Welcome to the Journal of Modern Literature news and information site.


Check here for updates about our latest issues, calls for papers, submission guidelines and tips, as well special online-only content. Our issues themselves are available at Project Muse and are archived on JSTOR . Check out the "Read for Free" page to enjoy some featured content.



More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Tuesday, August 25, 2020

Book News: Modernist morsels

Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde 

EDITED BY JESSICA MARTELL, ADAM FAJARDO, AND PHILIP KEEL GEHEBER

UP of Florida, 2019; Hardcover: $85.00

ISBN 13: 9780813056159

https://upf.com/book.asp?id=9780813056159

Transnational in scope, this much-needed volume explores how modernist writers and artists address and critique the dramatic changes to food systems that took place in the early twentieth century. During this period, small farms were being replaced with industrial agriculture, political upheavals exacerbated food scarcity in many countries, and globalization opened up new modes of distributing culinary commodities. 

Looking at a unique variety of art forms by authors, painters, filmmakers, and chefs from Ireland, Italy, France, the United States, India, the former Soviet Union, and New Zealand, contributors draw attention to modernist representations of food, from production to distribution and consumption. They consider Oscar Wilde’s aestheticization of food, Katherine Mansfield’s use of eggs as a feminist symbol, Langston Hughes’s use of chocolate as a redemptive metaphor for blackness, hospitality in William Faulkner’s Sanctuary, Ernest Hemingway’s struggles with gender and sexuality as expressed through food and culinary objects, Futurist cuisine, avant-garde cookbooks, and the impact of national famines on the work of James Joyce, Viktor Shklovsky, and Tarashankar Bandyopadhyay. Less celebrated topics of putrefaction and waste are analyzed in discussions of food as both a technology of control and a tool for resistance.  

BOOK NEWS is an online-only feature announcing new publications in modernist literary studies. These announcements do not constitute an endorsement by the Journal of Modern Literature.

The diverse themes and methodologies assembled here underscore the importance of food studies not only for the literary and visual arts but also for social transformation. The cultural work around food, the editors argue, determines what is produced, who has access to it, and what can or will change. A milestone volume, this collection uncovers new links between seemingly disparate spaces, cultures, and artistic media and demystifies the connection between modernist aesthetics and the emerging food cultures of a globalizing world.  

Jessica Martell is visiting assistant professor of English at Appalachian State University. Adam Fajardo is assistant professor of English at Georgia Gwinnett College. Philip Keel Geheber is adjunct instructor of English at Fordham University.

Contributors: Giles Whiteley | Aimee Gasston | Randall Wilhelm | Bradford Taylor | Sean Mark | Céline Mansanti | Shannon Finck | Matthew Hayward | David A. Davis | Philip Keel Geheber | Chrissie Van Mierlo | Graig Uhlin  | Asiya Bulatova | Jessica Martell | Brooke Stanley | Carrie Helms Tippen | Adam Fajardo

Thursday, August 6, 2020

Retraction notice



Analysis of an article by Robert Cardullo, "Wassily Kandinsky’s The Yellow Sound as a Total Work of Art: Reception and Interpretation" published in the Journal of Modern Literature issue 41.4, has clearly revealed extensive similarities with earlier publications by Professor Julia Listengarten. It is also a near duplicate publication of an article in another journal. These factors render the article an unoriginal publication. It is thereby in conflict with the publication policy of the Journal of Modern Literature and its publisher Indiana University Press. For this reason, the article has been retracted.

The Editorial Board of the Journal of Modern Literature takes seriously its commitment to the publication of new, original work. To ensure the integrity of its publications and its management, the journal follows the basic guidelines for practices and procedures in publication ethics developed by the Committee on Publication Ethics (COPE). Our publication ethics are further spelled out on the journal's official page, under the tab "Publication Ethics."

The Editorial Board of the Journal of Modern Literature

Tuesday, August 4, 2020

Gertrude Stein and the Future of Intelligence: A Closer Look at JML 43.3




Take a closer look at JML 43.3 (Spring 2020). Isabelle Parkinson discusses how her inquiry into the rhetoric of a 1920s debate over Gertrude Stein’s authorship cracked open a complex discursive network circling around the question of the role of literature for the future of intelligence. 

Read the post HERE

Parkinson's essay is a special read-for-free feature. Follow links in the post to access it.

