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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Monday, March 11, 2024

BOOK NEWS: Caribbean women fictionalize the past

Matria Redux: Caribbean Women Novelize the Past 

BY TEGAN ZIMMERMAN



UP of Mississippi, 2023

ISBN: 9781496846358

https://www.upress.state.ms.us/Books/M/Matria-Redux


In Matria Redux: Caribbean Women Novelize the Past, author Tegan Zimmerman contends that there is a need for reading Caribbean women’s texts relationally. This comprehensive study argues that the writer’s turn to maternal histories constitutes the definitive feature of this transcultural and transnational genre. Through an array of Caribbean women’s historical novels published roughly between 1980 and 2010, this book formulates the theory of matria—an imagined maternal space and time—as a postcolonial-psychoanalytic feminist framework for reading fictions of maternal history written by and about Caribbean women.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Tracing the development of the historical novel in four periods of the Caribbean past—slavery, colonialism, revolution, and decolonization—this study argues that a pan-Caribbean generation of women writers, of varying discursive racial(ized) realities, has depicted similar matria constructs and maternal motifs. A politicized concept, matria functions in the historical novel as a counternarrative to traditional historical and literary discourses.

Through close readings of the mother/daughter plots in contemporary Caribbean women’s historical fiction, such as Andrea Levy’s The Long Song, Edwidge Danticat’s The Farming of Bones, Paule Marshall’s Praisesong for the Widow, and Marie-Elena John’s Unburnable, Matria Redux considers the concept of matria an important vehicle for postcolonial-psychoanalytic feminist literary resistance and political intervention. Matria as a psychoanalytic, postcolonial strategy therefore envisions, by returning to history, alternative feminist fictions, futures, and Caribbeans.


"The first sustained study of Caribbean historical fiction by diasporic women." —Jennifer Donahue, author of Taking Flight: Caribbean Women Writing from Abroad

"A tour de force, Matria Redux offers readers the most recent analytical literary frameworks for decolonizing Caribbean women’s subjecthood as portrayed in the historical and material realms of the past."  —Valérie K. Orlando, author of Of Suffocated Hearts and Tortured Souls: Seeking Subjecthood through Madness in Francophone Women’s Writing of Africa and the Caribbean

 

Tegan Zimmerman is adjunct professor in women and gender studies at Saint Mary’s University. Her work has been published in such journals as Feminist Theory; MELUS; Journal of Romance Studies; Women’s Studies: An Interdisciplinary Journal; and Atlantis: Critical Studies in Gender, Culture, and Social Justice.

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