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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Tuesday, November 18, 2025

BOOK NEWS: New perspectives on Ballard's *Crash*

 J. G. Ballard's "Crash"

By Paul March-Russell



Palgrave Macmillan, 2025

ISBN: 978-3-031-73096-2

https://link.springer.com/book/10.1007/978-3-031-73094-8


J.G. Ballard's Crash (1973) remains a byword for transgression in literature: declared "too disgusting for words" upon publication. The basis for David Cronenberg's equally provocative film, Crash has been regarded variously as the apotheosis of New Wave science fiction, the ur-source for postmodernism, a transhumanist manifesto, and a pornographic masterpiece in the tradition of Sade and Bataille. This revisionist account, based on previously unexplored archive material, shatters the myths that have accrued around this tantalizing work whilst also revealing why it continues to inspire writers, artists, musicians and filmmakers in the 21st century. The book vividly reconstructs how Ballard came to write Crash, the cultural landscape in which it was written, the effect of its reception, and the toll it took on its author. New perspectives reveal how Crash reworks surrealist anthropology, evolutionary theory, and pornographic imagery in order to expose a society addicted to the abuse of power, the silencing of others, and its own environmental destruction. As Ballard later admitted, he "must have been mad" to write Crash.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

“Accessible, thought-provoking and filled with new insights, Paul March Russell’s study of Ballard’s seminal novel is written from a place of finely honed knowledge and contagious enthusiasm. A must-read volume that every Ballardian will want to add to their bookshelf as soon as possible.” --Nina Allan, author of The Rift

“Paul March-Russell writes with an air of quiet authority and moves around the field of Ballard and New Wave science fiction with evident expertise.” --Roger Luckhurst, Geoffrey Tillotson Chair of Nineteenth-Century Studies, Birkbeck, University of London, UK


Paul March-Russell is editor of Foundation: The International Review of Science Fiction and co-founder with Una McCormack of the feminist imprint Gold SF. His previous books include The Short Story: An Introduction (2009), Modernism and Science Fiction (2015), and with Andrew M. Butler, Rendezvous with Arthur C. Clarke: Centenary Essays (2022). 

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