BOOK NEWS: The Beats' negotiations with academia

The Beats and the Academy: A Renegotiation

EDITED BY ERIK MORTENSON AND TONY TRIGILIO 

Clemson UP, 2023

ISBN: 9781638040514

https://www.liverpooluniversitypress.co.uk/doi/book/10.3828/9781638040514

The Beats and the Academy marks the first sustained effort to train a scholarly eye on the dynamics of the relationship between Beat writers and the academic institutions in which they taught. Rather than assuming the relationship between Beat writers and institutions of higher education was only a hostile one, The Beats and the Academy begins with the premise that influence between the two flows in both directions. Beat writers' suspicion of established institutions was a significant aspect of their postwar countercultural allure. Their anti-establishment aesthetic and countercultural stance led Beat writers to be critical of postwar academic institutions that tended to dismiss them as a passing social phenomenon. Even today, Beat writing still meets resistance in an academy that questions the relevance of their writing and ideas. But this picture, like any generalization, is far too easy. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The Beat relationship to the academy is one of negotiation, rather than negation. Many Beats strove for academic recognition, and quite a few received it. And despite hostility to their work both in the postwar era and today, Beat works have made it into syllabi, conference presentations, journal articles, and monographs. The Beats and the Academy deepens our understanding of this relationship by emphasizing how institutional friction between the Beats and institutions of higher education has shaped our understanding of Beat Generation literature and culture—and what this relationship between Beat writers and the academy might suggest about their legacy for future scholars.

Erik Mortenson is a literary scholar, translator, writer, and English faculty member at Lake Michigan College in Benton Harbor, Michigan. After earning a PhD from Wayne State University in Detroit, Mortenson spent a year as a Fulbright Lecturer in Germany before journeying to Koç University in Istanbul to help found the English and Comparative Literature Department. Mortenson has published numerous journal articles and book chapters, as well as three books, including Capturing the Beat Moment: Cultural Politics and the Poetics of Presence (2011), Ambiguous Borderlands: Shadow Imagery in Cold War American Culture (2016), and Translating the Counterculture: The Reception of the Beats in Turkey (2018). Mortenson is also an avid translator whose work has appeared in journals such as Asymptote, Talisman, and Two Lines, and he is currently translating the work of Necmi Zekâ for a book-length project. Mortenson’s co-written memoir of his time in Detroit, Kick Out the Bottom, will appear from Cornerstone Press.

Tony Trigilio is a professor of English and Creative Writing at Columbia College Chicago. He is the author and editor of fifteen books, including, most recently, Craft: A Memoir (forthcoming, Marsh Hawk Press, 2023) and Proof Something Happened, selected by Susan Howe as the winner of the Marsh Hawk Press Poetry Prize (Marsh Hawk, 2021). His selected poems, Fuera del Taller del Cosmos, was published in Guatemala in 2018 by Editorial Poe (translated by Bony Hernández). He is the author of Allen Ginsberg's Buddhist Poetics (Southern Illinois UP, 2012 [paper] and 2007 [cloth]) and "Strange Prophecies Anew": Rereading Apocalypse in Blake, H.D., and Ginsberg (Fairleigh Dickinson UP, 2000). He is editor of Elise Cowen: Poems and Fragments (Ahsahta Press, 2014), and coeditor of Visions and Divisions: American Immigration Literature, 1870-1930 (Rutgers UP, 2008). He is a founding member of the Beat Studies Association.

BOOK NEWS: Subversion of convention in Irish noir fiction

Finders: Justice, Faith, and Identity in Irish Crime Fiction

BY ANJILI BABBAR

Syracuse UP, 2023

ISBN: 9780815611578

https://press.syr.edu/supressbooks/5582/finders/

Some of the most iconic, hard-boiled Irish detectives in fiction insist that they are not detectives at all. Hailing from a region with a cultural history of mistrust in the criminal justice system, Irish crime writers resist many of the stereotypical devices of the genre. These writers have adroitly carved out their own individual narratives to weave firsthand perspectives of history, politics, violence, and changes in the economic and social climate together with characters who have richly detailed experiences.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Recognizing this achievement among Irish crime writers, Babbar shines a light on how Irish noir has established a new approach to a longstanding genre. Beginning with Ken Bruen’s Jack Taylor, who rejects the detective title in favor of “finder”—a reference to Saint Anthony of Padua in the context of a traditionally secular form—Babbar examines the ways Irish authors, including John Connolly, Tana French, Alex Barclay, Adrian McKinty, Brian McGilloway, Claire McGowan, Gerard Brennan, Stuart Neville, Steve Cavanagh, and Eoin McNamee, subvert convention to reclaim their stories from a number of powerful influences: Revivalism, genre snobbery, cultural literary standards, and colonialism. These writers assert their heritage while also assuming a vital role in creating a broader vision of justice.

