JML 47.4 (Summer 2024) is now LIVE!

 

JML 47.4 (Summer 2024) with clusters on Virginia Woolf and literary misfits is now LIVE on Project MUSE at https://muse.jhu.edu/issue/53384

Content includes:

Woolf

Kate M. Nash

The Ecology of Virginia Woolf’s London Scene

 

Gabriel Quigley

Moments of Rupture: Woolf, Whitehead, Deleuze 

Timothy O’Leary

Years and Years: The Distribution of the Sensible in Woolf and Ernaux 

Misfits

Abhipsa Chakraborty

Vernacular Acoustics: Caste, Embodiment, and the Politics of Listening in Mulk Raj Anand’s Untouchable (1935)

Carly Overfelt 

“To Suggest the Sound”: Impressibility and the Language of Whiteness in Charles W. Chesnutt’s Long Fiction 

Lillianna G. Wright

“A Fascination, Strange and Compelling”: Marriage as the Prevention of Queerness in Nella Larsen’s Passing 

Ryan James McGuckin 

E. M. Forster’s Female Musicality: Inconclusive Counter-romance in A Room with a View 

Tim Clarke

The Consolations of Decadence in John Fante’s Ask the Dust 

Susan Poursanati and Maryam Neyestani

Sisyphean or Medusan: The Absurd Hero in Jean Rhys’s Good Morning, Midnight and Wide Sargasso Sea  

Reviews  

Anna Nygren

Rewriting the Narrative of Modernisms 

Andrew Hui

The Once and Always Baroque

Benjamin Schreier

How to Be a Critic

Afterword

Daniel T. O’Hara

Memorial Tributes

BOOK NEWS: Spirit forces in global contemporary novels

Worldly Spirits, Extra-Human Dimensions, and the Global Anglophone Novel 

BY HILARY THOMPSON

Bloomsbury Academic, 2023

ISBN: 9781350373815

https://www.bloomsbury.com/worldly-spirits-extrahuman-dimensions-and-the-global-anglophone-novel-9781350373815/

Engaging a diverse range of contemporary anglophone literature from authors of the Asian, Middle Eastern and Caribbean diasporas, this book explores how such works turn to spirit forces, spirit realms and spirit beings—were-animals, mystical birds, and snake goddesses—as positive forces that assert perceptual dimensions beyond those of the human, and present a vision of Earth as agentive and animate. With previous scholarship downplaying these aspects of modern works as uncanny hauntings or symptoms of capitalism's or anthropocentrism's destructiveness, or within a blanket rubric of "magical realism," Hilary Thompson rejects this partitioning of them as products of an exotic East or global South. By contrast, this book builds a new critical framework for analysis of worldly spirits, drawing on anthropological discussions of animism, the newly recovered 1930s boundary-crossing art movement Dimensionism, and multispecies theories of animals' diverse perceptual worlds.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Taking stock of novels published from 2018-2020 by such writers as Amitav Ghosh, André Alexis, Yangsze Choo, Azareen Van der Vliet Oloomi, Zeyn Joukhadar, and Tanya Tagaq, Thompson illuminates how these works extend an ecological call to decentre the human and align with multidimensional theories of art and literature to provide ways to read for rather than reduce the extra-human dimensions emerging in contemporary fiction.

A refreshing rejection of ecological apocalypticism, this book unsettles typical conceptualizations of both anglophone and Anthropocene literatures by invoking European art theory, philosophy, and non-Western ideas on animism and spirits to put forward perceptions of the extra-human as a form of dealing with the many uncertainties of today's different crises.

Hilary Thompson is associate professor of English at Bowdoin College. She is author of Novel Creatures: Animal Life and the New Millennium (2018) and has published multiple articles on Amitav Ghosh and on global anglophone literature, biopolitics, and the Anthropocene.

