BOOK NEWS: Analyzing contemporary Nahuatl-Spanish poetry

The Serpent's Plumes: Contemporary Nahua Flowered Words in Movement

By Adam W. Coon

SUNY Press, 2024

ISBN: 9781438497785

https://sunypress.edu/Books/T/The-Serpent-s-Plumes2

Draws on Nahua concepts to explore Nahua literary production and contributions to cultural activism from the 1980s to the present.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The Serpent's Plumes analyzes contemporary Nahua cultural production, principally bilingual Nahuatl-Spanish xochitlajtoli, or "poetry," written from the 1980s to the present. Adam W. Coon draws on Nahua perspectives as a decolonizing theoretical framework to argue that Nahua writers deploy unique worldviews-namely, ixtlamatilistli ("knowledge with the face," which highlights the value of personal experiences); yoltlajlamikilistli ("knowledge with the heart," which underscores the importance of affective intelligence); and tlaixpan ("that which is in front," which presents the past as lying ahead of a subject rather than behind). The views of ixtlamatilistli, yoltlajlamikilistli, and tlaixpan are key in Nahua struggles and effectively challenge those who attempt to marginalize Native knowledge production.

"The Serpent's Plumes makes an important intervention in Indigenous literary studies as well as cultural studies Highly recommended." — CHOICE

"Written in a luminous and engaging style, The Serpent's Plumes provides an extraordinary survey of poetry and prose works by contemporary Nahua writers in Mexico and the United States. While many readers know Nahua poetry through colonial works (such as Cantares Mexicanos), this book reminds us of the relevance of works by contemporary Nahua authors not merely as heirs to an admired literary tradition but as highly accomplished artists who bravely confront racism, discrimination, historical oblivion, and patriarchal hegemony in their work." — David Tavárez, author of Rethinking Zapotec Time: Cosmology, Ritual, and Resistance in Colonial Mexico

Adam W. Coon is associate professor of Latin American Studies and Spanish at the University of Minnesota Morris.

BOOK NEWS: Engaging critically with Sandra Cisneros's oeuvre

¡Ay Tú!: Critical Essays on the Life and Work of Sandra Cisneros

Edited by Sonia Saldívar-Hull and Geneva M. Gano

U of Texas P, 2024

ISBN: 9781477329900

https://utpress.utexas.edu/9781477329900/

Sandra Cisneros (b. 1954), author of the acclaimed novel The House on Mango Street and a recipient of the National Medal of the Arts, a MacArthur “Genius Grant,” and the PEN/Nabokov Award for International Literature, was the first Chicana to be published by a major publishing house. ¡Ay Tú! is the first book to engage critically with her life and work as a whole. Edited by scholars Sonia Saldívar-Hull and Geneva M. Gano, this volume addresses themes that pervade Cisneros’s oeuvre, like romantic and erotic love, female friendship, sexual abuse and harassment, the exoticization of the racial and ethnic “other,” and the role of visual arts in the lives of everyday people. Essays draw extensively on the newly opened Cisneros Papers, housed in the Wittliff Collections at Texas State University, and the volume concludes with a new long-form interview with Cisneros by the award-winning journalist Macarena Hernández.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

As these essays reveal, Cisneros’s success in the literary field was integrally connected to the emergent Chicana feminist movement and the rapidly expanding Chicanx literary field of the late twentieth century. This collection shows that Cisneros didn’t achieve her groundbreaking successes in isolation and situates her as a vital Chicana feminist writer and artist.

"¡Ay Tú! brings together a stellar ensemble of Latina/x and Chicana/x literary scholars and essays devoted to the writing of Sandra Cisneros, one of the most prolific writers of our time. This tremendous collection is a gift to every professor and student of literature and cultural studies." ~Deborah R. Vargas, Yale University, author of Dissonant Divas in Chicana Music: The Limits of La Onda

"¡Brava! The coeditors of ¡Ay Tú! have gathered a wealth of scholarly perspectives that students, scholars, and general readers are sure to find illuminating. Insightful and thought-provoking, every chapter opens a door into Cisneros’s familiar and well-loved literary works. Whether you are new to Cisneros or have read and reread favorites, you are sure to find new insights and approaches to her work in this magnificent collection." ~Norma E. Cantú, Trinity University, coeditor of ¡Somos Tejanas! Chicana Identity and Culture in Texas

Sonia Saldívar-Hull is a professor emerita of English at the University of Texas at San Antonio. She is the author of Feminism on the Border: Chicana Literature and Politics.

Geneva M. Gano is a professor of English at Texas State University and the author of The Little Art Colony and US Modernism.