"Babbar's rigorous, serious, and insightful Finders is the most comprehensive study into the exciting phenomenon of Northern Irish crime fiction. A must-read for literary scholars and the casual fan of the most explosive sub genre of Celtic Noir."—Adrian McKinty, author of The Chain

"This is an astonishing achievement. . . . Historically rich and geographically expansive, Babbar’s study, in smooth, erudite prose, casts an astute eye over the complexities and distinctiveness of Irish crime fiction."—Andrew Pepper, Queen’s University Belfast

"Babbar provides a wonderfully comprehensive survey of the major authors in the contemporary Irish noir field. She accomplishes a minor miracle in synthesizing so many texts in an interesting, provocative, and engaging way."—Andrew Kincaid, University of Wisconsin, Milwaukee

"Babbar’s hopeful readings broaden the critical lens in distinctive and valuable ways by exploring Irish crime fiction’s acute insights about the thorniest matters of community faith and self."—Brian Cliff, coeditor of Guilt Rules All: Irish Mystery, Detective, and Crime Fiction

Anjili Babbar is associate professor of English at the Community College of Baltimore County. She has published on topics ranging from Irish crime fiction to representations of Irish folklore in popular culture.

BOOK NEWS: WWI poetry from a global perspective

 A History of World War One Poetry

EDITED BY JANE POTTER 

Cambridge UP, 2023

ISBN: 9781009100649

https://www.cambridge.org/us/universitypress/subjects/literature/english-literature-1900-1945/history-world-war-one-poetry?format=HB

Situating First World War poetry in a truly global context, this book reaches beyond the British soldier-poet canon. A History of World War One Poetry examines popular and literary, ephemeral and enduring poems that the cataclysm of 1914-1918 inspired. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Across Europe, poets wrestled with the same problem: how to represent a global conflict, dominated by modern technology, involving millions of combatants and countless civilians. For literary scholars this has meant discovering and engaging with the work of men and women writing in other languages, on other fronts, and from different national perspectives. Poems are presented in their original languages and in English translations, some for the very first time, while a Coda reflects on the study and significance of First World War poetry in the wake of the Centenary. A History of World War One Poetry offers a new perspective on the literary and human experience of 1914-1918.

• Provides examples of transnational poetic creation in time of global conflict to demonstrates how the canon of First World War Poetry, largely based around the British soldier-poetry, needs to be widened and diversified by presenting the poetry of the war in its global environment
• Analyzes a range of First World War poetry in the original language and in English translation in an accessible and scholarly manner
• Considers poetry from diverse perspectives, including artistic movements, individual poets and nations, and publishing history

Jane Potter is Reader in Arts at the Oxford International Centre for Publishing, Oxford Brookes University. Her publications include Boys in Khaki, Girls in Print: Women's Literary Responses to the Great War (2005), Wilfred Owen: An Illustrated Life (2014), and with Carol Acton, Working in a World of Hurt: Trauma and Resilience in the Narratives of Medical Personnel in War Zones (2015).

Book News: Welty's use of crime fiction conventions

Eudora Welty and Mystery: Hidden in Plain Sight

EDITED BY JACOB AGNER AND HARRIET POLLACK

UP of Mississippi, 2022

ISBN: 9781496842718

https://www.upress.state.ms.us/Books/E/Eudora-Welty-and-Mystery

Eudora Welty’s ingenious play with readers’ expectations made her a cunning writer, a paramount modernist, a short story artist of the first rank, and a remarkable literary innovator. In her signature puzzle-texts, she habitually engages with familiar genres and then delights readers with her transformations and nonfulfillment of conventions. Eudora Welty and Mystery: Hidden in Plain Sight reveals how often that play is with mystery, crime, and detective fiction genres, popular fiction forms often condescended to in literary studies, but unabashedly beloved by Welty throughout her lifetime.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Put another way, Welty often creates her stories’ secrets by both evoking and displacing crime fiction conventions. Instead of restoring order with a culminating reveal, her story-puzzles characteristically allow mystery to linger and thicken. The mystery pursued becomes mystery elsewhere. The essays in this collection shift attention from narratives, characters, and plots as they have previously been understood by unearthing enigmas hidden within those constructions.