BOOK NEWS: The struggle to make novels matter 1965-99

 Novel Competition: American Fiction and the Cultural Economy, 1965-1999

BY EVAN BRIER

U of Iowa P, 2024

ISBN: 9781609389390

https://uipress.uiowa.edu/books/novel-competition

Novel Competition describes the literary and institutional struggle to make American novels matter between 1965 and 1999. As corporations took over the book business, Hollywood movies, popular music, and other forms of mass-produced culture competed with novels as never before for a form of prestige that had mostly been attached to novels in previous decades. In the context of this competition, developments like the emergence of Rolling Stone magazine, regional publishers, Black studies programs, and “New Hollywood” became key events in the life of the American novel. Novels by Truman Capote, Ann Beattie, Toni Cade Bambara, Cynthia Ozick, and Larry McMurtry—among many others—are recast as prescient reports on, and formal responses to, a world suddenly less hospitable to old claims about the novel’s value. This book brings to light the story of the novel’s perceived decline and the surprising ways American fiction transformed in its wake.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

“Novel Competition is a beautifully written institutional history of the literary novel in the United States from 1965 to 1999. Placing the novel in a larger cultural field—in competition with journalism, popular music, and films for cultural prestige—Brier illuminates not only novels, but their readers, critics, editors, publishers, and booksellers.”—Erin A. Smith, University of Texas at Dallas

“Novel Competition confronts a fascinating and important subject: an examination of how the novel came to matter differently over the last third of the twentieth century. This decline is something that scholars of the novel have bemoaned for some time, and Brier offers a useful approach to making sense of it without resorting to well-trod and over-simplified answers. It is an engaging and important book.”—Emily Johansen, author of Beyond Safety: Risk, Cosmopolitanism, and the Neoliberal Contemporary Life

“As a longtime Evan Brier fan, I’ve been eagerly waiting this book, his account of the American novel’s response to its declining fortunes. Brier dazzles with a virtuosic reading of Truman Capote’s In Cold Blood that takes us through the culture of The New Yorker, the Kansas literati, and the first stirrings of publishing’s conglomeration. He delivers an extraordinary investigation into Toni Morrison’s career as an editor—culminating in Toni Cade Bambara’s The Salt Eaters—and her publication of The Black Book. We follow Philip Roth to Eastern Europe and Cynthia Ozick’s and Saul Bellow’s characters into diaspora. Minimalism, rock and roll, New Hollywood, Rushdie’s fatwa, the American West—an astounding account of Larry McMurtry’s career—the memoir boom. Brier touches it all. Brier quietly transcends the limitations of dominant norms in the practices of literary history and the sociology of literature to give us an nth-dimensional view of American literature since 1965: how the novel became residual. He tells us what it means to believe—or disbelieve—in the power of fiction. It’s no less than thrilling.”—Dan Sinykin, author of Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature

Evan Brier is associate professor of English at the University of Minnesota Duluth. He is author of A Novel Marketplace: Mass Culture, the Book Trade, and Postwar American Fiction. He lives in Duluth, Minnesota.

BOOK NEWS: Literary vegetarians

Vegetarianism and Veganism in Literature from the Ancients to the Twenty-First Century

BY THEOPHILUS SAVVAS

Cambridge UP, 2024

ISBN: 9781009287265

https://www.cambridge.org/core/books/vegetarianism-and-veganism-in-literature-from-the-ancients-to-the-twentyfirst-century/E5332A2457468C0DFD58C561CF957055

Vegetarianism and Veganism in Literature from the Ancients to the Twenty-First Century re-assesses both canonical and less well-known literary texts to illuminate how vegetarianism and veganism can be understood as literary phenomena, as well as dietary and cultural practices. It offers a broad historical span ranging from ancient thinkers and writers, such as Pythagoras and Ovid, to contemporary novelists, including Ruth L. Ozeki and Jonathan Franzen. The expansive historical scope is complemented by a cross-cultural focus which emphasizes that the philosophy behind these diets has developed through a dialogic relationship between east and west. The book demonstrates, also, the way in which carnivorism has functioned as an ideology, one which has underpinned actions harmful to both human and non-human animals.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Content includes:

Chapter 1 - ‘everybody eating everyone else’

