Modern Odysseys: Cavafy, Woolf, Césaire, and a Poetics of Indirection
BY MICHELLE ZERBA
Ohio State UP, 2021
ISBN: 978-0-8142-1464-0 Hardback
https://ohiostatepress.org/books/titles/9780814214640.html
Michelle Zerba’s Modern Odysseys explores three major writers in global modernism from the Mediterranean, Anglo-European Britain, and the Caribbean whose groundbreaking literary works have never been studied together before. Using language as an instrument of revolution and social change, C. P. Cavafy, Virginia Woolf, and Aimé Césaire gave expression to the forms of human experience we now associate with modernity: homoeroticism, transsexuality, and racial consciousness. More specifically, Zerba argues that Odyssean tropes of diffusion, isolation, passage, and return give form to works by these writers but in ways that invite us to reconsider and revise the basic premises of reception studies and intellectual history.
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Combining close readings of literary texts with the study of interviews, essays, diaries, and letters, Zerba advances a revisionary account of how to approach relationships between antiquity and modernity. Instead of frontal encounters with the Odyssey, Cavafy, Woolf, and Césaire indirectly—but no less significantly—engage with Homer’s epic poem. In demonstrating how such encounters operate, Modern Odysseys explores issues of race and sexuality that connect antiquity with the modern period.
“In addition to being riveting to read, Modern Odysseys offers readers a compelling new framework for thinking about the emergence of counter subjectivities within international modernism and enlivens scholarly debates about the modern afterlives of Homer’s Odyssey. The author’s intellectual flair, theoretical verve, and impressive range all command attention.” —Emily Greenwood, author of Afro-Greeks: Dialogues Between Anglophone Caribbean Literature and Classics in the Twentieth Century
“The book’s distinctiveness and charm are enhanced by the author’s clarity and usefulness. Modern Odysseys makes a valuable intervention in the popular subfield of reception studies within classics.” —Alexander Beecroft, author of Authorship and Cultural Identity in Early Greece and China: Patterns of Literary Circulation
Michelle Zerba is the Maggie B. Martin Professor of Rhetoric and Classical Studies at Louisiana State University.
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