Wednesday, July 22, 2020

Turbulent Democracy: A Closer Look at JML 43.3


Take a closer look at JML 43.3 (Spring 2020). Author Seth McKelvey considers how Joan Didion's 1984 novel Democracy speaks into our present moment of national unrest. "In Democracy," he notes, "'turbulence' is not a threat to this thing we call democracy, but rather its essence." 

Read the full post HERE

His essay is a read-for-free feature: follow the links in the post to access it.

Monday, July 20, 2020

Linguistic Politics: JML 43.3 (Spring 2020) is now live


JML 43.3 (Spring 2020) on the theme “Linguistic Politics” is now live on JSTOR and on Project Muse.

Content includes the following:

Isabelle Parkinson
Democrat or “imbecile”? Gertrude Stein’s Useful Knowledge and Discourses of Intellectual Disability in the To-day and To-morrow Pamphlet Series
READ FOR FREE

Grant Scott
The Duplicity of the Word in Lynd Ward’s Vertigo (1937) 

Florian Gargaillo
Wistful Lies and Civil Virtues: Randall Jarrell on World War II Propaganda 

Jiang Yunqin
Dialectic of Desire and the Populist Subject in All the King’s Men

Rebecca Couch Steffy
Steve Benson’s “Views of Communist China”: Experimental Form and the Orientalist Trace 

Raymond Blake Stricklin
“I Have Nothing to Say” — John Cage, Biopower, and the Demilitarization of Language

Seth McKelvey
Unstate: Disarticulating State Knowledge and Joan Didion’s Democracy
READ FOR FREE

Alexander Hartley
Beckett’s Legal Scuffles and the Interpretation of the Plays

Tracy A. Stephens
Disrupting the Homoerotic Appeal of State Power in Caryl Churchill’s Drunk Enough to Say I Love You? 

Kirsten Sandrock
Border Temporalities, Climate Mobility, and Shakespeare in John Lanchester’s The Wall 

Elizabeth Scheer
When Artists Respond: Charles Andrews’s Writing Against War 

Daniel Rosenberg Nutters
Aesthetics and Politics Again?

Sean Weidman
Encountering Anew the Ghosts of Modernism

Thursday, April 9, 2020

Call for Papers for "1922 and After: A Centenary of Modernism and World Literature"


Drawing upon anthropological, psychological, and philosophical knowledge as well as personal experiences, the high modernists wrote their now-famous classics, including The Waste Land, Ulysses, Jacob's Room, among many others, in the expanded context of a post-War generation facing the larger world via the influences upon them and the influences they and their works would create. These interrelationships among European, British, and American modernism (so-called international modernism), and the emergence of World Literature, provide the framework for the issue. 

How does 1922 speak to us today, after a century of ever-increasing globalization, regarding "literature in a globalized world," the understanding of the "comparative," Global South studies, the emergence and variation of World Literature? What does it achieve proleptically in a kind of analytic arc that takes the entire century into its consciousness and resets its existence within certain mores and modes of contemporary thinking and discourses? How does 1922 speak into our times and discourses rather than speak back? How do we re-consider history, tradition, notion of the contemporary, and literature today, a hundred years hence? 1922 has its own world-forming potentials –- the potencies to "world" radical ways of thinking and understanding within the disciplinary and epistemic complexities of 2022. Articles tracing this complex literary dialogue and genealogy via close attention to important but possibly neglected texts, expanding, re-aligning, or critiquing them, defines the broad outlines of the issue.  

Submissions should conform to MLA 8th edition style for documentation and manuscript formatting, and should include a 100-150 word abstract and 3-5 keywords. Submissions must be under 9,000 words for the entire submission package, including the abstract, notes, and works cited. No simultaneous submissions or previously published material. 

Deadline: October 15, 2020. 

Submit manuscripts as a Word or RTF attachment to special coordinator Ranjan Ghosh at weransum@yahoo.co.in.

Wednesday, April 1, 2020

Fossil Fuel Modernities: A Closer Look at JML 43.2


Now on the IU Press Blog: Nathaniel Otjen discusses how attending to energy concerns in H.G. Wells's The War of the Worlds yields new understandings of fin de siècle anxieties about the end of western modernity.

Read the post HERE.

Otjen's essay, "Energy Anxiety and Fossil Fuel Modernity in H.G. Wells's The War of the Worlds" is a special "Read for FREE" featured piece on JSTOR. 

Find it HERE