BOOK NEWS: Practical approaches to decolonial scholarship founded in humility

Quiet Methodologies: Humility in the Humanities

By Suzanne Bost

University of Minnesota Press, 2025

ISBN 978-1-5179-1821-7 

https://www.upress.umn.edu/9781517918217/quiet-methodologies/

How might foregrounding the writings of colonized peoples transform the ways we work in the humanities? In an era dominated by loud political rhetoric, Suzanne Bost advocates for quieter modes of scholarship: intellectual humility rather than ego, collaboration and conversation rather than singular argumentation, continual reflection and revision rather than defensiveness, and a willingness to believe in different ways of being and knowing rather than adhering to academic norms. With Quiet Methodologies, she demonstrates practical decolonial scholarship and proposes alternative approaches for fostering meaningful engagement.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Turning to feminist, queer, and decolonial writings from writers such as Gloria Anzaldúa, Alexis Pauline Gumbs, Audre Lorde, and many others, Bost reflects on what we do when we work with literature, culture, and ideas. She weaves together multiple voices, methods of writing, and culturally diverse epistemologies and uses creative devices such as collage, her own original poetry, revision, lists, images, and conversation to disengage academic thought and writing from colonial theories and archives that have passed as neutral. Eschewing conventional monograph formats, her work embraces a reciprocal and heterogeneous learning process with profound ethical implications.

Part of a movement of reimagining research and education through care, Quiet Methodologies is a powerful exploration of the possibilities of criticism during crises. It encourages readers to be visionary and pragmatic, challenging current conditions and offering alternative ideas for the future of the humanities.

"Suzanne Bost’s book is a powerful exploration of literary criticism during an age of crises, when planetary, human, and other-species futurities are at stake. It privileges a careful, porous reading of texts that center the decolonial and the resistant. Bost offers a nuanced reflexivity that never crosses into navel-gazing—and asks us to reimagine how we make scholarly arguments through a method that is dialogical, critical, and even tender."—Piya Chatterjee, coeditor of The Imperial University: Academic Repression and Scholarly Dissent

"Quiet Methodologies showcases post-oppositional approaches to conventional academic scholarship, creating new opportunities for provocative multispecies, cross-temporal conversations and inter-dimensional communities of knowledge creators. Replacing the combative critique that so often dominates contemporary academic life with intellectual humility, radical inclusivity, invitational pedagogies, and alchemical dialogues, Suzanne Bost offers much-needed possibilities for transformation. I can’t wait to share this book with my students!"—AnaLouise Keating, author of The Anzaldúan Theory Handbook

Suzanne Bost is professor of English at Loyola University Chicago. She is author of several books, including Shared Selves: Latinx Memoir and Ethical Alternatives to Humanism.

  

BOOK NEWS: Expansive temporality in queer experience

Never on Time, Always in Time: Narrative Form and the Queer Sensorium 

By Kate McCullough

Ohio State UP, 2024.

ISBN: 978-0-8142-1577-7

https://ohiostatepress.org/books/titles/9780814215777.html

Queer futures begin with the body. In Never on Time, Always in Time, Kate McCullough explores how writers summon queer bodily experiences by way of the senses: these experiences have much to tell us about the pasts, presents, and futures of queer life. The author discusses how narrative form and techniques represent the senses in order to open a more expansive temporality for writers and readers. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Can queer futures contain the utopic, while also addressing the violence of the past and present? McCullough argues that a narratology that incorporates the senses is integral to conceptions of queer time, which in its most potent, palpable, and radical expression depends on a rendering of the senses. Never on Time, Always on Time looks at works by Monique Truong, Carol Rifka Brunt, Mia McKenzie, and Alison Bechdel to explore how they invoke the senses to narrate what otherwise seems to be non-narrativizable. McCullough thus reveals a vital queer narratology at work, a mode of reading and writing the senses toward a survivable future. She calls this cluster of contemporary texts “narratives of the queer sensorium,” and argues that representations of the senses in these texts open new perspectives onto history, futurity, and relationality.

