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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Tuesday, May 23, 2023

BOOK NEWS: The effects of financialized discourse on post-2008 Irish fiction

Broken Irelands: Literary Form in Post-Crash Irish Fiction

BY MARY M. MCGLYNN



Syracuse UP, 2022

ISBN: 9780815637868

https://press.syr.edu/supressbooks/5168/broken-irelands/


While the national narrative coming out of Ireland since the 2008 economic crisis has been relentlessly sanguine, fiction has offered a more nuanced perspective from both well-established and emerging authors. In Broken Irelands, McGlynn examines Irish fiction of the post-crash era, addressing the proliferation of writing that downplays realistic and grammatical coherence. Noting that these traits have the effect of diminishing human agency, blurring questions of responsibility, and emphasizing emotion over rationality, McGlynn argues that they reflect and respond to social and economic conditions during the global economic crisis and its aftermath of recession, austerity, and precarity.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Rather than focusing on overt discussions of the crash and recession, McGlynn explores how the dominance of an economic worldview, including a pervasive climate of financialized discourse, shapes the way stories are told. In the writing of such authors as Anne Enright, Colum McCann, Mike McCormack, and Lisa McInerney, McGlynn unpacks the ways that formal departures from realism through grammatical asymmetries like unconventional verb tenses, novel syntactic choices, and reliance on sentence fragments align with a cultural moment shaped by feelings of impotence and rhetorics of personal responsibility.


"McGlynn identifies fascinating patterns in contemporary Irish fiction and persuasively connects these to the cultural logics of the time period.…This is a complex and challenging endeavor and McGlynn does it with a sophistication that is dizzyingly brilliant."—Claire Bracken, Union College

"Broken Irelands offers a carefully calibrated analysis of capital, class, and narrative form in the post-Celtic Tiger Irish novel. Deftly combining literary criticism, theories of neoliberalism, and studies of late capitalist modernity, McGlynn contends, convincingly, that it is at the level of formal brokenness, rhetorical technique, and syntactical and stylistic strangeness and distress that something like the politics of contemporary Irish fiction discloses itself. Written with brio, critical affection for its subject matter, and intelligent insight, Broken Irelands sets an impressively high bar for future reflection on these topics."—Joe Cleary, Yale University


Mary M. McGlynn is professor of English at Baruch College, CUNY, and the CUNY Graduate Center, as well as co-chair of the Columbia University Seminar for Irish Studies.

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