Chapter 2 - Pythagoreans; or, Vegetarians before ‘Vegetarianism’

Chapter 3 - Vegetarianism and the Utopian Novel

Chapter 4 - Vegetarianism as Religion

Chapter 5 - Vegetarianism in the Fiction of Women’s Liberation

Chapter 6 - Animal Abstinence in the Anthropocene

Chapter 7 - ‘Pity the meat!’: Ideology, Metaphor, Violence

"What we have here is a monograph in food studies that transforms the field as a whole. The scope of this project is expansive, the analysis is consistently delightful, and the argument is original, making an important contribution to literary histories of vegetarianism." —Gitanjali Shahani, San Francisco State University

Theophilus Savvas is a senior lecturer at the University of Bristol. He works on postmodernist American writing and the interconnections between history and fiction as well as literature and ecology.

BOOK NEWS: Psychic connection and porous selves in British fiction

Psychic Connection and the Twentieth-Century British Novel: From Telepathy to the Network Novel

BY MARK TAYLOR

Edinburgh UP, 2024

ISBN: 9781399524483

https://edinburghuniversitypress.com/book-psychic-connection-and-the-twentieth-century-british-novel.html

Criticism of the novel routinely starts with the assumption that characters must think, develop, and strive for self-fulfillment as individuals. This book challenges the paradigm that individualism is innate to the novel as a medium. It describes how major writers throughout the twentieth century—many convinced by the supposed findings of parapsychology—rejected the idea of the discrete character. Treating the self as porous, they offered novels structured around the development of communities and ideas rather than individuals. By focusing on D. H. Lawrence, Olaf Stapledon, Aldous Huxley, and Doris Lessing, Mark Taylor demonstrates the need to broaden our approach to character when addressing the novel of the twentieth century and beyond.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

• Contends that the twentieth century novel’s approach to character fundamentally shifted in response to contemporaneous theories of psychic connection
• Challenges the paradigm that individualism is innate to the novel as a medium
• Charts an unmapped trajectory in the novel’s development away from individualism
• Accessibly outlines how psychic speculation informs the conception of character in major twentieth century novels
• Offers valuable tools for analyzing literature without treating the individuated character as a necessary unit

"Taylor’s book offers a fascinating alternative history of the twentieth-century British novel. While the novel form is often seen as the definitive narrative of individualism, Psychic Connection tracks a different path through telepathy, panpsychism, and visions of collective selves, working through D. H. Lawrence, Olaf Stapledon, Aldous Huxley and Doris Lessing, and ending with a generative reading of the contemporary ‘network novels’ of David Mitchell. A cogent and consistently compelling counter-narrative." —Roger Luckhurst, Birkbeck College

Mark Taylor is a specialist in twentieth-century British literature, most recently working as assistant professor in English Literature at HSE University, Moscow. His research focuses on notions of individual and collective selfhood in British literature of the previous century. His work has been published in Modern Fiction Studies, Mosaic and Science Fiction Studies.

BOOK NEWS: Bolaño's and Pynchon's hyperbolic style

Hyperbolic Realism: A Wild Reading of Pynchon's and Bolaño's Late Maximalist Fiction

BY SAMIR SELLAMI

Bloomsbury, 2024

ISBN: 9781501360497

https://www.bloomsbury.com/us/hyperbolic-realism-9781501360497/

What comes after postmodernism in literature?

Hyperbolic Realism engages the contradiction that while it remains impossible to present a full picture of the world, assessing reality from a planetary perspective is now more than ever an ethical obligation for contemporary literature. The book thus examines the hyperbolic forms and features of Thomas Pynchon's Against the Day and Roberto Bolaño's 2666 – their discursive and material abundance, excessive fictionality, close intertwining of fantastic and historical genres, narrative doubt and spiraling uncertainty – which are deployed not as an escape from, but a plunge into reality. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Faced with a reality in a permanent state of exception, Pynchon and Bolaño react to the excesses and distortions of the modern age with a new poetic and aesthetic paradigm that rejects both the naive illusion of a return to the real and the self-enclosed artificiality of classical postmodern writing: hyperbolic realism.