“Recommended. Advanced undergraduates through faculty.” —G. Sikorski, CHOICE

“Never on Time, Always in Time is a groundbreaking work in narrative theory. It accomplishes a queer narratology that clearly and coherently connects specific narrative devices with such major concerns of queer theory as temporality, futurity, materiality, affect, and anti-heteronormative resistance. A transformative work.” —Robyn Warhol, coeditor of Narrative Theory Unbound: Queer and Feminist Interventions

 

Kate McCullough is associate professor of English and Feminist, Gender, and Sexuality Studies at Cornell University. She is the author of Regions of Identity: The Construction of America in Women’s Fiction, 1885–1914.

BOOK NEWS: Celebrate Bloomsday with new Cambridge edition of Ulysses with notes

The Cambridge Ulysses: The 1922 Text with Essays and Notes

By James Joyce

Edited by Catherine Flynn

Cambridge UP, 2025

ISBN: 9781009568449

https://www.cambridge.org/us/universitypress/subjects/literature/irish-literature/cambridge-ulysses-1922-text-essays-and-notes-library-edition?format=HB

James Joyce's Ulysses is considered one of the greatest novels of the twentieth century. This new edition – first published in 2022 to celebrate the centenary of the book's first publication – helps readers to understand the pleasures of this monumental work and to grapple with its challenges. Copiously equipped with maps, photographs, and explanatory footnotes, it provides a vivid and illuminating context for the experiences of Leopold Bloom, Stephen Dedalus, and Molly Bloom, as well as Joyce's many other Dublin characters, on June 16, 1904. Featuring a facsimile of the historic 1922 Shakespeare and Company text, this version includes Joyce's own errata as well as references to amendments made in later editions. Each of the eighteen chapters of Ulysses is introduced by a leading Joyce scholar. These richly informative pieces discuss the novel's plot and allusions, while exploring crucial questions that have puzzled and tantalized readers over the last hundred years.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

• Provides the 1922 Shakespeare and Company edition with Joyce's own errata notes and an essay on the errata and subsequent editions
• Includes maps and contextual images that help readers visualize the events of the book
• Includes a chronology of Joyce's life and contemporaneous events

Catherine Flynn is associate professor of English at the University of California, Berkeley. She is the author of James Joyce and the Matter of Paris (Cambridge University Press, 2019) and the editor of The New Joyce Studies (Cambridge University Press, 2022). Before studying literature, she practiced as an architect in Vienna, Austria, and in her native Ireland.

BOOK NEWS: Modernist depictions of "masculine pregnancy"

Masculine Pregnancies: Modernist Conceptions of Creativity and Legitimacy, 1918-1939

By Aimee Armande Wilson

SUNY Press, 2024

ISBN: 9781438495606

https://sunypress.edu/Books/M/Masculine-Pregnancies

Examines literary depictions of "mannish" pregnant women and metaphors of male pregnancy to reframe the relationship between creativity and gender in modernism.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Who is taken seriously as an artist? What does gender have to do with it? Is there a relationship between artistic creation and physical procreation? In Masculine Pregnancies, Aimee Armande Wilson argues that modernist writers used depictions of "mannish" pregnant women and metaphors of male pregnancy to answer these questions. The book places "masculine pregnancies" in works by Djuna Barnes, Willa Cather, William Faulkner, and Ezra Pound in the context of interwar debates about eugenics, immigration, midwifery, and sexology in order to redefine the relationship between creativity and gender in modernism. Attending to recent developments in queer theory, Wilson challenges the critical assumption that figures of masculine pregnancy necessarily reinforce oppressive norms. The book's first half shows how some writers indeed used such figures to delegitimize artists who were not white, male, and heterosexual. The second half then shows how others used masculine pregnancies to extend legitimacy to mannish women, dark-skinned immigrants, and their (pro)creations-and did so a century before the current boom in queer pregnancy narratives.