Some of these new readings continue Welty’s investigation of hegemonic whiteness and southern narratives of race—outlining these in chalk as outright crime stories. Other essays show how Welty anticipated the regendering of the form now so characteristic of contemporary women mystery writers. Her tender and widely ranging personal correspondence with the hard-boiled American crime writer Ross Macdonald is also discussed. Together these essays make the case that across her career, Eudora Welty was arguably one of the genre’s greatest double agents, and, to apply the titles of Macdonald’s novels to her inventiveness with the form, she is its “underground woman,” its unexpected “sleeping beauty.”

"Eudora Welty and Mystery constitutes an unexpected, surprising, but productive approach to the works of a major American twentieth-century writer." - David McWhirter, professor of English at Texas A&M University

"Focusing on the influence exerted by the mystery/detective fiction genre on Welty's writing, Eudora Welty and Mystery unambiguously opens an overlooked and original avenue of inquiry. The essays powerfully evoke Welty, the late modernist caught in a postmodernist pose, and showcase some of her best critics patiently and cleverly teasing out various textual refractions and echoes." - Stephen M. Fuller, author of Eudora Welty and Surrealism

"The prose is accessible throughout. . . . Welty scholars will enjoy these well-argued pieces." - Publishers Weekly

Jacob Agner is a PhD candidate in English at the University of Mississippi. As a recipient of the Eudora Welty Research Fellowship, funded by the Eudora Welty Foundation and the Mississippi Department of Archives and History, he has examined the writer’s correspondence for connections to film history.

Harriet Pollack, College of Charleston, is author of Eudora Welty’s Fiction and Photography: The Body of the Other Woman and editor of New Essays on Eudora Welty, Class, and Race; Eudora Welty, Whiteness, and Race; Emmett Till in Literary Memory and Imagination (with Christopher Metress); Eudora Welty and Politics: Did the Writer Crusade? (with Suzanne Marrs); and Having Our Way: Women Rewriting Tradition in Twentieth-Century America. She now serves as editor of University Press of Mississippi’s book series Critical Perspectives on Eudora Welty. She has twice served as president of the Eudora Welty Society, has directed three international Welty conferences including the 2009 Centennial, and in 2008 received the Phoenix Award for outstanding contributions to Welty scholarship.

Book News: 1980 interview with Borges now in print

An Interview with Borges / Una entrevista a Borges 

BY FABIAN SPAGNOLI AND JORGE LUIS BORGES

Introduction by Carlo Alberto Petruzzi, translation by Jillian Tomm

 

Adolf Hoffmeister, Jorge Luis Borges, 1965

Damocle Edizioni, Venezia (Italy), 2023

ISBN: 978-88-32163-35-3

https://damocleedizioni.com/2023/04/28/fabian-spagnoli-una-entrevista-a-borges-an-interview-with-borges/

This previously unpublished interview of Jorge Luis Borges taken in 1980 by Fabian Spagnoli represents a great literary revelation.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Aspiring to become a journalist, Fabian Spagnoli was a high school student when he decided to interview Borges. Right after calling him for the first time, Spagnoli barely had the time to grab a recorder when he was immediately invited to speak with Borges in his apartment in Calle Maipú (Buenos Aires). The two extensively discussed Spagnoli’s interests in literature and foreign languages, as well as his future aspirations. This occasion led Borges to share personal memories from his life, his teaching experience in the United States, and his time in Geneva. Despite such accomplishment, Spagnoli never published the interview.

The interview is now published by Damocle Edizioni, a Venetian independent publishing house, in a double Spanish-English version. Transcribed and translated by Jillian Tomm and introduced by Carlo Alberto Petruzzi, the text is enriched with several footnotes which help to contextualize references to Borges’s works, relationships, and circumstances discussed in the interview.