"Samir Sellami writes with brilliant clarity and makes difficult arguments easy to follow. Philosophers and critical theorists should study his techniques." —Kathryn Hume, Pennsylvania State University

Samir Sellami is a literary critic and, together with Tobias Haberkorn, founding editor of the Berlin Review. He holds a PhD in comparative literature and media studies from the University of Perpignan and the Federal Fluminense University in Nitéroi, Brazil. His research interests include post-avantgarde writing in the Americas, critiques of strong narrativity, aesthetic autodidacticism, and the intersectionality of genre, affect, and form.

BOOK NEWS: Examining unseen structures and uncertain spaces in crime writing

The Crossroads of Crime Writing: Unseen Structures and Uncertain Spaces

EDITED BY MEGHAN P. NOLAN AND REBECCA MARTIN 

Anthem Press, 2024

ISBN: 9781839991172

https://anthempress.com/the-crossroads-of-crime-writing-hb

Over a century ago, in his examination The Sensational in Modern English Fiction (1919), Walter Clarke Phillips declared, “Whatever sources of appeal may come or go, there is one which from the very structure of modern democratic society seldom bids for applause unheeded—that is, the appeal to fear” (p. 2). It is to this appeal that we owe the abundance of crime writing at our disposal—a trove of mystery that undoubtedly fascinates in its ability to entertain while safely reflecting the ugliest truths about ourselves and the societies in which we live. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

This volume argues that we must examine the boundaries in fiction and non-fiction crime writing with an awareness of and turn toward the unseen structures and spatial uncertainties that so often lead to and reflect collective fears and anxieties. Drawing upon the insights and expertise of an international array of scholars, the chapters explore the interplay of the literary, historical, social, and cultural in various modes of crime writing from the 1890s to as recent as 2017. They examine unseen structures and uncertain spaces, and simultaneously provide new insights into the works of iconic authors, such as Agatha Christie, and iconic fictional figures, like Sherlock Holmes, as well as underexplored subjects, including Ukrainian detective fiction of the Soviet period and crime writing by a Bengali police detective at the turn of the twentieth century. The breadth of coverage—of both time and place—is an indicator of a text in which seasoned readers, advanced students, and academics will find new perspectives on crime writing employing theories of cultural memory and deep mapping.  

This volume features authors and subjects that are global in scope with original, innovative work on crime writing. The breadth of coverage—of both time and place—is an indicator of a text in which seasoned readers, advanced students, and academics will find specialized explorations of individual works and authors, while the critical and theoretical approaches and the topical coherence of the collection offer to a wide audience a scholarly overview of crime writing, as a still-growing area of popular interest and a still-evolving field of intellectual exploration.

This distinctive collection investigates boundaries in crime fiction, paying attention to hidden narratives, structures, and spaces. Comprising wide-ranging essays examining topics such as ecology, politics, Black and Indian detective fiction, and true crime, Nolan and Martin’s edited volume makes a powerful contribution to the ever-diversifying field of crime fiction criticism.  — Charlotte Beyer, University of Gloucestershire

Nolan and Martin have interestingly brought together analyses of texts likely unfamiliar to English readers and re-evaluations of ones that are overly familiar, making seen how the less visible geo-spatial and genre-spatial organizations have profound bearing on the social contributions of crime fiction. — Malcah Effron, Massachusetts Institute of Technology

Meghan P. Nolan, MFA, MA, PhD, is an associate professor of English and Chair of the Honors program at SUNY Rockland Community College. She is a multigenre writer, who focuses on (Neo-)Victorian and Modern literature/crime writing and fragmented perceptions of self-hood through many published academic works, fiction, non-fiction, and poetry.

Rebecca Martin, PhD, is professor emerita of English at Pace University in New York. In addition to her PhD, which focused on the eighteenth-century Gothic novel in England, she holds a graduate certificate in film studies from CUNY Graduate Center, and her interest in crime writing focuses on the hardboiled tradition.