independence decades.


"Offers an invaluable tool for advancing knowledge in the fields of drama, performance, and Irish studies with its close attention to the underexamined institution of the Gate Theatre. . . . This book will make a significant and long-lasting impact in Irish studies, theatre studies, and accounts of mid-century modernism."  —Paige Reynolds, author of Modernism, Drama, and the Audience for Irish Spectacle


"For many years, the accepted story of Irish theatre was that the Abbey was the writers’ theatre, and its rival, the Gate, was primarily a producing house. Making use of newly available archival sources, Ruud van den Beuken turns the old story on its head, and in so doing forces us to rethink Irish theatre. This book demands our attention."  —Christopher Morash, Trinity College Dublin


Ruud van den Beuken is assistant professor of English literature at Radboud University in the Netherlands. He was awarded the 2015 Irish Society for Theatre Research New Scholars’ Prize.

Friday, January 8, 2021

Becoming Laura: A Closer Look at JML 44.1

 Take a closer look at JML 44.1. 

Author John S. Bak shares some background into his fascinating archival study of a previously unpublished Tennessee Williams introduction to the play he co-wrote with Donald Windham, You Touched Me! Read it HERE.

Baks essay, “Tennessee Williams’s ‘“Homage to Ophelia” (A Pretentious Foreword)’ with Commentary,” is a read-for-free feature on JSTOR




Thursday, January 7, 2021

JML 44.1 (Fall 2020) is LIVE!

 

JML 44.1 (Fall 2020) on the theme "Genealogies and Historiographies" is now live on JSTOR at https://www.jstor.org/stable/10.2979/jmodelite.44.issue-1 and on Project Muse at https://muse.jhu.edu/issue/43684

Contents include:

Genealogies of the Modern

Michael Bedsole

Exteriority and Interiority in T.S. Eliot’s Graduate Work  


Ignasi Ribó 

“At the farthest pole from man”: Kafka’s Posthuman Outlook on War 


John S. Bak

Tennessee Williams’s “Homage to Ophelia (A Pretentious Foreword)” with Commentary


Joseph Darlington

Anthony Burgess and William S. Burroughs: Shared Enemies, Opposed Friends


Kevin McGuirk

“[T]he apple an apple”: Ammons, Bloom, and “the ten thousand things” – with Emerson and Lao Tzu 


Dream Historiographies

Clare Udras Ellis

Pursued by Time: The Chronolibidinal Aesthetics of Katherine Mansfield 


Annaliese Hoehling

Seeing History in the Baroque Ruins of Elizabeth Bowen’s The Last September: An Indictment of Cosmopolitan Modernity


Liran Razinsky

Psychoanalysis and Autobiography: Leiris, Freud and the Obstacle to Self-Knowledge 


Jesse Zuba

Raymond Carver and the Modern Career Imaginary


Bram Mertens

Dread, Desire and Destruction: The Historical Sublime in Erwin Mortier’s Marcel (1999) 


Reviews

Elizabeth Scheer

Surveying the Damage: Marina MacKay’s Modernism, War, and Violence


Robert L. Caserio

Audacious Reconciliation


Farisa Khalid

Good, Brave Causes: British Fiction of the 1950s