Deadlines approaching for two JML Calls for Papers

 DEADLINE: 25 September 2020

Underrepresented Women's Voices in Modern Literature (conference session)

 

Call for Papers

JML session for NeMLA annual convention, March 11-14, 2021

Philadelphia, PA (hybrid format)

http://www.buffalo.edu/nemla/convention.html

The Northeastern Modern Language Association convention session, led by the editorial board of the Journal of Modern Literature, will focus on reading under-represented women's voices in light of the Me-Too Movement.  For the last several years, the Me-Too Movement has worked to give voice to women and all sexually disenfranchised persons a platform to speak their trauma.  While this movement of revolution and healing has been a great development of the twenty-first century, women have been using writing as both a means of working through their own traumas and giving a space of catharsis to those who have no such opportunity.  The session will explore the political, social, economic and cultural positions of women creating and women featured in Modernist literature, with particular attention to the ways in which the disenfranchised voice uses writing to gain political and social power.  Presentations will focus the positions and reactions of women characters and authors faced with a lack of sexual autonomy.  There will be special attention paid, in this session, to under-represented groups of women, including but not limited to, women of color, women of non-binary orientation, and immigrant women.

Proposals--abstracts for a 15-minute conference presentation--should be sent to JML advisory editor Gina MacKenzie at gmackenzie@holyfamily.edu by 25 September 2020.

 DEADLINE: 15 October 2020

1922 and After: A Centenary of Modernism and World Literature (JML special cluster)

Drawing upon anthropological, psychological, and philosophical knowledge as well as personal experiences, the high modernists wrote their now-famous classics, including The Waste Land, Ulysses, Jacob's Room, among many others, in the expanded context of a post-War generation facing the larger world via the influences upon them and the influences they and their works would create. These interrelationships among European, British, and American modernism (so-called international modernism), and the emergence of World Literature, provide the framework for the issue. 

How does 1922 speak to us today, after a century of ever-increasing globalization, regarding "literature in a globalized world," the understanding of the "comparative," Global South studies, the emergence and variation of World Literature? What does it achieve proleptically in a kind of analytic arc that takes the entire century into its consciousness and resets its existence within certain mores and modes of contemporary thinking and discourses? How does 1922 speak into our times and discourses rather than speak back? How do we re-consider history, tradition, notion of the contemporary, and literature today, a hundred years hence? 1922 has its own world-forming potentials –- the potencies to "world" radical ways of thinking and understanding within the disciplinary and epistemic complexities of 2022. Articles tracing this complex literary dialogue and genealogy via close attention to important but possibly neglected texts, expanding, re-aligning, or critiquing them, defines the broad outlines of the issue.  

Submissions should conform to MLA 8th edition style for documentation and manuscript formatting, and should include a 100-150 word abstract and 3-5 keywords. Submissions must be under 9,000 words for the entire submission package, including the abstract, notes, and works cited. No simultaneous submissions or previously published material. 

Submit manuscripts as a Word or RTF attachment to special coordinator Ranjan Ghosh at weransum@yahoo.co.in by 15 October 2020.