"…this book does contribute to queer theory, interwar cultural history, and modernist literary studies in a significant way. It will appeal to those who want to explore where these branches of inquiry intersect." — CHOICE

"Masculine Pregnancies opens up important new perspectives on queer reproduction. Drawing on cutting-edge work in queer and trans studies, and carefully considering the entanglements of gender, sexuality, racialization, and class, Wilson reveals the uses, meanings, and contemporary legacies of masculine pregnancy in the modernist period." — Jana Funke, coeditor of Interrogating Lesbian Modernism: Histories, Forms, Genres

Aimee Armande Wilson is associate professor of Women, Gender, and Sexuality Studies at the University of Kansas. She is the author of Conceived in Modernism: The Aesthetics and Politics of Birth Control.

BOOK NEWS: How Literary Suicides Expose Biopolitics

The Suicidal State: Race Suicide, Biopower, and the Sexuality of Population
By Madoka Kishi

Oxford UP, 2024

ISBN: 9780197690079

https://global.oup.com/academic/product/the-suicidal-state-9780197690079?cc=us&lang=en#

The Suicidal State theorizes a biopolitics of suicide by mapping the entwinement between the Progressive-Era discourse of “race suicide” and period representations of literary suicide. Against the backdrop of the turn-of-the-century debates over immigration restrictions, “race suicide” suggests white Americans' low birth rate as foretelling an immanent extinction of the white race, prefiguring the contemporary white nationalist discourse, “replacement theory.” While race suicide personified the populational subject--the “race”--as a suicidal individual, Progressive-Era literature gave birth to a microgenre of literary suicides, including works by Henry James, Kate Chopin, Jack London, Gertrude Stein, and a series of Madame Butterfly texts.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The Suicidal State argues that suicides in these texts literalize the fear of race suicide as they thwart the biopolitical demands for self-preservation, survival, and reproduction, articulating queer deathways that betray the nation's reproductive imperative. Both in its figuration of race suicide and in literary suicides, self-inflected death is imagined as a uniquely agential act in its destruction of agency, offering a fertile space for the reconceptualization of biopower's subject formation as it traverses individual and social bodies. That is, the book argues that suicide poses a limit case for the biopolitical management over life. Suicide, as it was imagined at the turn of the century, refuses, nullifies, and parries its obligatory relation to both biopower's discipline of the individual and its management of the population, thereby forging new forms of subjectivity and ways of being in the world that sidestep the twin imperatives for preservation and procreation. In tracking these queer potentialities of suicide, The Suicidal State offers a new history of sex and race, of the relation between individual and collective, of the formation of a biopolitical state that Foucault calls a “racist State, a murderous State, and a suicidal State.”

"Madoka Kishi's new book introduces a truly novel theory of queer biopolitics with an added bonus: the welcome arrival of an incisive intellectual historian. Taking seriously debunked ideologies of 'race suicide'-- and seriously taking them to historical task -- The Suicidal State mixes and mashes up literature, critiques of the state, and difficult questions of agency. With nimble readings of how this derided concept winds its way through fiction by Gertrude Stein, Henry James, and other luminaries, Kishi gifts us an exceptional, frequently startling account of reproduction, racialization, and the promising perils of social 'unbeing.'" -- Scott Herring, Yale University

"Madoka Kishi's remarkable new book reads white-supremacist anxieties about the threat of 'racial suicide'- a trope whose fatal echo shapes contemporary anti-immigrant discourse - against the backdrop of early twentieth-century literary suicides. Brilliantly weaving together American constructions of nationality, race, and gender with the pursuit of reproductive domination by persons of white European descent, The Suicidal State makes a dazzling case for viewing the choice of non-being as a response to the brutal political ontology that posits certain racialized subjects both as socially dead and as harbingers of death for the racial order of power on which American society rests. This is a must-read book for our times." -- Lee Edelman, Tufts University

