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More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Friday, January 10, 2020

Media & Print Culture: JML 43.1 is LIVE!


JML 43.1 (Fall 2019) on the topic "Media and Print Culture" is now live on JSTOR and Project Muse. Here is the issue line-up:

Contents


Larry Durst 
A Bedpan of Poop: The Influence of Silent Screen Comedy on Dos Passos’s Manhattan Transfer

Alison Fraser  
Mass Print, Clipping Bureaus, and the Pre-Digital Database: Reexamining Marianne Moore’s Collage Poetics through the Archives 

Alistair McCleery
Banned Books and Publishers’ Ploys: The Well of Loneliness as Exemplar

Robert Spoo
Judge Woolsey’s Ulysses Opinion: Early Print History and Reader Response

Ashley Maher
“Three-Dimensional” Modernism: The Language of Architecture and British Literary Periodicals

Fabio L. Vericat
Church Radio: The Sermon and the CBS Broadcast of T. S. Eliot’s Murder in the Cathedral

Matthew Kilbane
Broadcasting Dialect: Sterling Brown, Norman Corwin, and Latent Remediation

Kathryn Winner
Visions of Cody and Media: Jack Kerouac as Late Modernist

Myles Oldershaw
Granta and the Advent of the Contemporary

Paul Piatkowski
Deterritorializing the Textual Site in the Digital Age: Paratextual and Narrative Democracy in Mark Z. Danielewski’s Only Revolutions

Henry N. Gifford
Negotiating Contradictions: A Review of BLAST at 100

David F. Ting
Deadly Lights

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