Book News: W.S. Merwin's lifelong engagement with infinity

 Desire and Infinity in W. S. Merwin's Poetry

BY FENG DONG

LSU Press, 2021

ISBN: 978-0-8071-7611-5

https://lsupress.org/books/detail/desire-and-infinity-in-w-s-merwins-poetry/

In the first monograph on W. S. Merwin to appear since his death in 2019, Feng Dong focuses on the dialectical movement of desire and infinity that ensouls the poet's entire oeuvre. His analysis foregrounds what Merwin calls "the other side of despair," the opposite of humans' articulated personal and social agonies. Feng finds these presences in Merwin's evocations of what lingers on the edge of constantly updated socio-symbolic frameworks: surreal encounters, spiritual ecstasies, and abyssal freedoms. By examining Merwin's lifelong engagement with psychic fantasies, anonymous holiness, entities both natural and supernatural, and ghostly ancestors, Feng uncovers a precarious relation with the unarticulated, unrealized side of existence.

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Drawing on theories from Lacan, Žižek, Levinas, and Heidegger, Desire and Infinity in W.S. Merwin's Poetry reads a metaphysical possibility into the poet's work at the intersection between contemporary poetics, philosophy, and psychoanalysis.

"As he considers the ever-evolving dynamic between notions of finitude and oblivion in Merwin's poems, Feng Dong reveals not only the consequences of Merwin's genius, but also the sources of his melancholy."—Susan Stewart, Avalon Foundation University Professor in the Humanities, Princeton University

“It is no surprise to discover a Lacanian poet in W. S. Merwin, for whoever has glanced at his towering mass of poems will have noted the relevance of terms like the Thing, the Real outside language, or an Other jouissance, but what is truly surprising is to see how subtly and lightly, how deftly and deeply these concepts can limn an entire body of work. Feng Dong’s brilliant synthesis conjures up the figure of an American Hölderlin who avoided visionary madness by realizing an erotic ecology, by making one with his sexual paradise.”—Jean-Michel Rabaté, University of Pennsylvania, author of Lacan in America

“As he traces the dynamic of propulsion toward the infinite—followed by necessary withdrawal—Feng reveals the nuances of Merwin’s profound grief and yet relentless mysticism. Like Merwin’s decade-spanning poetry, Feng’s work is a gift: it’s focused, and yet expansive; it’s a much-needed inflection point in Merwin scholarship; and though it is not a primary aim, Feng provides one of the most illuminatory ways of seeing Merwin’s ecopoetics to date.”—Aaron M. Moe, author of Ecocriticism and the Poiesis of Form: Holding on to Proteus

FENG DONG is associate professor of English at Qingdao University in China. His essays and reviews have appeared in College Literature, Critical Inquiry, Journal of Modern Literature, and other journals.