"The Suicidal State shows us how the state came to long for the erotics of death in the Progressive Era: at the moment when self-murder became suicide and the body politic became the social body, race crossed with sex to deliver and imperil white reproduction. Kishi's arguments are a series of lapidary cuts that expose new desires that glitter with what they cut away, and each chapter presents a revelatory reading of a life canted toward collective death -- New England neurasthenic, Creole flirt, totemic Teuton, and the excretory American. The final turn to ill-fated Butterfly lashes this era to our present, and Kishi's understanding here -- brilliantly limpid and profoundly felt -- demonstrates, in her words, 'how to live on in a suicidal state.'" -- Josephine Park, University of Pennsylvania

Madoka Kishi is a professional in residence in English at Louisiana State University. She has translated Eve Kosofsky Sedgwick's Touching Feeling (2022), and co-translated Lauren Berlant's Cruel Optimism (2024) and Judith Butler's Parting Ways (2019) into Japanese. She has published essays in the Journal of American Studies, The Henry James Review, and the Journal of Modern Literature.

BOOK NEWS: Exploring artistic resistance in writing from and about India

Modernism and the Idea of India: The Art of Passive Resistance

BY JUDITH BROWN

Cambridge UP, 2024

ISBN: 9781009505246

https://www.cambridge.org/universitypress/subjects/literature/english-literature-1900-1945/modernism-and-idea-india-art-passive-resistance?format=AR

In his 1909 manifesto Hind Swaraj, Gandhi made an impassioned call for passive resistance that he soon retracted. 'Passive resistance' didn't, in the end, serve his overarching aims, but was troubled on multiple grounds from its use of the English phrase to the weakness implied by passivity. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Modernism and the Idea of India: The Art of Passive Resistance claims that the difficulty embedded in the phrase 'passive resistance,' from its seeming internal contradiction to the troubling category of passivity itself, transforms in artistic expression, where its dynamism, ambivalence, and receptivity enable art's capacity to create new forms of meaning. India provides the ground and the fantasy for writers and artists including Rabindranath Tagore, R.K. Narayan, Ahmed Ali, Amrita Sher-Gil, G.V. Desani, Virginia Woolf, and Le Corbusier. These artists and writers explore the capacities of passive resistance inspired by Gandhi's treatise, but move beyond its call for activism into new languages of art.

• Provides inter-disciplinary reading of Indian modernism
• Introduces new authors and artists to readers of modernist studies
• Shows how Gandhi's idea of passive resistance is most relevant to Indian arts and literature

Judith Brown is associate professor of English at Indiana University, Bloomington, and author of Glamour in Six Dimensions: Modernism and the Radiance of Form.

BOOK NEWS: Tracing the love embedded in Black and Asian American literatures

Other Lovings: An AfroAsian American Theory of Life

By Seulghee Lee

Ohio State UP, 2025

ISBN: 978-0-8142-1509-8

https://ohiostatepress.org/books/titles/9780814215098.html

In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.

“Animated by theoretical erudition and historical attunement, Other Lovings is timely and perennial. Lee’s sensitive exploration of the overlapping frontiers between Afro-American and Asian American literatures, the romance of coalition and the labor of solidarity, and love’s fragility and sociality’s renewal is an extraordinary achievement.” —Fred Moten, author of All That Beauty

“Other Lovings centers the ‘love bonds’ that make up Black and Asian American sociality. Lee thematizes the strongholds of racial melancholia, Afropessimism, and queer negativity in contemporary thought and offers a dazzling theory of the loving, ‘intramural mega-sociality’ of Asian American racial ontology and AfroAsian life.” —Vivian L. Huang, author of Surface Relations: Queer Forms of Asian American Inscrutability

Seulghee Lee (he/him) is assistant professor of African American Studies and English at the University of South Carolina. He is coeditor, with Rebecca Kumar, of Queer and Femme Gazes in AfroAsian American Visual Culture.