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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Wednesday, April 6, 2022

Book News: Analyzing the understudied women playwrights of the US South

Marginalized: Southern Women Playwrights Confront Race, Region, and Gender

BY CASEY KAYSER


UP of Mississippi, 2021

ISBN 978-1-4968-3591-8

https://www.upress.state.ms.us/Books/M/Marginalized


Winner of the 2021 Eudora Welty Prize

In contrast to other literary genres, drama has received little attention in southern studies, and women playwrights in general receive less recognition than their male counterparts. In Marginalized: Southern Women Playwrights Confront Race, Region, and Gender, author Casey Kayser addresses these gaps by examining the work of southern women playwrights, making the argument that representations of the American South on stage are complicated by difficulties of identity, genre, and region.

Through analysis of the dramatic texts, the rhetoric of reviews of productions, as well as what the playwrights themselves have said about their plays and productions, Kayser delineates these challenges and argues that playwrights draw on various conscious strategies in response. These strategies, evident in the work of such playwrights as Pearl Cleage, Sandra Deer, Lillian Hellman, Beth Henley, Marsha Norman, and Shay Youngblood, provide them with the opportunity to lead audiences to reconsider monolithic understandings of northern and southern regions and, ultimately, create new visions of the South.

“Nuanced and tempered throughout, Marginalized: Southern Women Playwrights Confront Race, Region, and Gender is a provocative study that greatly extends our understanding of the various minefields that southern women writers navigate when they write for the stage.”

—Will Brantley, author of Feminine Sense in Southern Memoir: Smith, Glasgow, Welty, Hellman, Porter, and Hurston

"Its greatest contribution, I think, is its advice to critics, readers, and consumers of American theatre: the American South is not a monolith, indivisible and uniform, and southern women’s plays should neither be overlooked nor misread. They are far too smart for that."

—Amy R. Martin, Southern Review of Books


CASEY KAYSER is assistant professor at University of Arkansas. She is coeditor of Carson McCullers in the Twenty-First Century and Understanding the Short Fiction of Carson McCullers. Her work has appeared in the Journal of Medical Humanities, Pedagogy, Mississippi Quarterly, and Midwestern Folklore.

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