BOOK NEWS: Disrupting racist security regimes

Refiguring Race and Risk: Counternarratives of Care in the US Security State

By Roberta Wolfson

Ohio State UP, 2024

ISBN: 978-0-8142-8354-7

https://ohiostatepress.org/books/titles/9780814215692.html

In Refiguring Race and Risk, Roberta Wolfson turns to novels, memoirs, and other cultural works to debunk the false sense of national security rooted in positioning people of color as embodiments of risk. Considering output by Miné Okubo, Sanyika Shakur, Abraham Verghese, Khaled Hosseini, Helena María Viramontes, and others, Wolfson demonstrates how these authors disrupt racist security regimes and model alternative strategies for managing risk by crafting stories of collective care and community building. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Chapters discuss, among other examples, how gang members defy the mass incarceration of Black and Latinx Americans by committing to self-education and self-advocacy; how an Asian immigrant doctor offers a corrective to the pandemic-era trend of allowing xenophobia to inform public health decisions by providing human-centered medical services to HIV-positive patients; and how Latinx migrant farmworkers battle ongoing precarity amid the increasing militarization of the US-Mexico border by bartering life-sustaining resources. In revealing how these works cultivate love as a mode of political resistance, Wolfson relabels people of color not as a source of risk but as critical actors in the push to improve national security.

“Whereas many books merely critique the security state, Refiguring Race and Risk reframes risk management in terms of care and community, rather than trauma and racialization, looking to literature and culture as repositories not only of critiques of power but also of potential remedies.” —David Vázquez, author of Triangulations: Narrative Strategies for Navigating Latino Identity

“Making compelling connections among surveillance, identity, and aesthetics, Wolfson illuminates an exciting archive of works by writers of color, including immigrant writers, to bring together critical race studies, comparative literature, critical security studies, art and aesthetics, and political studies.” —Kumarini Silva, author of Brown Threat: Identification in the Security State

Roberta Wolfson is lecturer in the Program in Writing and Rhetoric at Stanford University. Her articles have appeared in College Literature, American Literature, and MELUS.

BOOK NEWS: Examining domestic servants in contemporary South Asian fiction

Postcolonial Servitude: Domestic Servants in Global South Asian English Literature  

By Ambreen Hai

Oxford UP, 2024

ISBN: 9780197698006

https://global.oup.com/academic/product/postcolonial-servitude-9780197698006?cc=us&lang=en&#

Postcolonial Servitude explores how a new generation of contemporary global, transnational, award-winning writers with origins in India, Pakistan, Sri Lanka, and Bangladesh engages with the complexities of domestic servitude as a problem for the nation and for the novel. Servitude, to be distinguished from slavery, is a distinctive and pervasive phenomenon in South Asia, with a long history. Unprotected by labor laws, subject to exploitation and dehumanization, members of the lower classes provide essential services to employers whose homes become the servants' workplace. South Asian literature has always featured servants, usually as marginal or instrumental. This book focuses on writers who make servants and servitude central, and craft new narrative forms to achieve their goals. Identifying a blind spot in contemporary postcolonial studies, this is the first full-length study to focus on domestic servants in Anglophone postcolonial or South Asian literature and to examine their political, thematic, and formal significance.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Offering fresh readings of well-known early to mid-20th-century writers, this book shows how South Asian English fiction conventionally keeps servants in the background, peripheral but necessary to the constitution of an elite or middle class. It analyzes closely the formal strategies, interventions, and modes of representation of five younger writers (Daniyal Mueenuddin, Romesh Gunesekera, Aravind Adiga, Thrity Umrigar, and Kiran Desai), who, it argues, pull servants and servitude into the foreground, humanizing servants as protagonists with agency, complex subjectivities, and stories of their own. Postcolonial Servitude reveals a cultural shift in the twenty-first century postcolonial novel, a new attentiveness, self-implication, and ethics, linked with a new poetics.

"In this examination of the ubiquitous figure of the domestic servant in South Asian fiction spanning the twentieth and twenty-first century, Hai illuminates the politics and aesthetics of representation with insight, rigor and compassion. This book will forever transform our understanding of the complexities of servitude fiction." -- Deepika Bahri, Emory University

"We have long needed a sensitive account of domestic servitude and its imbrication with the inadequately realized promise of decolonization. Postcolonial Servitude delivers that as well as a theorization of the violent structuring of intimacy in postcolonial life, while it makes a case for the capacity of fiction to reveal the complexities of these social relations at the same time as it performs the ability of criticism to deepen our understanding." -- Sadia Abbas, Rutgers University, Newark

Ambreen Hai is Andrew W. Mellon Professor in the Humanities, Professor and Chair of English Language and Literature, and Director of South Asian Studies at Smith College. She is affiliated faculty in the program in the Study of Women and Gender. Specializing in Anglophone postcolonial literature from South Asia, Africa and the Caribbean, and 19th-20th century literature of the British Empire, she has published widely on postcolonial and transnational writing, with a focus on South Asia and its diaspora.