Presented 37 years after Borges’s death, this interview represents a unique document for Borges scholars and all those interested in his literary work and life.

Book News: The Nordic Avant Garde, 1925-50

A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950

Edited by Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, and Tania Ørum

Brill, 2022

ISBN: 978-90-04-52011-0

https://brill.com/display/title/38041?language=en

A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It includes 138 color illustrations.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.

Of interest to teachers and students of modernism and the avant-garde, cultural studies, Scandinavian studies, art history, literature, cultural history, discourse and ideology of the interwar period.

Benedikt Hjartarson is professor of comparative literature and cultural studies at the University of Iceland. He has written and edited a number of books and articles on the European avant-garde, published in Icelandic, German, Danish, English and Swedish.

Andrea Kollnitz is associate professor of art history at Stockholm University. She has published a monograph on nationalist agendas in Swedish art criticism 1908-34 and edited a collection on Fashion and Modernism as well as published research on fashion caricatures, nationalist fashion and art discourses, the avant-garde artist’s role and artistic self-fashioning.

Per Stounbjerg is DPhil in Scandinavian literature and head of the School of Communication and Culture at Aarhus University. He has published on August Strindberg, genre studies, avant-garde, modernism and the aesthetics of the ugly.

Tania Ørum is professor emerita at the University of Copenhagen. She has published monographs and articles on modernism and avant-garde and is general editor of the volumes of A Cultural History of the Avant Garde in the Nordic Countries, a subseries of Avant-Garde Critical Studies (Brill | Rodopi)

Book News: A provocative perspective on Pound and Pasolini

Pound and Pasolini: Poetics of Crisis

BY SEAN MARK

Palgrave Macmillan, 2022

ISBN: 978-3-030-91947-4

https://link.springer.com/book/10.1007/978-3-030-91948-1

In October 1967, Pier Paolo Pasolini travelled to Venice to interview Ezra Pound for broadcast on national television. One a lifelong Marxist, the other a former propagandist for the Fascist regime, their encounter was billed as a clash of opposites. But what do these poets share? And what can they tell us about the poetics and politics of the twentieth century? 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

This book reads one by way of the other, aligning their engagement with different temporalities and traditions, polities and geographies, languages and forms, evoked as utopian alternatives to the cultural and political crises of capitalist modernity. Part literary history, part comparative study, it offers a new and provocative perspective on these poets and the critical debates around them – in particular, on Pound’s Italian years and Pasolini’s use of Pound in his work. Their connection helps to understand the implications and legacies of their work today.   

“Sean Mark’s Pound and Pasolini: Poetics of Crisis expounds incisively on Pasolini’s interview of Pound in 1967 to align two poets from opposite political camps, thus exposing the complex tension between poetry and ideology in both authors’ work. Mark’s acute and sophisticated readings result in a significant revision to our understanding of Pound’s and Pasolini’s respective poetics and places in contemporary culture. This is a distinguished and important book.” 

—Alessia Ricciardi, Professor of Italian and Comparative Literature and Director of Comparative Literary Studies, Northwestern University

“As Sean Mark’s magistral comparative study brings together the antithetical poles of 20th-century poetry, it illuminates both corpuses: the later Pound turns into a Pasolini character, and the poetic myth he provided allows Pasolini to reshape his religious communism. Pound and Pasolini kept their faith in human creativity and redemption and thus remain true ‘educators,’ their dialogue a source of inspiration in times of crisis.” 

—Jean-Michel Rabaté, Professor of English and Comparative Literature, University of Pennsylvania

“Sean Mark’s fascinating study of Pound and Pasolini ranges from their actual contacts – most notably Pasolini’s 1967 interview with Pound – to detailed consideration of their contrasting aesthetic and political approaches, culminating in unexpected parallels in the methodology of the fragmentary and late work in The Cantos and Petrolio. Mark adds new dimensions to our understanding of both the Italian Pound and the American Pasolini, and sets an example of how contemporary comparative scholarship can work.” 

—David Ayers, Professor of Modernism and Critical Theory, University of Kent

Sean Mark is associate professor in literature and translation at Université Catholique de Lille, France.